A noted genealogist reveals what it is like to be a history detective using twenty-first-century techniques and technology, and discusses some of the cases she has solved, including the families of celebrities and work for the Army and the FBI.
Keep the Bastards Honest reviews the life of a key figure in Australian politics and exposes the political and humane elder that is Don Chipp. Interwoven with humorous anecdotes.
This is a comprehensive introduction to the ways in which the Bible has been used and represented in mainstream cinema. Adele Reinhartz considers the pervasive use of the Bible in feature films, and the medium of film as part of the Bible’s reception history. The book examines how films draw on the Old and New Testament and the figure of Jesus Christ in various direct and indirect ways to develop their plots, characters, and themes. As well as movies that set out explicitly to retell biblical stories in their ancient context, it explores the ways in which contemporary, fictional feature films make use of biblical narrative. Topics covered include: how filmmakers make use of scripture to address and reflect their own time and place. the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption. the role of the Bible as a source of ethics and morality, and how this connection is both perpetuated and undermined in a range of contemporary Hollywood films. films that create an experience of transcendence, and the ways in which the Bible figures in that experience. Reinhartz offers insightful analysis of numerous films including The Ten Commandments and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. Students will find this an invaluable guide to a growing field.
The T & T Clark Social Identity Commentary on the New Testament is a one-of-a-kind comprehensive Bible resource that highlights the way the NT seeks to form the social identity of the members of the earliest Christ-movement. By drawing on the interpretive resources of social-scientific theories-especially those related to the formation of identity-interpreters generate new questions that open fruitful identity-related avenues into the text. It provides helpful introductions to each NT book that focus on various social dimensions of the text as well as a commentary structure that illuminates the text as a work of social influence. The commentary offers methodologically informed discussions of difficult and disputed passages and highlights cultural contexts in theoretically informed ways-drawing on resources from social anthropology, historical sociology, or social identity theory. The innovative but careful scholarship of these writers, most of whom have published monographs on some aspect of social identity within the New Testament, brings to the fore often overlooked social and communal aspects inherent in the NT discourse. The net result is a more concrete articulation of some of the every-day lived experiences of members of the Christ-movement within the Roman Empire, while also offering further insight into the relationship between existing and new identities that produced diverse expressions of the Christ-movement during the first century. The SICNT shows that identity-formation is at the heart of the NT and it offers insights for leaders of faith communities addressing these issues in contemporary contexts.
Engaging and opulent, The Warsaw Conspiracy unfolds as a family saga set against the November Rising (1830-1831), partitioned Poland's daring challenge to the Russian Empire.
The Gospel of John presents its readers, listeners, and interpreters with a serious problem: how can we reconcile the Gospel’s exalted spirituality and deep knowledge of Judaism with its portrayal of the Jews as the children of the devil (John 8:44) who persecuted Christ and his followers? One widespread solution to this problem is the so-called “expulsion hypothesis.” According to this view, the Fourth Gospel was addressed to a Jewish group of believers in Christ that had been expelled from the synagogue due to their faith. The anti-Jewish elements express their natural resentment of how they had been treated; the Jewish elements of the Gospel, on the other hand, reflect the Jewishness of this group and also soften the force of the Gospel’s anti-Jewish comments. In Cast out of the Covenant, this book, Adele Reinhartz presents a detailed critique of the expulsion hypothesis on literary and historical grounds. She argues that, far from softening the Gospel’s anti-Jewishness, the Gospel’s Jewish elements in fact contribute to it. Focusing on the Gospel’s persuasive language and intentions, Reinhartz shows that the Gospel’s anti-Jewishness is evident not only in the Gospel’s hostile comments about the Jews but also in its appropriation of Torah, Temple, and Covenant that were so central to first-century Jewish identity. Through its skillful use of rhetoric, the Gospel attempts to convince its audience that God’s favor had turned away from the Jews to the Gentiles; that there is a deep rift between the synagogue and those who confess Christ as Messiah; and that, in the Gospel’s view, this rift was initiated in Jesus’ own lifetime. The Fourth Gospel, Reinhartz argues, appropriates Jewishness at the same time as it repudiates Jews. In doing so, it also promotes a “parting of the ways” between those who believe that Jesus is the messiah, the Son of God, and those who do not, that is, the Jews. This rhetorical program, she suggests, may have been used to promote outreach or even an organized mission to the Gentiles, following in the footsteps of Paul and his mid-first-century contemporaries.