College. For many, it is a place of learning, self-discovery, and growth. But as much as parents don't want to admit it, college is also a time of unabashed exploration, especially for the MTV-drenched and Howard Stern Radio Show-soaked kids of the 1990s. So, it makes perfect sense that The Kissing Show, a performance based on the international bestseller The Art of Kissing, became a near-overnight sensation. Born out of William Cane's Judd Apatow-like desire to woo the woman of his dreams, The Kissing Show appeared at over 400 colleges and universities across the nation. Kissing U.S.A. reveals it all in a sexy (and sometimes shocking) behind-the-scenes look at all the things that were part of making the The Kissing Show a sensation: The comedic and surprising foibles of Cane's own love life The power of listening to and understanding your audience Dealing with competition from drag queens The importance of having a "less-than-ideal" muse The fact that almost anything can be a source of inspiration--if spun the right way Join Cane as he recounts his meteoric rise in the college lecture and entertainment circuit through all the good, the bad, and the awkward kisses that took North American colleges by storm. Who knew playing dentist could ever be a turn-on?
This reference helps readers navigate the perilous odyssey those of an LGBTQ orientation had to face in an age less enlightened than our own, when an attraction to members of the same gender could lead to horrendous abuse. Just as American society has changed dramatically from decade to decade, so has queer cinema. Taking us from a time when LGBTQ characters were often represented as either caricatures or figures of farce, this lively yet authoritative reference explores the sea change ushered in by such stars as Greta Garbo and Marlene Dietrich in the 1930s and '40s, androgynous figures such as Montgomery Clift, James Dean, and Marlon Brando in the '50s, and closeted gay men such as Rock Hudson and Liberace, whose double lives were exposed by the scourge of AIDS. Included are alphabetically arranged entries on stars, directors, films, themes, and other topics related to queer cinema in America, including films and persons from outside the U.S. who nonetheless figured prominently in America popular culture. Entries cite works for further reading, sidebars provide snippets of interesting trivia, a timeline highlights key events, and a selected, general, end-of-work bibliography cites the most important major works on the topic.
In The American H.D., Annette Debo considers the significance of nation in the artistic vision and life of the modernist writer Hilda Doolittle. Her versatile career stretching from 1906 to 1961, H.D. was a major American writer who spent her adult life abroad; a poet and translator who also wrote experimental novels, short stories, essays, reviews, and a children’s book; a white writer with ties to the Harlem Renaissance; an intellectual who collaborated on avant-garde films and film criticism; and an upper-middle-class woman who refused to follow gender conventions. Her wide-ranging career thus embodies an expansive narrative about the relationship of modernism to the United States and the nuances of the American nation from the Gilded Age to the Cold War. Making extensive use of material in the Beinecke Rare Book and Manuscript Library at Yale—including correspondences, unpublished autobiographical writings, family papers, photographs, and Professor Norman Holmes Pearson’s notes for a planned biography of H.D.—Debo’s American H.D. reveals details about its subject never before published. Adroitly weaving together literary criticism, biography, and cultural history, The American H.D. tells a new story about the significance of this important writer. Written with clarity and sincere affection for its subject, The American H.D. brings together a sophisticated understanding of modernism, the poetry and prose of H.D., the personalities of her era, and the historical and cultural context in which they developed: America’s emergence as a dominant economic and political power that was riven by racial and social inequities at home.
This book arose from a conference, supported by the Royal Historical Society, which took place at Institute of Historical Research, University of London. The event was held under the auspices of the Bedford Center for the History of Women, Royal Holloway, University of London.
Ancestry magazine focuses on genealogy for today’s family historian, with tips for using Ancestry.com, advice from family history experts, and success stories from genealogists across the globe. Regular features include “Found!” by Megan Smolenyak, reader-submitted heritage recipes, Howard Wolinsky’s tech-driven “NextGen,” feature articles, a timeline, how-to tips for Family Tree Maker, and insider insight to new tools and records at Ancestry.com. Ancestry magazine is published 6 times yearly by Ancestry Inc., parent company of Ancestry.com.