A novel set in a near-future world of hunger and hibernation: “[An] intriguing and timely premise . . . executed with verve.” —Alison Moore, Man Booker Prize finalist and author of Missing The Earth’s resources are dwindling. The solution is The Sleep. Inside a hibernating city, Ben struggles with his limited waking time and the disease stealing his wife from him. Watching over the sleepers, lonely janitor Peruzzi craves the family he never knew. Everywhere, dissatisfaction is growing. And the city is about to wake . . . “A haunting vision of the near-future with expert world-building and rich complex characters.” —Temi Oh, Alex Award–winning author of More Perfect “A challenging dystopia for our time.” —Aliya Whiteley, Arthur C. Clarke Award finalist and author of Skyward Inn
The #1 New York Times bestseller and “compulsive page-turner” (The Atlanta Journal-Constitution) about a reluctant clairvoyant man who must weigh his options when he suddenly sees the terrible future awaiting mankind—from master storyteller Stephen King. When Johnny Smith was six years old, head trauma caused by a bad ice-skating accident left him with a nasty bruise on his forehead and, from time to time, those hunches…infrequent but accurate snippets of things to come. But it isn’t until Johnny’s a grown man—now having survived a horrifying auto injury that plunged him into a coma lasting four-and-a-half years—that his special abilities really push to the fore. Johnny Smith comes back from the void with an extraordinary gift that becomes his life’s curse…presenting visions of what was and what will be for the innocent and guilty alike. But when he encounters a ruthlessly ambitious and amoral man who promises a terrifying fate for all humanity, Johnny must find a way to prevent a harrowing predestination from becoming reality.
When the H1N1 "Swine Flu" virus mutates it begins to not only kill those who have received the vaccination, but also bring on the unthinkable: the dead reanimate. Cole Helman and his friends are not only survival experts, they've spent hours discussing and preparing for just this event and quickly head to the hills before the cities become clogged with looting and riots. But the group knows all too well that the living dead are just the beginning of their problems, and they'll eventually have to deal with the worst qualities of the living-desperation, greed, selfishness, and cruelty-in this new post-apocalyptic world. And a chance encounter at a secret military installation may reveal a conspiracy bigger than any of them had imagined... Straight out of the apocalypse comes the chronicle of one small group and their experiences with life and death, survival and loss. In a world of the living dead, is one man capable of maintaining not only his community, but his own sanity?
A revealing and dramatic chronicle of the twelve months leading up to Dr. Martin Luther King, Jr.'s assassination. Martin Luther King, Jr. died in one of the most shocking assassinations the world has known, but little is remembered about the life he led in his final year. New York Times bestselling author and award-winning broadcaster Tavis Smiley recounts the final 365 days of King's life, revealing the minister's trials and tribulations -- denunciations by the press, rejection from the president, dismissal by the country's black middle class and militants, assaults on his character, ideology, and political tactics, to name a few -- all of which he had to rise above in order to lead and address the racism, poverty, and militarism that threatened to destroy our democracy. Smiley's Death of a King paints a portrait of a leader and visionary in a narrative different from all that have come before. Here is an exceptional glimpse into King's life -- one that adds both nuance and gravitas to his legacy as an American hero.
The sixth installment of Bernard Cornwell’s New York Times bestselling series chronicling the epic saga of the making of England, “like Game of Thrones, but real” (The Observer, London)—the basis for The Last Kingdom, the hit television series. As the ninth century wanes, Alfred the Great lies dying, his lifelong goal of a unified England in peril, his kingdom on the brink of chaos. Though his son, Edward, has been named his successor, there are other Saxon claimants to the throne—as well as ambitious pagan Vikings to the north. Torn between his vows to Alfred and the desire to reclaim his long-lost ancestral lands in the north, Uhtred, Saxon-born and Viking-raised, remains the king’s warrior but has sworn no oath to the crown prince. Now he must make a momentous decision that will forever transform his life and the course of history: to take up arms—and Alfred’s mantle—or lay down his sword and let his liege’s dream of a unified kingdom die along with him.
