The final installment in Gon'alo M. Tavares's "Kingdom" cycle to be translated into English, "Klaus Klump: A Man" is a harrowing portrait of a man without values, making his way through a world almost as immoral. Klaus takes care of the family business; he doesn't feel fear, hunger, or love. Klaus plays a game, and this game and its object consist of one thing: making money. No matter who you are, Klaus thinks, there is only one thing of importance: to win rather than lose.
"One morning late in May, between three and six A.M., a group of lonely men and women wait to be brought together, like the elements in an equation. Ernst Spengler is about to throw himself out his window. Mylia, terminally ill and in enormous pain, goes out to visit a church. Hinnerk Obst, who's always been told by the neighborhood children that he looks like a murderer, walks the streets with a loaded gun. As these characters are manipulated and brought together, a world of violence, fear, pain, and uncertainty is portrayed, where human nature itself, and the mechanisms determining our actions, our fictions, and the elements of our imagination, are laid bare. Jerusalem is a terrifying and grimly humorous summation of the possibilities and limits of the human condition at the beginning of the 21st century." --Book Jacket.
A major discovery, with echoes of Clarice Lispector, Llansol's groundbreaking linked novellas present her unique literary vision of writing as lived life, conjuring historical figures and their ideas into her world. "I live what I have written (and what I have yet to write), as posthumous work. Its longevity will outlive mine. It will have to exist by itself."
Naoto Matsubara works in a Tokyo publishing house, though the work doesn’t particularly interest him. What does interest him, we soon discover, is the purpose of life. Naoto ponders the powers of love, attachment, and mutual care by examining closely his own friends and lovers, searching out how exactly his connection to them confers meaning on his life. Along the way, Naoto also draws on the thought of many writers and philosophers, including Tolstoy, Fromm, and Mishima.
These essayistic short stories, penned over a thirty-year period, follow Fabian, Mihkel Mutt’s strange and self-indulgent alter ego, and his adventures in newly independent Estonia. Mutt’s stories highlight the lingering absurdities of the previous Soviet regime, at the same time taking ironic aim at the triumphs and defeats, the virtues and vices of the Estonian intelligentsia.
Beauty Looks Down On Me is a collection of by turns sad and funny stories about the thwarted expectations of the young as they grow older. HeeKyung’s characters are misfits who by virtue of their bodies or their lack of social status are left to dream of momentous changes that will never come. Unsatisfied with work, with family, with friends, they lose themselves in diets, books, and blogs. Heekyung’s collection humorously but humanely depicts the loneliness and monotony found in many modern lives.
The protagonist has Egyptian roots going back many generations: on her father’s side, to the expulsion of the Jews of Spain in 1492, when seven brothers of the Kastil family (from Castilla) landed on the Gaza coast after many trials and tribulations. Her mother’s side goes back even further, to the only family that Jewish history has ignored: the ones who said “No” to Moses and stayed in Egypt. After migrating to Israel in the 1950s and settling on a kibbutz—from which they were soon expelled for Stalinism—this storied clan moved to Tel Aviv. In this unconventional family saga, Orly Castel-Bloom blends fact with fiction, history with legend, reimagining the lives of her forebears in unforgettable prose.
Life of a Bishop's Assistant is a "rewritten" biography of the 18th century historical figure, Gavriil Dobrinin. The son of a priest, he became an assistant to a bishop before being fortunate to rise all the way to gubernia procurator. Despite the obscurity of Dobrinin, it is Shklovsky's narration of his story that takes center stage. Like Zoo, or Letters Not About Love, Life of a Bishop's Assistant is a notable example of experimentation with narrative form in the early twentieth century by one of its leading theorists.
13 October —01 and inching toward midnight, Lieutenant Frances Villegas sits at a Steinway trying desperately to play Stravinsky’s Petrushka while the Colonel watches, wheezing from a wing chair. They are waiting on the enigmatic voice of the people, Adjutant General Arjún J. Joglar, due to arrive at any minute from Lares. Downstairs, Baldomero Richter, presiding over a captive body stripped bare of clothes, hair, genitals, and one ear, awaits an order to terminate. It is the eve of the Evangelist Insurrection and in a few hours the great city of XXX XXXX will go up in smoke, swallowed by the warm waters of the Caribbean. All of this to declare, finally, independence. 2 March 1917, the Jones-Shafroth Act determined that Puerto Ricans would forever thereafter be mainland American citizens. One hundred years later, The Sovereign marks the centennial anniversary of the Jones Act as both paean and polemic for the history of the island nation. A hybrid chronicle stretching itself in every temporal direction, the charming magical realism of the Latin Boom (that forgot about Puerto Rico) is here warped by the uncanny spectacle of an emancipated colonial imaginary. The Sovereign is an extended meditation on what it means to be ecstatically free—and the blood price a people must pay for that freedom.
