(Piano Large Works). Contents: Almost Too Serious * At the Fireside * Blindman's Bluff * A Child Falling Asleep * Curious Story * Frightening * Important Event * The Knight of the Rocking-Horse * Of Strange Lands and People * Perfectly Contented * Pleading Child * The Poet Speaks * Reverie.
Whereas Schumann composed the Album for the Young for children, his Scenes from Childhood (Kinderszenen) are reflections of childhood for adults. Like many of his character pieces, Schumann notes that the 13 selections in this set were composed before their titles were assigned. Palmer's scholarly edition includes a table of suggested tempos for the works taken from early editions and from the recorded performances of various artists.
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Originally scored for symphony orchestra, Shostakovich's Jazz Suite No. 2is notable for the addition of saxophones, accordion and guitar. The appealing second waltz is in a light classical style and is wonderfully adapted for young concert bands i
There seems to be an essential relationship between the performance and the scholarship of the German Lied. Yet the process by which scholarly inquiry and performative practices mutually benefit one another can appear mysterious and undefined, in part because any dialogue between the two invariably unfolds in relatively informal environments – such as the rehearsal studio, seminar room or conference workshop. Contributions from leading musicologists and prominent Lied performers here build on and deepen these interactions to reconsider topics including Werktreue aesthetics and concert practices; the authority of the composer versus the performer; the value of lesser-known, incomplete, or compositionally modified songs; and the traditions, habits and prejudices of song recitalists regarding issues like transposition, programming and dramatic modes of presentation. The book as a whole reveals the reciprocal relevance of Lied musicology and Lied performance, thereby opening doors to fresh and exciting modes of interpretative artistry and intellectual discovery.
INDEPENDENT BOOKS OF THE YEAR This completely new edition of the Penguin Guide reviews the 1000 best classical albums issued and reissued over the past five decades, many of which dominate the catalogue because of their sheer excellence, irrespective of recording dates. More comprehensive than ever before, it indicates key recordings on CD, DVD and enhanced SACD, including those in surround sound. If you want the finest available version of any major classical album you will find it listed and assessed in these pages. Ranging from long-established albums to the newest releases, the latest edition represents the cream of the international repertoire and has all the information you need to select the finest classical music available.
As the first book of its kind, Nancy Lee Harper’s Portuguese Piano Music: An Introduction and Annotated Bibliography fills the gap in the historical record of Portuguese piano music from its start in the 18th century to the present. While although Spanish piano music is well documented owing to the reputation of such composers as Isaac Albéniz, Enrique Granados, and Manuel de Falla, our knowledge of compositions in the tradition of Portuguese piano music has not fared as well, barring the work of Carlos Seixas (1704–1742). This obscurity, however, reflects poorly on the history of early piano music in light of the many compositions written for fortepiano on behalf of the Portuguese court during the first half of the 18th century. Indeed, it was in the royal halls of King John V during his reign from 1706 to 1750 where the early fortepiano was frequently heard. In Portuguese Piano Music, Harper explores this rich musical tradition, offering a brief introduction to the pianistic history of Portugal and overviews of Portugal’s contributions to solo piano music, piano in instrumental chamber music, piano concerti, piano for multiple pianists including with works with electronics, and didactic piano. While paying close attention to female composers, Harper adds an annotated and graded bibliography that presents readers with a comprehensive inventory of compositions. Appendixes include a selected discography, list of publishers, and other types of critical source information. To further illustrate its contents, Portuguese Piano Music contains a CD on which Harper performs representative repertoire, some of which are world premieres. This work is aimed at pianists, teachers, pupils, musicologists, and music lovers seeking to discover the remarkable world of Portuguese piano music.