This prequel to the Ken Games series gives us a little more insight into the enigmatic Louviers, Anne's childhood sweetheart and partner-in-crime. Louviers is at the end of his tether. He blows up the apartment he shares with Anne and takes flight. After this incident, he accepts a contract in a war zone. Once he's there, he finds himself struggling as much with the suspiciously vague information on his target as he does understanding the language. Consumed by doubt, he falls victim to the ghosts of the past and his eternal, impossible love for Anne begins to devour him...
This third album concludes the Machiavellian trilogy in which every character seems to have pretty good (or bad) reasons to hide the truth from those they love. This time, it's Anne we're focusing on. She talks us through her childhood, her relationship with the enigmatic but dangerous Louviers, the first steps towards becoming an assassin, and the strange crossovers between writing and killing. Meanwhile, TJ goes off the rails after his discovery of Anne's true identity at a decisive moment in their relationship, and Rock achieves his greatest victory, but it's drenched in tragedy. As Anne says, "sometimes you have to get your hands dirty to get what you want."
In The Path Not Taken, Jeff Horn argues that—contrary to standard, Anglocentric accounts—French industrialization was not a failed imitation of the laissez-faire British model but the product of a distinctive industrial policy that led, over the long term, to prosperity comparable to Britain's. Despite the upheavals of the Revolution and the Napoleonic Wars, France developed and maintained its own industrial strengths. France was then able to take full advantage of the new technologies and industries that emerged in the "second industrial revolution," and by the end of the nineteenth century some of France's industries were outperforming Britain's handily. The Path Not Taken shows that the foundations of this success were laid during the first industrial revolution. Horn posits that the French state's early attempt to emulate Britain's style of industrial development foundered because of revolutionary politics. The "threat from below" made it impossible for the state or entrepreneurs to control and exploit laborers in the British manner. The French used different means to manage labor unruliness and encourage innovation and entrepreneurialism. Technology is at the heart of Horn's analysis, and he shows that France, unlike England, often preferred still-profitable older methods of production in order to maintain employment and forestall revolution. Horn examines the institutional framework established by Napoleon's most important Minister of the Interior, Jean-Antoine Chaptal. He focuses on textiles, chemicals, and steel, looks at how these new institutions created a new industrial environment. Horn's illuminating comparison of French and British industrialization should stir debate among historians, economists, and political scientists.
In a world threatened by the imminent death of its sun, young Yama lives a relatively happy and peaceful life as the daughter of the chief of the village. But everything changes the day a sword of glass falls from the sky, just as the prophecy had announced. Anyone who touches the sword is instantly turned to glass and dies. Orland, the local lord of war, comes to take possession of the unique weapon but fails to retrieve it. In the process, Yama’s father is killed and her mother taken away. Yama, however, escapes and survives with only one thought: when she grows up, she will return to get the sword of glass, and avenge her parents.
Example in this ebook We have been entreated by a great many juvenile friends to "tell 'em all about our Engraved Preface in No. I.;" and entreaties from tender juveniles we never could resist. So, for their sakes, we enter into a little explanation concerning the great matters crowded into "our Preface." All children of a larger growth are, therefore, warned to skip this page if they please—it is not for them, who are, of course, familiar with the ways of the world—but only for the little dears who require a Guide to the great Globe they are just beginning to inhabit. Showman.—"Now then, my little masters and missis, run home to your mammas, and cry till they give you all a shilling apiece, and then bring it to me, and I'll show you all the pretty pictures." So now, my little masters and misses, have you each got your No. 1 ready? Always take care of that. Now then, please to look at the top of the circular picture which represents the world, and there you behold Her Majesty Queen Victoria on her throne, holding a court, with Prince Albert, in his field-marshal's uniform, by her side, and surrounded by ladies, nobles, and officers of state. A little to the right are the heads of the Universities, about to present an address. Above the throne you behold the noble dome of St. Paul's, on each side of which may be seen the tall masts of the British navy. Cast your eyes, my pretty dears, below the throne, and there you behold Mr. and Mrs. John Bull, and three little Bulls, with their little bull-dog; one little master is riding his papa's walking-stick, while his elder brother is flying his kite—a pastime to which a great many Bulls are much attached. Miss Bull is content to be a little lady with a leetle parasol, like her mamma. To the right of the kite you behold an armed man on horseback, one of those curious figures which, composed of goldbeater's skin, used to be sent up some years ago to astonish the natives; only they frightened 'em into fits, and are not now sent up, in consequence of being put down. And now you see "the world goes round." Turn your eyes a little to the right to the baloon and parachute, and then look down under the smoke of a steamer, and you behold a little sweep flourishing his brush on the chimney-top, and wishing perhaps that he was down below there with Jack-in-the-green. Now then, a little more to the right—where you see a merry dancing-group of our light-heeled and light-hearted neighbours, the leader of the party playing the fiddle and dancing on stilts, while one of his countrymen is flying his favourite national kite—viz., the soldier. In the same vicinity, are groups of German gentlemen, some waltzing, and some smoking meerschaums; near these are foot-soldiers and lancers supporting the kite-flyer. Now, near the horse, my little dears, you will see the mule, together with the Spanish muleteers, who, if not too tired, would like to take part in that fandango performed to the music of the light guitar. Look a little to the left, and you behold a quadrille-party, where a gentleman in black is pastorale-ing all the chalk off the floor; and now turn your eyes just above these, and you behold a joyful party of convivialists, with bottles in the ice-pail and bumpers raised, most likely to the health of our gracious Queen, or in honour of the Great Captain of the Age. And now, my little dears, turn your eyes in a straight line to the right, and you will perceive St. Peter's at Rome, beneath which are two young cardinals playing at leap-frog, not at all frightened at the grand eruption of Mount Vesuvius which is going on in the distance. From this you must take a leap on to the camel's back, from which you will obtain a view of the party sitting just below, which consists of the grand Sultan smoking desperately against Ali Pacha. To be continue in this ebook
A Civil Society explores the struggle to initiate women as full participants in the masonic brotherhood that shared in the rise of France's civil society and its "civic morality" on behalf of women's rights. As a vital component of the third sector during France's modernization, freemasonry empowered women in complex social networks, contributing to a more liberal republic, a more open society, and a more engaged public culture. James Smith Allen shows that although women initially met with stiff resistance, their induction into the brotherhood was a significant step in the development of French civil society and its "civic morality," including the promotion of women's rights in the late nineteenth century. Pulling together the many gendered facets of masonry, Allen draws from periodicals, memoirs, and archival material to account for the rise of women within the masonic brotherhood in the context of rapid historical change. Thanks to women's social networks and their attendant social capital, masonry came to play a leading role in French civil society and the rethinking of gender relations in the public sphere.
This first volume of the Ken Games series gives us a profile of Peter Fermat (aka Rock), a young man who, like each of the three main characters, is leading a double life. His story opens with a boxing match which has a nasty ending for the up-and-coming boxer, despite his victory. It's not long before we discover that Rock is not only striving to make it in the boxing world, but is also something of a mathematical genius, which is how he met his best friend, TJ. For the first time in all their years of friendship, TJ introduces Rock to a girlfriend, the lovely Anne. Anne and Rock soon establish a bond of trust when Rock discovers that Anne too is living a double life, even though Anne's secret is not exactly what she leads Rock to believe. This is just the beginning of the tangled web of lies and deception that gets ever more convoluted as the series goes on...
