Based on rare oral data from women participants in the "Mau Mau" rebellion, this book chronicles changes in women's domestic reproduction, legal status, and gender roles that took place under colonial rule. The book links labour activism, cultural nationalism, and the more overtly political issues of land alienation, judicial control, and character
This book explores the issues of land, labor, and cultural nationalism of Kikuyu women; differences between women's actions and men's; and differences between loyalist and nationalist women from the beginning of the colonial period till the end of the Mau Mau rebellion in Kenya.
As warriors, freedom fighters and victims, as mothers, wives and prostitutes, and as creators and members of peace movements, women are inevitably caught up in the net of war. Yet women's participation in warfare and peace campaigns has often been underestimated or ignored. Images of Women in Peace and War explores women's relationships to war, peace, and revolution, from the Amazons, Inka and Boadicea, to women soldiers in South Africa, Mau Mau freedom fighters and the protestors at Greenham Common. The contributors consider not only the reality of women's participation but also look at how their actions have been perceived and represented across cultures and through history. They examine how sexual imagery is constructed, how it is used to delineate women's relation to warfare and how these images have sometimes been subverted in order to challenge the status quo. The book raises important questions about whether women have a special prerogative to promote peace and considers whether the experience of motherhood leads to a distinctive women's position on war. The authors find that their analyses lead them to deal with arguments on the basic nature of the sexes and to reevaluate our concepts of "peace," "war," and "gender."
Only a few years after Britain defeated fascism came the Mau Mau uprising in Kenya - a mass armed rebellion by the Kikuyu people, demanding the return of their land and freedom. The draconian response of Britain's colonial government was to detain nearly the entire Kikuyu population of 1.5 million and to portray them as sub-human savages. Detainees in their thousands - possibly a hundred thousand or more - died from exhaustion, disease, starvation and systemic physical brutality. For decades these events remained untold. Caroline Elkins conducted years of research to piece together this story, unearthing reams of documents and interviewing several hundred Kikuyu survivors. Britain's Gulag reveals, for the first time, the full savagery of the Mau Mau war and the ruthless determination with which Britain sought to control its empire.
A major work of history that for the first time reveals the violence and terror at the heart of Britain's civilizing mission in Kenya As part of the Allied forces, thousands of Kenyans fought alongside the British in World War II. But just a few years after the defeat of Hitler, the British colonial government detained nearly the entire population of Kenya's largest ethnic minority, the Kikuyu-some one and a half million people. The compelling story of the system of prisons and work camps where thousands met their deaths has remained largely untold-the victim of a determined effort by the British to destroy all official records of their attempts to stop the Mau Mau uprising, the Kikuyu people's ultimately successful bid for Kenyan independence. Caroline Elkins, an assistant professor of history at Harvard University, spent a decade in London, Nairobi, and the Kenyan countryside interviewing hundreds of Kikuyu men and women who survived the British camps, as well as the British and African loyalists who detained them. The result is an unforgettable account of the unraveling of the British colonial empire in Kenya-a pivotal moment in twentieth- century history with chilling parallels to America's own imperial project. Imperial Reckoning is the winner of the 2006 Pulitzer Prize for Nonfiction.
"This is the oral evidence of the Kikuyu villagers with whom Greet Kershaw lived as an aid worker during the Mau Mau 'Emergency' in the 1950s, and which is now totally irrecoverable in any form save in her own field notes. Professor Kershaw has uncovered long local histories of social tension which could have been revealed by no other means than patient enquiry, of both her neighbour's memory and government archives... Nobody, whether Kikuyu participant, Kenyan or European scholar, has provided such startlingly authoritative ethnographic insights into the values, fears and expectations of Kikuyu society and thus of the motivation of Kikuyu action... Her data suggests, as other scholars have also accepted, that there never was a single such movement and that none of its members, even those who supposed themselves to be its leaders, ever saw it whole, not because they did not have a political aim, but because that agenda was contested within different political circles over which they had no control and of which they may scarcely have had any knowledge. And why is this finding important? It is because others, including almost all the movement's enemies, did see Mau Mau whole in order to try to comprehend it, a first step towards defeating it."
This widely-acclaimed book on a troubled period of Kenyan history summarizes some of the more important Kikuyu customs, and a discussion of their break-down under the impact of European civilization. This discussion illustrates why and how the Mau Mau came into being and how the situation could be improved so that peace could once again come to Kenya.
The autobiography of a woman who was a Kenyan nationalist fighter for the Mau Maus and later politician in Nairobi. Descended from Maasai refugees, Kikuyu frontier settlers, and autochthonous Dorobo hunter-gatherers, she tells the story of her ancestors, her childhood, how she got involved in the Mau Mau rebellion of the 1950s, the later story of her involvement with the Kenya African National Union, her marriage to Nairobi lawyer Silvano Melea Otieno, and the controversy over his burial, which was the impetus for the writing of this book. Annotation copyrighted by Book News, Inc., Portland, OR
