Keats as a Reader of Shakespeare

Keats as a Reader of Shakespeare

Author: R. S. White

Publisher: A&C Black

Published: 1987-01-01

Total Pages: 251

ISBN-13: 0485112981

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In this book White "traces the influence of both the comedies and tragedies {of Shakespeare} on Keats's work." (Choice)


The Great William

The Great William

Author: Theodore Leinwand

Publisher: University of Chicago Press

Published: 2017-11-16

Total Pages: 240

ISBN-13: 022652762X

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The Great William is the first book to explore how seven renowned writers—Samuel Taylor Coleridge, John Keats, Virginia Woolf, Charles Olson, John Berryman, Allen Ginsberg, and Ted Hughes—wrestled with Shakespeare in the very moments when they were reading his work. What emerges is a constellation of remarkable intellectual and emotional encounters. Theodore Leinwand builds impressively detailed accounts of these writers’ experiences through their marginalia, lectures, letters, journals, and reading notes. We learn why Woolf associated reading Shakespeare with her brother Thoby, and what Ginsberg meant when referring to the mouth feel of Shakespeare’s verse. From Hughes’s attempts to find a “skeleton key” to all of Shakespeare’s plays to Berryman’s tormented efforts to edit King Lear, Leinwand reveals the palpable energy and conviction with which these seven writers engaged with Shakespeare, their moments of utter self-confidence and profound vexation. In uncovering these intense public and private reactions, The Great William connects major writers’ hitherto unremarked scenes of reading Shakespeare with our own.


The Warm South

The Warm South

Author: Paul Kerschen

Publisher: Roundabout Press

Published: 2019-05-01

Total Pages: 347

ISBN-13: 1948072041

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The daringly imagined, masterfully realized story of poet John Keats's second life abroad. What if John Keats had not died in Rome at twenty-five, just as he was coming to realize his gifts? In this audaciously imagined alternate life story, the young poet is pulled back from the brink of death only to find his troubles far from over. He is short on money, far from home, his literary reputation anything but assured—but his life and imagination have been spared, and a new country awaits. In an Italy at uneasy peace, full of foreign armies and spies, Keats soon finds his loyalties divided. He is drawn into Percy and Mary Shelley’s expatriate circle, resumes his old profession of surgery and falls in with student revolutionaries who are plotting a more radical cure for their nation. His fiancée in London expects his return, and everyone is expecting his next poem, but he has not returned from his deathbed quite the same person—or poet—that he was. Written with erudition and compassion, Paul Kerschen’s debut novel is a spellbinding historical yarn and a heady engagement with the literature of the past, a thing of beauty in itself and a meditation on the writer’s duty in troubled times. “An ambitious, thrilling work of the imagination... The Warm South is so much: a love story, a historical thriller, a great literary what-if, and a profound meditation on the act of creation itself.” DANIEL MASON, New York Times bestselling author of The Winter Soldier and The Piano Tuner “A lyrical and profound exploration of mortality, second chances, art, and ambition. Kerschen writes an alternate history for the beloved poet Keats, allowing him to rise from an early deathbed and experience the gory operating theaters of Pisa, the decadence of Italian Carnival, and a seductive and sometimes dangerous entanglement with Mary and Percy Shelley. Written with elegance and heart, The Warm South pulses with life.” FRANCES DE PONTES PEEBLES, author of The Air You Breathe and The Seamstress “Paul Kerschen’s miraculous first novel grants the poet John Keats an extended life in Italy as the surgeon he trained to be, and as the husband and father he never became. Superbly imagined, impeccably written, uncanny in its intimacy with Keats’s mind and feelings, this book also conjures the Italy in which Keats lived and died—and here lives on. Kerschen brings this mate- rial astonishingly alive and close. This is the best novel I’ve read all year.” CARTER SCHOLZ, author of Gypsy and Radiance “The Warm South offers an alternate biography, a second chance—a daring and deeply imagined portrait of genius made more human, more accessible, and more moving and vital than any history or scholarship can allow.” VU TRAN, author of Dragonfish “A bold strike. Kerschen applies SF’s classic ‘what if’ to literature itself. And like stern Mary Shelley’s monster, the dead poet stirs, and rises, and walks. But the path between the old world and his new friends is steep... Come.” TERRY BISSON, author of Any Day Now and Bears Discover Fire


Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition)

Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition)

Author: Stephen Greenblatt

Publisher: W. W. Norton & Company

Published: 2010-05-03

Total Pages: 441

ISBN-13: 0393079848

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Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.


Shakespearean Readings

Shakespearean Readings

Author: Carlo Maria Bajetta

Publisher: EDUCatt - Ente per il diritto allo studio universitario dell'Università Cattolica

Published: 2014-09-03

Total Pages: 137

ISBN-13: 8867805029

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This volume contains a series of papers we delivered at the annual Shakespeare conference held at the Università Cattolica of Milan over three years. During this period our research interests ran on more or less parallel lines, moving from Shakespeare’s sonnets to the Bard’s influence on Keats and Shelley. If this was probably due to a similar way of interpreting the conference titles, it was just a coincidence that both of us devoted particular attention to King Lear. This play, we discovered, was particularly relevant to the work we were autonomously carrying out, Luisa Camaiora being then engaged in writing her book on Keats’s Odes, and Carlo Bajetta editing Shelley’s Peter Bell. As a consequence, we started mentioning articles, discussed recent research, and there was much swapping of books – which created more than a little confusion in our bookshelves, and much irritation in some University librarians. When we looked back at these essays, we were surprised to note that a fil rouge seemed to run through them. From the ambiguities of one of Shakespeare’s most famous sonnets, number 116, they move on to describe the allusive structure of the sonnet-chorus of Romeo and Juliet, hence to the complexities of the initial scene of King Lear and the uses to which this play was put by Keats and Shelley; they eventually come back to Keats’s relationship with the works of the Bard, and finally to yet another sonnet, which constitutes in many ways an original re-reading of Shakespeare. ‘Shakespearean Readings’, alluding to both textual variants, critical analysis, and a writer’s understanding of a literary work, seems to be a fitting title to describe this red thread. ‘'Passage' and 'Traffic' in Romeo and Juliet’ and ‘Textual Madness: King Lear’s peregrinations’ were first published in To go or not to go? Catching the moving Shakespeare (ed. L. Camaiora, Milan, I.S.U. Università Cattolica, 2004), ‘John Keats and his Presider Shakespeare’ and ‘Shakespeare’s Sonnet 12 and Keats’s “When I have fears”’ appeared in a different form in L’Analisi Linguistica e Letteraria, 7:1, 1999, while ‘Shelley’s Shakespearean Mockery of Wordsworth’, which was read at the Shakespeare Days conference in April 2003, both relies on and integrates some sections of the introduction to Peter Bell: the 1819 Texts which appeared in December of the same year (Mursia, Milan). Milan, June 2004 Luisa Conti Camaiora – Carlo M. Bajetta Dalla Prfazione degli Autori


Keats and Shakespeare

Keats and Shakespeare

Author: John Middleton 1889-1957 Murry

Publisher: Hassell Street Press

Published: 2021-09-09

Total Pages: 266

ISBN-13: 9781014683151

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Keats and Shakespeare

Keats and Shakespeare

Author: John Middleton 1889-1957 Murry

Publisher: Hassell Street Press

Published: 2021-09-09

Total Pages: 266

ISBN-13: 9781014016218

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.