"In this new book, James P. Carley, a leading scholar in the emerging field of book history, describes Henry VIII's libraries and shows their key role in providing a more intimate understanding of this seemingly familiar monarch and his consorts. The books of the wives, moreover, show them to have been as independent and innovative as the king himself. The extensive illustrations allow us to examine both the bindings and the contents of the collection, and also provide us with examples of his immediate voice in the form of the marginalia that he inserted into his books."--BOOK JACKET.
The New York Times bestselling history of the legendary six wives of Henry VIII--from the acclaimed author of Marie Antoinette. Under Antonia Fraser's intent scrutiny, Catherine of Aragon emerges as a scholar-queen who steadfastly refused to grant a divorce to her royal husband; Anne Boleyn is absolved of everything but a sharp tongue and an inability to produce a male heir; and Catherine Parr is revealed as a religious reformer with the good sense to tack with the treacherous winds of the Tudor court. And we gain fresh understanding of Jane Seymour's circumspect wisdom, the touching dignity of Anna of Cleves, and the youthful naivete that led to Katherine Howard's fatal indiscretions. The Wives of Henry VIII interweaves passion and power, personality and politics, into a superb work of history.
'An outstanding work of historical artistry, a brilliantly woven and pacy story of the men who surrounded, influenced and sometimes plagued Henry VIII.' Alison Weir Henry VIII is well known for his tumultuous relationships with women, and he is often defined by his many marriages. But what do we see if we take a different look? When we see Henry through the men in his life, a new perspective on this famous king emerges. Henry's relationships with the men who surrounded him reveal much about his beliefs, behaviour and character. They show him to be capable of fierce, but seldom abiding loyalty; of raising men only to destroy them later. He loved to be attended and entertained by boisterous young men who shared his passion for sport, but at other times he was more diverted by men of intellect, culture and wit. Often trusting and easily led by his male attendants and advisers during the early years of his reign, he matured into a profoundly suspicious and paranoid king whose favour could be suddenly withdrawn, as many of his later servants found to their cost. His cruelty and ruthlessness would become ever more apparent as his reign progressed, but the tenderness that he displayed towards those he trusted proves that he was never the one-dimensional monster that he is often portrayed as. In this fascinating and often surprising new biography, Tracy Borman reveals Henry's personality in all its multi-faceted, contradictory glory.
“Fascinating . . . Alison Weir does full justice to the subject.”—The Philadelphia Inquirer At his death in 1547, King Henry VIII left four heirs to the English throne: his only son, the nine-year-old Prince Edward; the Lady Mary, the adult daughter of his first wife Katherine of Aragon; the Lady Elizabeth, the teenage daughter of his second wife Anne Boleyn; and his young great-niece, the Lady Jane Grey. In this riveting account Alison Weir paints a unique portrait of these extraordinary rulers, examining their intricate relationships to each other and to history. She traces the tumult that followed Henry's death, from the brief intrigue-filled reigns of the boy king Edward VI and the fragile Lady Jane Grey, to the savagery of "Bloody Mary," and finally the accession of the politically adroit Elizabeth I. As always, Weir offers a fresh perspective on a period that has spawned many of the most enduring myths in English history, combining the best of the historian's and the biographer's art. “Like anthropology, history and biography can demonstrate unfamiliar ways of feeling and being. Alison Weir's sympathetic collective biography, The Children of Henry VIII does just that, reminding us that human nature has changed--and for the better. . . . Weir imparts movement and coherence while re-creating the suspense her characters endured and the suffering they inflicted.”—The New York Times Book Review
A “brilliantly written and meticulously researched” biography of royal family life during England’s second Tudor monarch (San Francisco Chronicle). Either annulled, executed, died in childbirth, or widowed, these were the well-known fates of the six queens during the tempestuous, bloody, and splendid reign of Henry VIII of England from 1509 to 1547. But in this “exquisite treatment, sure to become a classic” (Booklist), they take on more fully realized flesh and blood than ever before. Katherine of Aragon emerges as a staunch though misguided woman of principle; Anne Boleyn, an ambitious adventuress with a penchant for vengeance; Jane Seymour, a strong-minded matriarch in the making; Anne of Cleves, a good-natured woman who jumped at the chance of independence; Katherine Howard, an empty-headed wanton; and Katherine Parr, a warm-blooded bluestocking who survived King Henry to marry a fourth time. “Combin[ing] the accessibility of a popular history with the highest standards of a scholarly thesis”, Alison Weir draws on the entire labyrinth of Tudor history, employing every known archive—early biographies, letters, memoirs, account books, and diplomatic reports—to bring vividly to life the fates of the six queens, the machinations of the monarch they married and the myriad and ceaselessly plotting courtiers in their intimate circle (The Detroit News). In this extraordinary work of sound and brilliant scholarship, “at last we have the truth about Henry VIII’s wives” (Evening Standard).
