Memory, Forgetting and the Moving Image
Memory, Forgetting and the Moving Image

Author: Caterina Albano

Publisher: Springer

Published: 2016-09-30

Total Pages: 226

ISBN-13: 1137365889

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Throughout this book we discover what our idea of memory would be without the moving image. This thought provoking analysis examines how the medium has informed modern and contemporary models of memory. The book examines the ways in which cinematic optic procedures inform an understanding of memory processes. Critical to the reciprocity of mind and screen is forgetting and the problematic that it inscribes into memory and its relation to contested histories. Through a consideration of artworks (film/video and sound installation) by artists whose practice has consistently engaged with issues surrounding memory, amnesia and trauma, the book brings to bear neuro-psychological insight and its implication with the moving image (as both image and sound) to a consideration of the global landscape of memory and the politics of memory that inform them. The artists featured include Kerry Tribe, Shona Illingworth, Bill Fontana, Lutz Becker, Yervant Gianikian and Angela Ricci Lucchi, Harun Faorcki, and Eyal Sivan.

Edward's Menagerie: Birds
Edward's Menagerie: Birds

Author: Kerry Lord

Publisher: David and Charles

Published: 2015-06-01

Total Pages: 344

ISBN-13: 1446372642

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Forty fine-feathered friends to crochet using easy-to-master techniques with projects for all skill levels, from the bestselling author of Edward’s Menagerie. You’ll be as happy as a lark as you crochet your way through this colorful collection of birds, including a bashful Flamingo, a romance-writing Owl, and a politically incorrect Pheasant. Read all about these kooky characters, their adorations and aversions, daydreams and delusions, then crochet them for friends and family. Each bird can be crocheted in four different sizes, making over 160 different pattern possibilities—so pick your first project and get started! The patterns use basic stitches, are grouped by difficulty and include step-by-step technical guides for beginners, so there’s no excuse to chicken out. These loveable birds are quick to make using a super-soft yarn in a sophisticated color palette, and will become your best friends as their larger-than-life personalities and easy-to-master techniques get their claws into you. Praise for Edward’s Menagerie: Birds “This book is a hoot! (Pun intended . . . ) . . . I’m not naturally a fan of amigurumi, but this book by Kerry Lord may change all that.” —Bonnie Bay Crochet “Edward's Menagerie: Birds has some of the most adorable toy birds that I have ever seen! . . . The author put a tremendous amount of detail into each bird pattern, which makes them all adorable in their own way.” —The Stitchin’ Mommy

Made in the U.S.A.
Made in the U.S.A.

Author: Judy Collischan

Publisher: iUniverse

Published: 2010

Total Pages: 563

ISBN-13: 1440198543

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This book begins with an abbreviated background on the origins and development of European Modernism. This is followed by attention to a transitional phase moving art's center from Paris to New York. Next is examination of various phases of Contemporary Art as it evolved in this country. The coverage is broad - inclusive of Black, Hispanic, Native American, Asian American and Caucasian artists of both sexes and of every age group. The story is told against a background of socio-political events/affairs. There is a wealth of information augmented by selected visual matter that is listed with links for e-readers, greatly enhancing the portability of this art book. This feature allows readers to browse further and to learn via textual matter and visual/audio tapes. Targeted audiences include college students, artists, and general readers.

Grids
Grids

Author:

Publisher: Rotovision

Published: 2011

Total Pages: 228

ISBN-13: 2888931559

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'Grids' aims to give designers of all levels the inspiration and know-how to create outstanding layouts that will succeed in today's fast-moving and competitive marketplace.

Decoys and Disruptions
Decoys and Disruptions

Author: Martha Rosler

Publisher: MIT Press

Published: 2006-02-17

Total Pages: 403

ISBN-13: 0262681587

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The first comprehensive collection of writings by Martha Rosler considers the intersection of art and politics, the operation of art systems, feminist art practices, and the media. Decoys and Disruptions is the first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years. The writings collected here address such key topics as documentary photography, feminist art, video, government patronage of the arts, censorship, and the future of digitally based photographic media. Taken together, these thirteen essays not only show Rosler's importance as a critic but also offer an essential resource for readers interested in the issues confronting contemporary art. The essays in this collection illustrate Rosler's ongoing investigation into means of exposing truth and provoking change, providing a retrospective of characteristic issues in her work. Mixing analysis and wit, Rosler challenges many of the fundamental precepts of contemporary art practice. Her influential essay, "In, around, and afterthoughts: on documentary photography," almost single-handedly dismantled the myth of liberal documentary photography when it appeared. Many of the essays in this volume have had a similarly wide-ranging influence; others are published here for the first time. Illustrating the essays are 81 images by Rosler and other artists and photographers.

