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Author: Janet Chapman
Publisher: UNM Press
Published: 2008
Total Pages: 393
ISBN-13: 0826344240
DOWNLOAD EBOOKThe many contributions of this early expert on Pueblo Indian anthropology and art are highlighted by two of his descendants.
Author: Nancy Owen Lewis
Publisher: University of New Mexico Press
Published: 2016-05-01
Total Pages: 717
ISBN-13: 0890136130
DOWNLOAD EBOOKThis book tells the story of the thousands of “health seekers” who journeyed to New Mexico from 1880 to 1940 seeking a cure for tuberculosis (TB), the leading killer in the United States at the time. By 1920 such health seekers represented an estimated 10 percent of New Mexico’s population. The influx of “lungers” as they were called—many of whom remained in New Mexico—would play a critical role in New Mexico’s struggle for statehood and in its growth. Nearly sixty sanatoriums were established around the state, laying the groundwork for the state’s current health-care system. Among New Mexico’s prominent lungers were artists Will Shuster and Carlos Vierra, who “came to heal and stayed to paint.” Bronson Cutting, brought to Santa Fe on a stretcher in 1910, became the influential publisher of the Santa Fe New Mexican and a powerful U.S Senator. Others included William R. Lovelace and Edgar T. Lassetter, founders of the Lovelace Clinic, as well as Senator Clinton P. Anderson, poet Alice Corbin Henderson, architect John Gaw Meem, aviator Katherine Stinson, and Dorothy McKibben, gatekeeper for the Manhattan Project. New Mexico’s most infamous outlaw, Billy the Kid, first arrived in New Mexico when his mother, Catherine Antrim, sought treatment in Silver City.
Author: Elizabeth West
Publisher: Sunstone Press
Published: 2012
Total Pages: 386
ISBN-13: 0865348766
DOWNLOAD EBOOKThis question-and-answer book contains 400 reminders of what is known and what is sometimes forgotten or misunderstood about a city that was founded more than 400 years ago. Not a traditional history book, this group of questions is presented in an apparently random order, and the answers occasionally meander off topic, as if part of a casual conversation.
Author: David L. Caffey
Publisher: Texas A&M University Press
Published: 2007-09
Total Pages: 284
ISBN-13: 9781603440042
DOWNLOAD EBOOKThe country Frank Springer rode into in 1873 was one of immense beauty and abundant resources - grass and timber, wild game, precious metals, and a vast bed of commercial-grade coal. It was also a stage upon which dramatic and sometimes violent events played out. A lawyer and newspaperman for the Maxwell Land Grant company and a foe of the speculators known as ""the Santa Fe Ring,"" Springer found himself in the middle of the Colfax County War. A man of many sides, he typified the Gilded Age entrepreneurs who transformed the territorial American Southwest. As president of the Maxwell Land Grant company, Springer led in the development of mining, logging, ranching, and irrigation enterprises. His Supreme Court victory establishing title to the 1.7 million acre Maxwell grant earned him a reputation as a brilliant attorney.
Author: Jennifer McLerran
Publisher: University of Arizona Press
Published: 2022-08-16
Total Pages: 312
ISBN-13: 0816550379
DOWNLOAD EBOOKAs the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and crafts. And by unraveling the complex ways in which commodification was negotiated and the roles that producers, consumers, and New Deal administrators played in that process, she sheds new light on native art’s commodity status and the artist’s position as colonial subject. In this first book to address the ways in which New Deal Indian policy specifically advanced commodification and colonization, McLerran reviews its multi-pronged effort to improve the market for Indian art through the Indian Arts and Crafts Board, arts and crafts cooperatives, murals, museum exhibits, and Civilian Conservation Corps projects. Presenting nationwide case studies that demonstrate transcultural dynamics of production and reception, she argues for viewing Indian art as a commodity, as part of the national economy, and as part of national political trends and reform efforts. McLerran marks the contributions of key individuals, from John Collier and Rene d’Harnoncourt to Navajo artist Gerald Nailor, whose mural in the Navajo Nation Council House conveyed distinctly different messages to outsiders and tribal members. Featuring dozens of illustrations, A New Deal for Native Art offers a new look at the complexities of folk art “revivals” as it opens a new window on the Indian New Deal.
Author: Chris Wilson
Publisher: UNM Press
Published: 1997
Total Pages: 424
ISBN-13: 9780826317469
DOWNLOAD EBOOKDebunks the great tourist myth, and explains how the Santa Fe architectural and design style, so popular with millions of visitors today, was consciously created by Anglos in the early 20th century.
Author: Molly H. Mullin
Publisher: Duke University Press
Published: 2001-03-20
Total Pages: 241
ISBN-13: 0822380609
DOWNLOAD EBOOKIn the early twentieth century, a group of elite East coast women turned to the American Southwest in search of an alternative to European-derived concepts of culture. In Culture in the Marketplace Molly H. Mullin provides a detailed narrative of the growing influence that this network of women had on the Native American art market—as well as the influence these activities had on them—in order to investigate the social construction of value and the history of American concepts of culture. Drawing on fiction, memoirs, journalistic accounts, and extensive interviews with artists, collectors, and dealers, Mullin shows how anthropological notions of culture were used to valorize Indian art and create a Southwest Indian art market. By turning their attention to Indian affairs and art in Santa Fe, New Mexico, she argues, these women escaped the gender restrictions of their eastern communities and found ways of bridging public and private spheres of influence. Tourism, in turn, became a means of furthering this cultural colonization. Mullin traces the development of aesthetic worth as it was influenced not only by politics and profit but also by gender, class, and regional identities, revealing how notions of “culture” and “authenticity” are fundamentally social ones. She also shows how many of the institutions that the early patrons helped to establish continue to play an important role in the contemporary market for American Indian art. This book will appeal to audiences in cultural anthropology, art history, American studies, women’s studies, and cultural history.
Author: Library of Congress. Copyright Office
Publisher:
Published: 1937
Total Pages: 928
ISBN-13:
DOWNLOAD EBOOKAuthor: Arlene Leis
Publisher: Taylor & Francis
Published: 2022-11-04
Total Pages: 283
ISBN-13: 1000781410
DOWNLOAD EBOOKThis book examines collecting around the world and how women have participated in and formed collections globally. The edited volume builds on recent research and offers a wider lens through which to examine and challenge women’s collecting histories. Spanning from the seventeenth century to the twenty-first (although not organized chronologically) the research herein extends beyond European geographies and across time periods; it brings to light new research on how artificiallia and naturallia were collected, transported, exchanged, and/or displayed beyond Europe. Women, Collecting and Cultures Beyond Europe considers collections as points of contact that forged transcultural connections and knowledge exchange. Some authors focus mainly on collectors and what was collected, while others consider taxonomies, travel, patterns of consumption, migration, markets, and the after life of things. In its broad and interdisciplinary approach, this book amplifies women’s voices, and aims to position their collecting practices toward new transcultural directions, including women’s relation to distinct cultures, customs, and beliefs as well as exposing the challenges women faced when carving a place for themselves within global networks. This study will be of interest to scholars working in collections and collecting, conservation, museum studies, art history, women’s studies, material and visual cultures, Indigenous studies, textile histories, global studies, history of science, social and cultural histories.