Hear Ye, Hear Ye! Travel to the age of the Renaissance and learn why Henry VIII is one of the most famous kings in English history. Mainly remembered for his six marriages and his self-appointment as the "Supreme Head of the Church of England," Henry VIII was also attractive, educated, and athletic. When Henry Tudor ascended to the English thrown at the age of 17, his reign looked promising. But by the time of his death in 1547, King Henry VIII was characterized as an extremely egotistical, harsh, and insecure king. Though Henry VIII's legacy isn't free from scandal, his monarchy thrived due to the achievements of his daughter Queen Elizabeth I.
Henry VIII used his wardrobe, and that of his family and household, as a way of expressing his wealth and magnificence. This book encompasses the first detailed study of male and female dress worn at the court of Henry VIII (1509-47) and covers the dress of the king and his immediate family, the royal household and the broader court circle. Henry VIII's wardrobe is set in context by a study of Henry VII's clothes, court and household. ~ ~ As none of Henry VIII's clothes survive, evidence is drawn primarily from the great wardrobe accounts, wardrobe warrants, and inventories, and is interpreted using evidence from narrative sources, paintings, drawings and a small selection of contemporary garments, mainly from European collections. ~ ~ Key areas for consideration include the king's personal wardrobe, how Henry VIII's queens used their clothes to define their status, the textiles provided for the pattern of royal coronations, marriages and funerals and the role of the great wardrobe, wardrobe of the robes and laundry. In addition there is information on the cut and construction of garments, materials and colours, dr given as gifts, the function of livery and the hierarchy of dress within the royal household, and the network of craftsmen working for the court. The text is accompanied by full transcripts of James Worsley's wardrobe books of 1516 and 1521 which provide a brief glimpse of the king's clothes.
This volume is made up of five volumes of books associated with Henry VIII: one (H1) undertaken by an unnamed Frenchman at Richmond Palace in 1535, the second (H2) part of a general inventory at Westminster Palace in 1542. the third (H3) an account from the King's Printer Thomas Berthelet for the years 1541-43, the fourth (H4) a select list of books in the royal library seen by John Bale c.1548, and finally (H5) book titles extracted from the post-mortem inventories of Henry VIII's palaces. Using the evidence of inventory numbers in surviving books, moreover, it has been possible to recreate a lost list of more than 500 books which were brought to Westminster (primarily from Hampton Court and Greenwich) between 1542 and 1548 and this 'list' has been appended to the Westminster inventory. Although the library at Westminster contained printed books and books deriving from Henry's ancestors, a goodly number were monastic 'loot' and the lists show the sort of material John Leland and others considered worth rescuing. A considerable number of these books have left the royal library during the succeeding centuries and Carley has traced many to their modern locations. The presentation and analysis of the Westminster lists in particular leads to a different picture of the role of Henry VIII as preserver and destroyer of the monastic past than has normally been put forth.
This compelling new account of Henry VIII is by no means yet another history of the ‘old monster’ and his reign. The ‘monster’ displayed here is, at the very least, a newer type, more beset by anxieties and insecurities, and more tightly surrounded by those who equated loyalty with fear, self-interest and blind obedience. This ground-breaking book also demonstrates that Henry VIII’s priorities were always primarily martial rather than marital, and accepts neither the necessity of his all-consuming quest for a male heir nor his need ultimately to sever ties with Rome. As the story unfolds, Henry’s predicaments prove largely of his own making, the paths he chooses neither the only nor the best available. For Henry VIII was not only a bad man, but also a bad ruler who failed to achieve his aims and blighted the reigns of his two immediate successors.Five hundred years after he ascended the throne, the reputation of England’s best known king is being rehabilitated and subtly sanitized. Yet Tudor historian John Matusiak paints a colourful and absorbingly intimate portrait of a man wholly unfit for power.