The extraordinary history of Middle-earth, edited by Christopher Tolkien The Book of Lost Tales stands at the beginning of the entire conception of Middle-earth and Valinor. Embedded in English legend and English association, they were set in the narrative frame of a great westward voyage over the Ocean by a mariner named Eriol (or Ælfwine) to Tol Eressëa, the Lonely Isle, where Elves dwelt; from them he learned their true history, the Lost Tales of Elfinesse. In the Tales are found the earliest accounts and original ideas of Gods and Elves; Dwarves and Orcs; the Silmarils and the Two Trees of Valinor; Nargothrond and Gondolin; and the geography and cosmology of the invented world. Praise for Book of Lost Tales 1 “In these tales we have the scholar joyously gamboling in the thickets of his imagination. . . . A commentary and notes greatly enrich the quest.”—The Daily Telegraph “Affords us an almost over-the-shoulder view into the evolving creative process and genius of J.R.R. Tolkien in a new, exciting aspect . . .The superb, sensitive, and extremely helpful commentary and editing done by Christopher Tolkien make all of this possible.”—Mythlore
The heist of the century has taken place in Egypt's Valley of the Kings, and Vicki's on/off boyfriend, Sir John Smythe, is a prime suspect. Despite his insistence that he is no longer in the business of stealing antiquities and art objects, even Vicky isn't one hundred percent certain he has not fallen back into his old habits. Pursued by Interpol, the Egyptian police, rival gangs of illicit antiquities thieves, and (worse of all) Vicky's inquisitive boss, Anton Z. Schmidt, she and John set out on a wild chase across Europe and Egypt in an attempt to clear him by finding the real culprits and retrieving the stolen object.
From the author of the bestselling The Dangerous Book for Boys “Brilliant…stunning,” raved the Los Angeles Times about Conn Iggulden’s first novel, Emperor: The Gates of Rome. “Iggulden is a grand storyteller,” declared USA Today. Now Iggulden returns to the landscape of ancient Rome and the life of Julius Caesar in a new novel filled with all the sumptuous storytelling that distinguished his first book. Sweeping from the windswept, pirate-ruled seas to the stifling heat of the Roman senate, Iggulden takes us further down the path to glory as Julius Caesar comes into his own as a man, warrior, senator, husband, leader. In a sweltering, sparsely settled region of North Africa, a band of disheveled soldiers turn their eyes toward one man among them. Ragged, dirty, and half starved, the men will follow their leader into the mad, glorious fight for honor and revenge that only he wants to fight. Their leader is named Julius Caesar. The soldiers are Roman legionaries. And their quarry is a band of pirates who made the mistake of seizing Julius Caesar—and holding him for ransom. Now, to get his revenge, Caesar will turn peasants into soldiers, building a shipborne fighting force that will not only decimate a pirate fleet but will dominate the Mediterranean, earning him the coveted title Military Tribune of Rome. While Caesar builds a legend far from Rome, his friend Gaius Brutus is fighting battles of another sort, rising to power in the wake of the shocking assassination of a dictator. Once Brutus and Caesar were as close as brothers, both devoted to the same ideals and attracted to the same forbidden woman. Now, when Caesar returns—with the winds of glory at his back—they will find themselves at odds. For each has built an army of elite warriors—Caesar’s forged in far-flung battles, Brutus’ from Rome’ s political killing fields. But in an era when men die for their treachery and their allegiances, the two men will soon be united by a shock wave from the north. There, a gladiator named Spartacus is gathering strength, building an army of seventy thousand desperate slaves—to fight a cataclysmic battle against Rome itself. Filled with unforgettable images—from the death throes of a king to the birth of Caesar’s child, from the bloody battlefields of Greece to the silent passion of lovers—Emperor: The Death of Kings is an astounding work, a stunning blend of vibrant history and thrilling fiction.
Like their regal counterparts in societies around the globe, ancient Maya rulers departed this world with elaborate burial ceremonies and lavish grave goods, which often included ceramics, red pigments, earflares, stingray spines, jades, pearls, obsidian blades, and mosaics. Archaeological investigation of these burials, as well as the decipherment of inscriptions that record Maya rulers' funerary rites, have opened a fascinating window on how the ancient Maya envisaged the ruler's passage from the world of the living to the realm of the ancestors. Focusing on the Classic Period (AD 250-900), James Fitzsimmons examines and compares textual and archaeological evidence for rites of death and burial in the Maya lowlands, from which he creates models of royal Maya funerary behavior. Exploring ancient Maya attitudes toward death expressed at well-known sites such as Tikal, Guatemala, and Copan, Honduras, as well as less-explored archaeological locations, Fitzsimmons reconstructs royal mortuary rites and expands our understanding of key Maya concepts including the afterlife and ancestor veneration.
Elesin Oba, the King's Horseman, has a single destiny. When the King dies, he must commit ritual suicide and lead his King's favourite horse and dog through the passage to the world of the ancestors. A British Colonial Officer, Pilkings, intervenes to prevent the death and arrests Elesin. The play is a set text for NEAB GCSE, NEAB A Level and NEAB A/S Level. 'A masterpiece of 20th century drama' - Guardian "A transfixing work of modern world drama" (Independent); "clearly a masterpiece. . . he achieves the full impact of Greek tragedy" (Irving Wardle, Independent on Sunday); "the action of the play is as inevitable and eloquent as in Antigone: a clash of values and cultures so fundamental that tragedy issues: a tragedy for each individual, each tribe" (Michael Schmidt, Daily Telegraph)
