In this lyrical, poetic, and charmingly funny book, Laurie Gough drives from Ontario to California reflecting on a life spent travelling in search of new experiences and familiar sensations. Heading towards a half-remembered cave on the Pacific coast where her younger, more adventurous self once stayed, she recalls adventures in Sumatra, the Yukon and many places in between—and wonders what compels her to keep moving through life while everyone else has found a place to belong.
Joni Mitchell is one of the most celebrated artists of the last half century, and her landmark 1971 album, Blue, is one of her most beloved and revered works. Generations of people have come of age listening to the album, inspired by the way it clarified their own difficult emotions. Critics and musicians admire the idiosyncratic virtuosity of its compositions. Will You Take Me As I Am -- the first book about Joni Mitchell to include original interviews with her -- looks at Blue to explore the development of an extraordinary artist, the history of songwriting, and much more. In extensive conversations with Mitchell, Michelle Mercer heard firsthand about Joni's internal and external journeys as she composed the largely autobiographical albums of what Mercer calls her Blue Period, which lasted through the mid-1970s. Incorporating biography, memoir, reportage, criticism, and interviews into an illuminating narrative, Mercer moves beyond the "making of an album" genre to arrive at a new form of music writing. In 1970, Mitchell was living with Graham Nash in Laurel Canyon and had made a name for herself as a so-called folk singer notable for her soaring voice and skillful compositions. Soon, though, feeling hemmed in, she fled to the hippie cave community of Matala, Greece. Here and on further travels, her compositions were freshly inspired by the lands and people she encountered as well as by her own radically changing interior landscape. After returning home to record Blue, Mitchell retreated to British Columbia, eventually reemerging as the leader of a successful jazz-rock group and turning outward in her songwriting toward social commentary. Finally, a stint with Bob Dylan's Rolling Thunder Revue and a pivotal meeting with the Tibetan lama ChÖgyam Trungpa prompted Mitchell's return to personal songwriting, which resulted in her 1976 masterpiece album, Hejira. Mercer interlaces this fascinating account of Mitchell's Blue Period with meditations on topics related to her work, including the impact of landscape on music, the value of autobiographical songwriting for artist and listener, and the literary history of confessionalism. Mercer also provides rich analyses of Mitchell's creative achievements: her innovative manner of marrying lyrics to melody; her inventive, highly expressive chords that achieve her signature blend of wonder and melancholy; how she pioneered personal songwriting and, along with Bob Dylan and Leonard Cohen, brought a new literacy to the popular song. Fans will appreciate the previously unpublished photos and a coda of Mitchell's unedited commentary on the places, books, music, pastimes, and philosophies she holds dear. This utterly original book offers a unique portrait of a great musician and her remarkable work, as well as new perspectives on the art of songwriting itself.
Cliff Hardy, with his PI licence cancelled and his career in Sydney at an end, is preparing for a trip overseas. Cleaning out his office, he comes across an open file - an unresolved case from the 1980s. He starts reading and is thrown back to his investigation of the disappearance of Justin Hampshire. At first glance a straightforward missing person matter, the investigation took on twists and turns involving military history, Sydney criminals and corruption at high levels. The Hampshire case took Cliff from the south coast to the Blue Mountains and posed some unresolved questions which have preyed on his mind for 20 years.
The third and final volume in the spirited and witty memoir series. Picking up her story in the late '60s at age 21, Cathy Gildiner whisks the reader through five years and three countries, beginning when she is a poetry student at Oxford. Her education extended beyond the classroom to London's swinging Carnaby Street, the mountains of Wales, and a posh country estate. After Oxford, Cathy returns to Cleveland, Ohio, which was still reeling from the Hough Ghetto Riots. Not one to shy away from a challenge, she teaches at a high school where police escort teachers through the parking lot. There, she tries to engage apathetic students and tussles with the education authorities. In 1970, Cathy moves to Canada. While studying literature at the University of Toronto, she rooms with members of the FLQ (Quebec separatists) and then with one of the biggest drug dealers in Canada. Along the way, she falls in love with the man who eventually became her husband and embarks on a new career in psychology. Coming Ashore brings readers back to a fascinating era populated by lively characters, but most memorable of all is the singular Cathy McClure. The BackLit bonus content includes a reader’s guide, Q&A with the author, and more.
