New York Times and USA Today bestselling author Aurora Rose Reynolds returns with a new story in her Until Him/Her series… Having been put through the wringer by her ex who was a perpetual cheater and master manipulator, Bridgett doesn’t have much faith in men. Then Noah comes into her life, a guy unlike any man she’s ever known. Not only is he dependable, kind, and honest, he’s too hot for his own good. Not that any of that matters since Bridgett is still technically married, and Noah has made it clear without words that he’s not interested. So what’s the worst that could happen when there’s a fire and he offers her a place to crash until she can get back on her feet? Protecting those in need comes with his job as a police officer, so Noah’s not surprised by his need to protect Bridgett. The feelings of possessiveness when it comes to her are not something he knows how to deal with. Noah knows he should keep her at arm’s length, but instead of putting distance between them he keeps finding ways to bring them closer together and he’s not sure if she will ever be close enough. **Every 1001 Dark Nights novella is a standalone story. For new readers, it’s an introduction to an author’s world. And for fans, it’s a bonus book in the author’s series. We hope you'll enjoy each one as much as we do.** Reviews for Keeping You: “Ms. Reynolds always brings her A game to her stories, but this one just felt new and fresh in some way, but just as utterly addictive as usual.” ~ Gi's Spot Reviews “Full of heartache, passion, and just the right amount of suspense, this book will snag you from the start and have you begging for more and more. An absolute 5 star read!” ~ Tara's Romance Reads “This is an excellent story of licking your wounds, getting up, moving on, and finding love in the most unexpected of places.” ~ Jenn the Readaholic “If you love sweet contemporary romances with strong-willed female characters and alpha males with cinnamon roll hearts, this book will give you exactly what you need!” ~ jillsbooknook
Mike Rouger decided long ago that he would rather stay single than get mixed up with a woman again. Kathleen Mullings came back to the Tennessee town where she was raised with her teenage son and changes everything. What happens when a man set in his ways meets a sassy woman who knows what she wants?
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
When a murder in the past destroys the foundation of her present-day life, Kate uses her genetic ability to time-travel to stop the murder and attempt to change the timeline--which may erase the memory of the boy she loves.
NOW INCLUDING A BRAND-NEW EPILOGUE! There are some things you can't leave behind... In If You Find Me by Emily Murdoch, a broken-down camper hidden deep in a national forest is the only home fifteen year-old Carey can remember. The trees keep guard over her threadbare existence; the one bright spot is Carey's younger sister, Jenessa, who depends on Carey for her very survival. All they have is each other, as their mentally ill mother comes and goes with greater frequency. Until that one fateful day their mother disappears for good, and two strangers arrive. Suddenly, the girls are taken from the woods and thrust into a bright and perplexing new world of high school, clothes and boys. Now, Carey must face the truth of why her mother abducted her ten years ago, while haunted by a past that won't let her go... a dark past that hides many a secret, including the reason Jenessa hasn't spoken a word in over a year. Carey knows she must keep her sister close, and her secrets even closer, or risk watching her new life come crashing down.
A woman must confront her sense of right and wrong when the one person she loves most is accused of an unimaginable crime. From the New York Times bestselling author of Need to Know. . . . A strange sensation runs through me, a feeling that I don’t know this person in front of me, even though he matters more to me than anyone ever has. Stephanie Maddox works her dream job policing power and exposing corruption within the FBI. Getting here has taken her nearly two decades of hard work, laser focus, and personal sacrifices—the most important, she fears, being a close relationship with her teenage son, Zachary. A single parent, Steph’s missed a lot of school events, birthdays, and vacations with her boy—but the truth is, she would move heaven and earth for him, including protecting him from an explosive secret in her past. It just never occurred to her that Zachary would keep secrets of his own. One day while straightening her son’s room, Steph is shaken to discover a gun hidden in his closet. A loaded gun. Then comes a knock at her front door—a colleague on the domestic terrorism squad, who utters three devastating words: “It’s about Zachary.” So begins a compulsively readable thriller of deception and betrayal, as Stephanie fights to clear her son’s name, only to expose a shadowy conspiracy that threatens to destroy them both—and bring a country to its knees. Packed with shocking twists and intense family drama, Keep You Close is an electrifying exploration of the shattering consequences of the love that binds—and sometimes blinds—a mother and her child.
