One Friday evening Daniel de Luc, an elusive crime writer with a deep love of poetry, disappears from a Camps Bay apartment while cooking pasta. His wife Paola, desperately worried after days of hearing nothing, is contacted by an eccentric stranger who claims to have known her missing husband under a different name and warns her not to look for him. Paola soon learns that her husband was involved in the shadowy world of the international sex industry, where well-heeled women pay men to become the anonymous fathers of their children. As her neat, controlled existence is turned inside out, Paola struggles to keep a level head and find her own humanity while trying to outwit her enemies and stay alive. The result is a fast-paced thriller that shifts between Cape Town and Paris, blending realism with the fantastic and pitting love against the attraction of sexual adventure.
From the author of Burial Rites, "a literary novel with the pace and tension of a thriller that takes us on a frightening journey towards an unspeakable tragedy" (Paula Hawkins, bestselling author of The Girl on the Train and Into the Water). Based on true events in nineteenth century Ireland, Hannah Kent's startling new novel tells the story of three women, drawn together to rescue a child from a superstitious community. Nora, bereft after the death of her husband, finds herself alone and caring for her grandson Micheal, who can neither speak nor walk. A handmaid, Mary, arrives to help Nora just as rumors begin to spread that Micheal is a changeling child who is bringing bad luck to the valley. Determined to banish evil, Nora and Mary enlist the help of Nance, an elderly wanderer who understands the magic of the old ways. Set in a lost world bound by its own laws, The Good People is Hannah Kent's startling new novel about absolute belief and devoted love. Terrifying, thrilling and moving in equal measure, this follow-up to Burial Rites shows an author at the height of her powers.
Four plays from the rich theatrical world of Catalan drama. Since the early 1990s, Catalonia has proven to the world that its rich heritage and artistic tradition are worthy of focus and study. The plays in the volume reflect the post-Franco era during which Barcelona and other parts of Catalonia have become the focal point for new dramatic expression. Joan Brossa (1919-1998) was the spiritual father of this new wave of artistic revolution in writing. His play The Quarrelsome Party is a dark family drama as surreal as any bad dream. The Audition by Rodolf Sirera has its roots in the author's anti-Franco stance. This in-the-theatre drama has the mystery cat-and-mouse playfulness of Anthony Shaffer's Sleuth. Benet i Jornet's play Desire is a Beckettian mystery play about four unnamed characters. Sergi Belbel represents the new generation of Catalan playwrights and his plays have had wide appeal abroad. In Fourplay he experiments with the idea of a sex farce and the play's 38 scenes lead to wild conclusions.
What would you do if the devil held you captive? Would you fight, or play along with his wicked games? WARNING: THIS IS A DARK NOVEL. IT IS NOT INTENDED FOR THE FAINT OF HEART. THERE ARE SCENES WITH EXTREME HORROR AND BRUTAL TREATMENT AS WELL AS ABUSE. THIS BOOK IS INTENDED FOR THOSE 18 YEARS OR OLDER DUE TO ITS GRAPHIC NATURE. THERE ARE SCENES WHICH INCLUDE CONSENSUAL AND NON-CONSENSUAL SEX. IF YOU HAVE TRIGGERS, IT IS NOT RECOMMENDED THAT YOU READ THIS NOVEL. READ AT YOUR OWN RISK. Amelia: My entire life I've lived in my father's shadow. As the Mayor's daughter, I'm expected to maintain a pristine reputation. Everything must be perfect. My days of tutors and piano lessons may be behind me, but the need to be my father's perfect daughter still rings true. However, I'm in college now - so why not have a little fun? It started out that way, anyway. When I decided to go to a party with my new friend Meg, I thought my college days were just beginning. My boring little life was finally getting the shake up that it desperately needed. Little did I know, I would become the captive of the devil himself. He says that I'm his. He calls himself my master. Gabe: Well, well - Mr. Mayor couldn't pay up. I can't say that I'm surprised. The greedy bastard is more concerned about pocketing all that money masked as charity rather than paying his debts. I'm not a debt that you want to forget. I did, after all, kill that poor journalist that was putting his nose where it didn't belong. Not saying that I minded - no, not one bit. It's a high. Watching them writhe in pain, their bodies seizing up as every last drop of hope is drained from their wide eyes. I live for it - the thrill of killing. Not to mention it keeps my wallet nice and plump. My clients know when they say they'll pay - they better pay. Otherwise, I take what I want from them. In most cases, the result is their own blood on my hands. Not this time though. This time I wanted her, and I always get what I want. GABRIEL, which is the sequel to this novel, will be released no later than October 2015
Pike Logan tracks highly-trained Russian assassins to Brazil in this blistering, action-packed thriller from New York Times bestselling author and former Special Forces Officer Brad Taylor. “It’s an excellent read, and I greatly enjoyed it.” —Nelson DeMille Pike Logan and the Taskforce were once the apex predators, an unrivaled hunting machine that decimated those out to harm the United States, but they may have met their match. While Pike Logan and Jennifer Cahill prepare to join their team on a counter-terrorist mission in the triple frontier—the lawless tri-border region where Argentina, Brazil, and Paraguay meet—they are targeted in Charleston, South Carolina. A vicious explosion kills a friend, and the perpetrators have set it up to look like an accident. While the authorities believe this was not foul play, Pike knows the attack was meant for him. When he loses contact with the team in South America, Pike is convinced he and the Taskforce are under assault. His men are the closest thing to family that Pike has, which means he will do anything, even ignore direct orders to stand down, to find them. Pike and Jennifer head to Brazil to investigate their disappearance and run headlong into a crew of Russian assassins. Within days they are entangled in a byzantine scheme involving Brazilian politics and a cut-throat battle for control of offshore oil fields. Forged in combat, the Russians are the equal of anything the Taskforce has encountered before, but they make a mistake in attacking Pike’s team, because Pike has a couple of elite Israeli assassins of his own. And Pike will stop at nothing to protect his family.
“If there were a Guinness Book of World Records entry for ‘amount of times having prayed the sinner’s prayer,’ I’m pretty sure I’d be a top contender,” says pastor and author J. D. Greear. He struggled for many years to gain an assurance of salvation and eventually learned he was not alone. “Lack of assurance” is epidemic among evangelical Christians. In Stop Asking Jesus Into Your Heart, J. D. shows that faulty ways of present- ing the gospel are a leading source of the confusion. Our presentations may not be heretical, but they are sometimes misleading. The idea of “asking Jesus into your heart” or “giving your life to Jesus” often gives false assurance to those who are not saved—and keeps those who genuinely are saved from fully embracing that reality. Greear unpacks the doctrine of assurance, showing that salvation is a posture we take to the promise of God in Christ, a posture that begins at a certain point and is maintained for the rest of our lives. He also answers the tough questions about assurance: What exactly is faith? What is repentance? Why are there so many warnings that seem to imply we can lose our salvation? Such issues are handled with respect to the theological rigors they require, but Greear never loses his pastoral sensitivity or a communication technique that makes this message teachable to a wide audience from teens to adults.
A fascinating and comprehensive history, 'Demanding the Impossible' is a challenging and thought-provoking exploration of anarchist ideas and actions from ancient times to the present day.
Michel de Certeau considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of commerce, politics, and culture. In exploring the public meaning of ingeniously defended private meanings, de Certeau draws on an immense theoretical literature in analytic philosophy, linguistics, sociology, semiology, and anthropology--to speak of an apposite use of imaginative literature.
