RUBY CRANE IS a rising star. At 15, she sold her first book, got a movie deal, scored the hottest guy in school, and became the most popular student at Frasier High. Now, as a soon-to-be junior and published author, she's ready to make waves in New York's literary world. But every star falls back to earth one day. Ruby's accused of plagiarism - on national television. And the worst part is that the proof of her literary lies is indisputable. Her friends won't return her phone calls. Her boyfriend's gone AWOL. The media vultures are flying low, and they want answers. So Ruby does what any self-respecting headline would do. She disappears. And that's when her story really begins.
This is a true-crime story of the murder of an art form: punk rock. Gina Arnold has been witness to this gradual annihilation, and she's not shy about pointing out the perpetrators: Tipper Gore, Rolling Stone, Geffen Records, Miller beer, and even the progenitors of punk themselves, the Sex Pistols, are all implicated in the demise of independent music. In Route 666: On the Road to Nirvana, Gina Arnold gave us a road map to the defiant fury that shaped punk's harsh, musical bloodletting. But now Kurt Cobain is dead. And Courtney Love is playing shows sponsored by beer companies, MasterCard is financing the Monsters of Rock tour, and the Red Hot Chili Peppers are sporting free Airwalk sneakers. Arnold knows something has gone terribly wrong. Bad Religion, Metallica, Rancid, Rage Against the Machine, Soundgarden, Smashing Pumpkins, Green Day, Pearl Jam, the Fastbacks, Beastie Boys, Nine Inch Nails--find out who sold out, who stayed real, and what independent music must do now to regain its lost edge. In 1978 Sid Vicious mocked a Sinatra classic with his version of "My Way." Well, it's 1997, and punk has lost its way. In Kiss This Gina Arnold just may show it the way home.
(This book contains mature content, including sex and language. Not intended for readers under the age of 18) KISS THIS continues with Jay's story, a rebel of his own sort with the need for freedom and unfiltered opinions. His days of unruly behavior and risky decisions have dealt him a hand that he's still trying to overcome as he seeks to accomplish his business dreams. But the hits keep adding up. His best friend is knocked up by an ex that won't back off, a family member drops in unexpectedly and questions need answered, and the easier aspects in life are suddenly being tested beyond his control. When ultimate tragedy wreaks havoc on his life, it sends Jay over the edge. He can't seem to manage the simple things anymore and he reverts back to his old ways of shutting people out and living carelessly. He loses everything he's gained so far-everything that he didn't know he wanted-all in one ugly weekend. There is only one thing that can really save him from complete ruins, and this time it might not be so easily at his disposal. And then there is that damn McCallan pride that automatically resists help at every turn. It just may be the very thing that causes him to lose everything for good...
With over 150 photos--most of which are published here for the first time--Gene Simmons and Paul Stanley take readers on an intimate tour of the early days of KISS. Full color and b&w.
A beautifully illustrated storybook showcasing the lyrics to A Kiss Goodnight, written by Richard Sherman and heard every night at Walt Disney World and Disneyland during the fireworks shows.
Published in conjunction with the band, KISS: 1977 - 1980 is the definitive photographic chronicle of KISS at the height of their popularity, showcasing the band on and off stage, in the photo studio, and in unguarded candid moments. From her archive, Goldsmith has compiled fan favorites as well as many never-before-seen photographs, all which perfectly capture the enduring phenomenon that is KISS. Chances are you've seen numerous iconic pictures by award-winning photographer Lynn Goldsmith, who has photographed every important rock musician and band of the late twentieth century: The Rolling Stones, Bruce Springsteen, The Police, Talking Heads, Frank Zappa, Bob Dylan, and Patti Smith, among many others. KISS rose to meteoric prominence with their extravagant live performances featuring fire-breathing, blood spitting, guitars bursting into flames, shooting rockets, levitating drum kits, and pyrotechnic showpieces. With makeup and costumes, Paul Stanley, Gene Simmons, Peter Criss, and Ace Frehley created characters and origin stories similar to comic book characters: the Starchild, the Demon, the Space Ace, and the Catman. When put all together, it wasn’t just a stadium rock concert, it was dynamic performance art that is still on the road today! Goldsmith, Stanley, and Simmons have created this book as a thanks to the KISS Army, many of whom have been devoted to the band for more than 40 years and have brought their children and grandchildren into appreciating the music, as well as the spectacle of the band’s live performances. With a simple matte white laminated padded cover that highlights the KISS logo and edged with gilding, the end result could be compared to a kind of bible, holding the relics that their supporters cherish.
A look at the realities of dating and intimacy, Can I Kiss You? reveals why asking first before "making a move" makes a difference. Includes advice, real-life scenarios, and interactive exercises to add romance, build respect, and heighten awareness of sexual misconduct and assault.
Andy is a fast runner. But not fast enough to outrun Auntie Elsie. When Auntie Elsie breaks her leg and stops coming to visit, Andy begins to miss Aunt Elsie and her sloppy kisses. Then one day, a taxi pulls by the gate and out come two crutches. Now it's Andy's turn to get Aunt Elsie.