This best-selling, award-winning series presents the finest accounts of women who have traveled to the ends of the earth to discover new places, peoples — and themselves. The common threads connecting the stories are a woman’s perspective and lively storytelling to make the reader laugh, cry, wish she were there, or be glad she wasn’t. From breaking the gender barrier on a soccer field in Kenya to learning the art of French cooking in a damp cellar in the Loire Valley to hitchhiking through Mexico in the 1960s, the points of view and perspectives are global and the themes eclectic, including stories that encompass spiritual growth, hilarity and misadventure, high adventure, romance, solo journeys, stories of service to humanity, family travel, and encounters with exotic cuisine.
From the creator and director of Transparent and Emmy-nominated writer for Six Feet Under comes a hilarious and unforgettable memoir. When Jill Soloway was just thirteen, she and her best friend donned the tightest satin pants they could find, poufed up their hair and squeezed into Candies heels, then headed to downtown Chicago in search of their one-and-only true loves forever: the members of whichever rock band was touring through town. Never mind that both girls still had braces, coke-bottle-thick glasses and had only just bought their first bras—they were fabulous, they felt beautiful, they were tiny ladies in shiny pants. Now that Jill is all grown up and a successful writer and producer, she can look back on her tiny self and share her shiny tales with fondness, absurdity, and obsessive-compulsive attention to even the most embarrassing details. From the highly personal (conflating her own loss of virginity and the Kobe Bryant accusations), to the political (what she has in common with Monica and Chandra), to the outrageously Los Angelean (why women wear huge diamonds and what they must do to get them), Tiny Ladies in Shiny Pants is a genre-defying combination of personal essay and memoir, or a hilarious, unruly and unapologetic evaluation of society, religion, sex, love, and—best of all—Jill.
Since the publication of A Woman's World in 1995, Travelers' Tales has been publishing award-winning books by and for women. We continue this tradition with The Best Women's Travel Writing 2009, the fifth collection in our annual series guaranteed to inspire women to take their first trip-or to continue exploring the world with wit, soul, and verve, as so many adventurous women do each and every day. This best-selling, award-winning series presents the finest accounts of women who have traveled to the ends of the earth to discover new places, peoples - and themselves. The common threads connecting the stories are a woman's perspective and lively storytelling to make the reader laugh, cry, wish she were there, or be glad she wasn't. From breaking the gender barrier on a soccer field in Kenya to learning the art of French cooking in a damp cellar in the Loire Valley to hitchhiking through Mexico in the 1960s, the points of view and perspectives are global and the themes eclectic, including stories that encompass spiritual growth, hilarity and misadventure, high adventure, romance, solo journeys, stories of service to humanity, family travel, and encounters with exotic cuisine. In The Best Women's Travel Writing 2009:In Kenya, an American woman breaks the gender barrier on the soccer field. In the damp cellar of a Loire Valley chateaux, an American learns French and the art of """"creative"""" cooking. In Newfoundland, a kayaker gets up close and personal with icebergs and whales. An intrepid traveler canoes down the Amazon-at night. A 40-something motorbike rider braves a 1,550-mile race through China. In the Bahaman resort Atlantis, three sisters become seduced by the """"hyperreal""""-and remember the art of play. ...and much more.
Booklist Top of the List Reference Source The heir and successor to Eric Partridge's brilliant magnum opus, The Dictionary of Slang and Unconventional English, this two-volume New Partridge Dictionary of Slang and Unconventional English is the definitive record of post WWII slang. Containing over 60,000 entries, this new edition of the authoritative work on slang details the slang and unconventional English of the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge's own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English published sources given for each entry, often including an early or significant example of the term’s use in print. hundreds of thousands of citations from popular literature, newspapers, magazines, movies, and songs illustrating usage of the headwords dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning New to this edition: A new preface noting slang trends of the last five years Over 1,000 new entries from the US, UK and Australia New terms from the language of social networking Many entries now revised to include new dating, new citations from written sources and new glosses The New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language.
Laurie Gough’s son was a regular, bright, unicycle-riding kid, until the day his grandpa died, when a tidal wave of uncontrollable thoughts consumed him. He became an echo of himself, a near-stranger dominated by bizarre rituals dreamed up to bring his grandpa back to life. Gough’s family took on the battle against OCD and won.
