The base source for these data is a typewritten index for the period 1866-1980, which provides the date a marriage license was issued, names of the parties, and the location of the record in an original record (book, page, entry/line number). When possible, the license issue date has been replaced with the date of marriage. An asterisk (*) indicates data that differ between sources. Preference is given to the license information because it was created before the register. The compiler has added to these index entries: (1) data from marriage licenses or certificates, 1853-1903, and various marriage registers for the period 1871-1975; (2) the surname of a widowed bride's father in parenthesis, if given; (3) and place of birth and/or place of marriage if not in King and Queen County. If the marriage date is not found, the date given is when the marriage license was issued, and is followed by "L". Entries are arranged alphabetically by the groom's surname and include: Name of Groom, Name of Bride, Marriage or License (L) Date, and Source or Bk.-Pg.: No. An index of bride's names completes this work. 2021, 81/2x11, paper, alphabetical, index, 182 pp
" ... provides updated county and town listings within the same overall state-by-state organization ... information on records and holdings for every county in the United States, as well as excellent maps from renowned mapmaker William Dollarhide ... The availability of census records such as federal, state, and territorial census reports is covered in detail ... Vital records are also discussed, including when and where they were kept and how"--Publisher decription.
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
Hyde Genealogy, Or, The Descendants, In the Female as Well as in the Male Lines, From William Hyde, Of Norwich by Reuben Hyde Walworth, first published in 1864, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
From 1922 to 1931, Pete and Sam Carlino controlled the flow of Prohibition alcohol from southern Colorado to Denver before their empire suffered a gruesome, bloody demise. The brothers battled their own kin in the Danna family to secure southern Colorado's bootleg liquor territory. Dozens perished in their rise to power. Eventually, mafia boss Nicola Gentile intervened to settle a dispute involving the brothers' associates. Pete Carlino's grandson, author Sam Carlino, uncovers intimate photos and new revelations, including confirmation that Pete Carlino met with Salvatore Maranzano in New York and that the death of both men on September 10, 1931, may not have been a coincidence.
