The invention of the synthesizer in the 1960s opened the door to a new musical universe that fused technology with a traditional instrument, allowing artists to explore not just notes on the keyboard but also sounds the world had never heard before. In the decades that followed, synths continued to evolve through the efforts of pioneering designers and artists.
(Book). Foreword by Joe Satriani Guitar Player: The Inside Story of the First Two Decades of the Most Successful Guitar Magazine Ever is a reflection on Guitar Player 's often pioneering early days, from its 1967 founding through its 1989 sale by founder Bud Eastman and editor/publisher Jim Crockett. This book looks at the magazines evolution from a 40-page semi-monthly to a monthly exceeding 200 pages, with a gross yearly income that grew from $40,000 to nearly $15 million. The story is told by many people important to Guitar Player 's history, including Maxine Eastman, Bud Eastman's widow, and Crockett, who edited this book with his daughter Dara. Also here are recollections of key personnel, including Tom Wheeler, Jas Obrecht, Roger Siminoff, Mike Varney, Jon Sievert, George Gruhn, and Robb Lawrence; leading early advertisers, such as Martin, Randall, and Fender; and prominent guitar players featured in the magazine, including Joe Perry, George Benson, Pat Travers, Country Joe McDonald, Pat Metheny, Steve Howe, Lee Ritenour, Johnny Winter, Steve Morse, Larry Coryell, Michael Lorimer, John McLaughlin, Stanley Clarke, Liona Boyd, Steve Vai, and many others. Among the many illustrations are then-and-now shots of performers and staff, early ads, behind-the-scenes photos from company jam sessions (with such guests as B. B. King and Chick Corea), various fascinating events, and key issue covers. Rich in history and perspective, Guitar Player: The Inside Story of the First Two Decades of the Most Successful Guitar Magazine Ever is the definitive first-person chronicle of a music magazine's golden age.
(Keyboard Presents). No single decade revitalized the keyboard as a focal point as much as the 1980s. Now, the editors of Keyboard magazine have culled that era's most insightful articles and combined them with a wealth of insight to create this landmark book. Features 20 interviews with noted players and producers like Jimmy Jam & Terry Lewis, Duran Duran's Nick Rhodes, Depeche Mode's Vince Clarke, Peter Gabriel, and The Human League, as well as such visionary pioneers as Herbie Hancock, Chick Corea, and Frank Zappa.
A single-volume guide to recreating 100 top-selected synthesizer sounds from hit songs provides illustrated two-page spreads that list details about how the sound was originally created on professional-grade synthesizers and how to create the same sounds today using modern plug-ins and readily available software instruments. Original.
Blind Tom was the stage name of Thomas Greene Wiggins, a blind black pianist born into slavery in 1849. In this focused, consequential study, Southall reformulates the debate surrounding Blind Tom and expands its dimensions significantly.
Shpil offers an expansive history of klezmer, from its medieval origins through the present era. Individual chapters concentrate on the most common instruments found in a typical klezmer ensemble: violin, clarinet, accordion, bass, percussion, and even voice. Contributors incl...
