'Wonderfully imaginative' Bernard Cornwell, author of The Last Kingdom. The third exciting adventure of maverick spy Captain James Keane. Perfect for fans of Simon Scarrow and Bernard Cornwell. The intrepid band of warriors, led by Captain James Keane, have been given their toughest job yet. The Portuguese university city of Coimbra is in ruins. Infiltrating the streets are untrustworthy Spanish guerrilla fighters, local Portuguese out for revenge and rival spies determined to find the famous book of ciphers, hidden in the city and guarded by a dissident Jesuit group. James Keane and his men must prevent the book falling into enemy hands but also to discover which of the guerrilla groups can be trusted. But this means sometimes following their own instincts over Wellington's orders . . . can Keane capture the book without sacrificing his honour, position and reputation?
Keane on Company Law, Fifth Edition (previously: Company Law by Justice Ronan Keane) covers the Companies Act 2014 and is essential reading for students, solicitors and barristers alike. This latest edition of Judge Keane's highly regarded text on Irish company law is substantially revised and updated to cover the Companies Act 2014, as amended up to October 2016, and also covers the many developments in the case-law since the fourth edition was published in 2006. Hardly any aspect of company law is left untouched in some way by the 2014 Act. The Act not only repeals the prior Companies Acts and replaces them with a consolidated code, but also introduces many innovations designed to make companies more accessible to those doing business, and to streamline corporate compliance and procedures. The Act creates two new forms of private company: the private company limited by shares (LTD), which enjoys concessions not previously available to private companies, and the designated activity company (DAC) which more closely resembles to private company known under the former legislation. It also overhauls the requirements relating to other forms of company, namely PLCs, guarantee companies (CLGs) and unlimited companies, while also clarifying and extending the obligations of external companies which operate in Ireland. Among the key changes are the effective abolition of the ultra vires rule, which has applied to all companies up to now, and changes in the requirements relating to the constitutions of companies. The Act also changes the rules regarding company capital, and makes significant changes to the law concerning: the registration of company charges; the conduct of windings up; the passing of written resolutions; and the approval of certain transactions which previously were either prohibited or required Court approval, by a new Summary Approval Procedure involving a special resolution combined with an appropriate declaration by the directors, subject to safeguards to prevent improper use. The Act also codifies the previously common-law fiduciary duties of directors, and substantially modifies the regime regarding disclosure and approval of transactions involving directors. The Act also introduces new procedures whereby Irish companies can be merged or divided. Recent amendments to the Act have added further requirements regarding statutory audit and auditors; and impending changes (addressed in this edition) will alter the regime governing annual financial statements and impose filing requirements on unlimited companies. Meanwhile the courts have been busy, particularly in the areas of restriction and disqualification of directors, and examinership, but also notably in the areas of company charges, reservation of title, financial assistance in the purchase of shares, to mention but a few. All these changes to Irish company legislation are covered in this new edition which continues in the accessible and user-friendly but authoritative style for which previous editions have made the work a renowned standard
'Wonderfully imaginative' Bernard Cornwell, author of The Last Kingdom British Intelligence maverick James Keane goes undercover in Napoleon's Paris for his most daring espionage mission yet. Perfect for fans of Simon Scarrow and Bernard Cornwell. It's 1812, and one man is on the top of the world. Napoleon Bonaparte has enjoyed victories all over Europe and is rebuilding the glorious city of Paris. Meanwhile, his enemies struggle to keep alive the embers of rebellion that still burn at the city's heart. To aid this noble cause, a few British intelligence officers have been smuggled in, and James Keane is one of them. Keane finds himself at once adrift in a world of gambling houses and derelict cemeteries - of ex-Jacobites, disaffected French royalists, Irishmen and Americans, all of them voicing dissension. If Keane is to succeed, a means must be discovered by which to persuade these miscreants to rise against Napoleon's rule, without alerting the endless spies and informers that surround them. Forging alliances between unlikely collaborators proves especially difficult for Keane, whose honourable nature objects so strongly to this double-dealing. But he must persevere, or else lose the golden opportunity to aid in the defeat of the tyrannical French Emperor once and for all. WHAT READERS ARE SAYING 'Enthralling' ***** 'Full of intrigue' ***** 'I can't wait for the next in the series' *****
'Wonderfully imaginative' Bernard Cornwell, author of The Last Kingdom. James Keane strikes again with this thrilling second instalment in the series. Perfect for fans of Simon Scarrow and Bernard Cornwell. French troops led by one of Napoleon's best generals are massing on the border. Wellington's outnumbered force needs to pick off the smaller French units if they are to stand their ground. For that they need information, which is where Captain James Keane and his company of reformed scouting officers come in. But it soon becomes apparent that someone high up in Wellington's headquarters is a spy for the French...and Keane's enemies within the army are quick to point the finger. Keane must defend his crew against their accusers - or root out the traitor himself.
A historical adventure chronicling the exploits of the Special Boat Squadron, the seaborne raiders who, by strength and guile, carried out World War Two's most daring covert operations. From this moment on, you and your men, you don't exist. Formed in the darkest hours of the Second World War, as nation after nation fell before the unstoppable Axis advance, the task of the SBS was to strike back at an enemy no army could meet in the field. Trained in sabotage and surveillance, the Special Boat Squadron raided deep behind enemy lines, sowing chaos and capturing much-needed intelligence. Soldiers, adventurers and rogues, their methods were unorthodox, their success rate unprecedented. Operation Anglo, 31 August 1942. Beneath the waves of the Mediterranean, HMS Traveller closes in on the coast of Rhodes. Aboard, eight SBS commandos check their weapons as they prepare to infiltrate and sabotage two Axis bomber fields. Only two of the eight commandos will make it back alive. Ex-Black Watch Sgt Jim Hunter will be one of the lucky ones, but what he will face next will make Operation Anglo look like a cakewalk. Reviewers on Iain Gale: 'A fast fit fighting yarn that transports you to the deadly hillsides of wartime Crete.' Quentin Letts on SBS 'A powerful novel of men at war. A triumph.' Bernard Cornwell on Four Days in June 'Very exciting.' Daily Telegraph on the Jack Steele series
This book explores the drama of John B. Keane and focuses on his best-known play, The Field, in an examination of the cultural and psychological resonances present in his work. From the changing social, political, and economic contexts of the play’s genesis, to present-day austerity and malaise, The Field remains a popular and relevant piece of theatre, and in this publication possible motivations behind such popularity and relevance are posited. Unconscious resonant processes of identification at play within The Field are explored through the application of psychological and post-colonial filters, and the analysis of Keane’s representations of gender, both masculine and feminine, with strong reference to socio-historical contexts throughout. By doing so, further ways of re-reading Keane’s works are suggested, thereby encouraging a re-appraisal of an often critically overlooked Irish playwright. The examination of the concept of ‘resonance’, which is at the core of this book, provides a unique insight into Keane’s drama and how it interacts with the public at large. Through the modes of analysis of The Field employed in this work, further methods of reading Keane’s other dramas are suggested, and thus, this book is essential reading for anyone with an interest in Keane, Irish drama, or for that matter, the field of Irish studies itself.