Longing for an Absent God unveils the powerful role of faith and doubt in the American literary tradition. Nick Ripatrazone explores how two major strands of Catholic writers--practicing and cultural--intertwine and sustain each other. Ripatrazone explores the writings of devout American Catholic writers in the years before the Second Vatican Council through the work of Flannery O'Connor, J. F. Powers, and Walker Percy; those who were raised Catholic but drifted from the church, such as the Catholic-educated Don DeLillo and Cormac McCarthy, the convert Toni Morrison, the Mass-going Thomas Pynchon, and the ritual-driven Louise Erdrich; and a new crop of faithful American Catholic writers, including Ron Hansen, Phil Klay, and Alice McDermott, who write Catholic stories for our contemporary world. These critically acclaimed and award-winning voices illustrate that Catholic storytelling is innately powerful and appealing to both secular and religious audiences. Longing for an Absent God demonstrates the profound differences in the storytelling styles and results of these two groups of major writers--but ultimately shows how, taken together, they offer a rich and unique American literary tradition that spans the full spectrum of doubt and faith.
Reunited with her ex, a military vet faces internal battles and physical danger in this romantic suspense tale by a New York Times–bestselling author. Mariah Conrad has come home. Badly wounded on active duty in Afghanistan and finally released stateside, she has no family to call on and nowhere to go—until Quinn Walker arrives at her bedside. Quinn . . . her brother-in-arms, ex-lover and now maybe her future. Quinn brings Mariah to his log cabin in the Appalachian Mountains of Kentucky to rest and recuperate both physically and emotionally. While she’s incredibly grateful, Mariah is also confused and frustrated. She’s always stood on her own two feet, but now even that can literally be torture. She’s having flashbacks and blackouts, hearing helicopter noises in the night. She wants to push Quinn away—and hold him closer than ever. But will she get the chance? Those helicopters are more than just post-traumatic stress; they’re real—and dangerous. Bad things are happening on the mountain. Suddenly there’s a battle to be fought on the home front, and no guarantee of survival.
Starting with Bad Behavior in the 1980s, Mary Gaitskill has been writing about gender relations with searing, even prophetic honesty. In This Is Pleasure, she considers our present moment through the lens of a particular #MeToo incident. The effervescent, well-dressed Quin, a successful book editor and fixture on the New York arts scene, has been accused of repeated unforgivable transgressions toward women in his orbit. But are they unforgivable? And who has the right to forgive him? To Quin’s friend Margot, the wrongdoing is less clear. Alternating Quin’s and Margot’s voices and perspectives, Gaitskill creates a nuanced tragicomedy, one that reveals her characters as whole persons—hurtful and hurting, infuriating and touching, and always deeply recognizable. Gaitskill has said that fiction is the only way that she could approach this subject because it is too emotionally faceted to treat in the more rational essay form. Her compliment to her characters—and to her readers—is that they are unvarnished and real. Her belief in our ability to understand them, even when we don’t always admire them, is a gesture of humanity from one of our greatest contemporary writers.
Catching a killer is dangerous—especially if he lives next door From the hugely talented author of The Kind Worth Killing comes an exquisitely chilling tale of a young suburban wife with a history of psychological instability whose fears about her new neighbor could lead them both to murder . . . Hen and her husband Lloyd have settled into a quiet life in a new house outside of Boston, Massachusetts. Hen (short for Henrietta) is an illustrator and works out of a studio nearby, and has found the right meds to control her bipolar disorder. Finally, she’s found some stability and peace. But when they meet the neighbors next door, that calm begins to erode as she spots a familiar object displayed on the husband’s office shelf. The sports trophy looks exactly like one that went missing from the home of a young man who was killed two years ago. Hen knows because she’s long had a fascination with this unsolved murder—an obsession she doesn’t talk about anymore, but can’t fully shake either. Could her neighbor, Matthew, be a killer? Or is this the beginning of another psychotic episode like the one she suffered back in college, when she became so consumed with proving a fellow student guilty that she ended up hurting a classmate? The more Hen observes Matthew, the more she suspects he’s planning something truly terrifying. Yet no one will believe her. Then one night, when she comes face to face with Matthew in a dark parking lot, she realizes that he knows she’s been watching him, that she’s really on to him. And that this is the beginning of a horrifying nightmare she may not live to escape. . .