Installation and the Moving Image
Installation and the Moving Image

Author: Catherine Elwes

Publisher: Columbia University Press

Published: 2015-05-12

Total Pages: 323

ISBN-13: 0231850808

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Film and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960s, artists have explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television, and the visual arts. This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960s, 1970s, and 1980s. Sound is given due attention, along with the shift from analogue to digital, issues of spectatorship, and the insights of cognitive science. Woven into this genealogy is a discussion of the procedural, political, theoretical, and ideological positions espoused by artists from the mid-twentieth century to the present. Historical constructs such as Peter Gidal's structural materialism, Maya Deren's notion of vertical and horizontal time, and identity politics are reconsidered in a contemporary context and intersect with more recent thinking on representation, subjectivity, and installation art. The book is written by a critic, curator, and practitioner who was a pioneer of British video and feminist art politics in the late 1970s. Elwes writes engagingly of her encounters with works by Anthony McCall, Gillian Wearing, David Hall, and Janet Cardiff, and her narrative is informed by exchanges with other practitioners. While the book addresses the key formal, theoretical, and historical parameters of moving-image installation, it ends with a question: "What's in it for the artist?"

Independent Female Filmmakers
Independent Female Filmmakers

Author: Michele Meek

Publisher: Routledge

Published: 2018-12-21

Total Pages: 296

ISBN-13: 1351244299

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Independent Female Filmmakers collects original and previously published essays, interviews, and manifestos from some of the most defining and groundbreaking independent female filmmakers of the last 40 years. Featuring material from the seminal magazine The Independent Film and Video Monthly—a leading publication for independent filmmakers for several decades—as well as new interviews conducted with the filmmakers, this book, edited by Michele Meek, presents a unique perspective into the ethnically and culturally diverse voices of women filmmakers whose films span narrative, documentary, and experimental genres and whose work remains integral to independent film history from the 1970s to the present. Independent Female Filmmakers also includes a biographical profile of each filmmaker, as well as an online resource with links to additonal interviews and a sample course syllabus. The filmmakers in this book include: • Lisa Cholodenko (High Art, The Kids Are All Right) • Martha Coolidge (Valley Girl, Real Genius, Introducing Dorothy Dandridge) • Cheryl Dunye (The Watermelon Woman, Stranger Inside) • Miranda July (The Future, Me And You And Everyone We Know) • Barbara Kopple (Harlan County USA, Wild Man Blues) • Maria Maggenti (The Incredibly True Adventures of Two Girls in Love) • Deepa Mehta (Fire, Earth, Water) • Trinh T. Minh-ha (Surname Viet, Given Name Nam, Night Passage) . . . and more!

Mary Kelly's Concentric Pedagogy
Mary Kelly's Concentric Pedagogy

Author: Mary Kelly

Publisher: Bloomsbury Publishing

Published: 2024-01-25

Total Pages: 585

ISBN-13: 1350352462

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Selected and introduced by Juli Carson, this book presents a collection of essential essays, interviews, and never-before published archival materials that trace the development of the teaching of major artist and thinker Mary Kelly, from 1980-2017. As an artist and a theorist, Kelly is known for her foundational contributions to Feminism and Conceptual Art; she is also revered for her innovative pedagogy, which has influenced countless artists, writers and teachers within the international art community. Her description of a feminist practice of concentric pedagogy, centred on the artwork rather the mastery of the teacher, radically changed teaching practice in art studios. Detailing Kelly's innovative pedagogical program, the essays are split into three sections: The Method, which focuses on Kelly's renowned method of “ethical observation” within studio critique; The Project, which explores her notion of what constitutes an artistic project; and Project and Method in the Field which presents, for the first time, a transcription of On the Passage of a Few People though a Rather Brief Period of Time, a performative colloquy commissioned by the Tate Modern and moderated by Kelly in 2015; following this transcription is a portfolio of practicing artists previously enrolled in Kelly's Interdisciplinary Studio Area at UCLA. Mary Kelly's Concentric Pedagogy highlights how contemporary studio teaching practice has been largely informed by Kelly's bold and innovative approach to art pedagogy, evidencing how the intersection of teaching, artistic practice, and radical political engagement can transform our approach to all three. It is essential reading for students and teachers of art and design studio practice, art history and theory, contemporary, and feminist art.