Kcho

Kcho

Author: Kcho

Publisher:

Published: 2007

Total Pages: 46

ISBN-13:

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January 10 - February 2, 2008 Marlborough Chelsea


Culture and the Cuban State

Culture and the Cuban State

Author: Yvon Grenier

Publisher: Lexington Books

Published: 2017-11-08

Total Pages: 321

ISBN-13: 1498522246

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Culture and the Cuban State examines the politics of culture in communist Cuba. It focuses on cultural policy, censorship, and the political participation of artists, writers and academics such as Tania Bruguera, Jesús Díaz, Rafael Hernández, Kcho, Reynier Leyva Novo, Leonardo Padura, and José Toirac. The cultural field is important for the reproduction of the regime in place, given its pretense and ambition to be eternally “revolutionary” and to lead a genuine “cultural revolution”. Cultural actors must be mobilized and handled with care, given their presumed disposition to speak their mind and to cherish their autonomy. This book argues that cultural actors also seek recognition by the main (for a long time the only) sponsor and patron of the art in Cuba: the “curator state”. The “curator state” is also a “gatekeeper state,” arbitrarily and selectively opening and closing the space for public expression and for access to foreign currencies and the global market. The time when everything was either mandatory or forbidden is over in Cuba. The regime seems to have learned from egregious mistakes that led to a massive exodus of artists, writers and academics. In a country where things change so everything could stay the same, the controlled opening in the cultural field, playing on the actors' ambition and fear, illuminates a broader phenomenon: the evolving rules of the political game in the longest standing dictatorship of the hemisphere.


Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement

Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement

Author: Shin, Ryan

Publisher: IGI Global

Published: 2016-11-29

Total Pages: 417

ISBN-13: 1522516662

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Art is a multi-faceted part of human society, and often is used for more than purely aesthetic purposes. When used as a narrative on modern society, art can actively engage citizens in cultural and pedagogical discussions. Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement is a pivotal reference source for the latest scholarly material on the relationship between popular media, art, and visual culture, analyzing how this intersection promotes global pedagogy and learning. Highlighting relevant perspectives from both international and community levels, this book is ideally designed for professionals, upper-level students, researchers, and academics interested in the role of art in global learning.


The Bodies That Were Not Ours

The Bodies That Were Not Ours

Author: Coco Fusco

Publisher: Routledge

Published: 2013-10-11

Total Pages: 273

ISBN-13: 1136403175

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Interdisciplinary artist and writer Coco Fusco is one of North America's leading interpreters of intercultural theory and practice. This volume gathers together her finest writings since 1995 and includes critical essays by Jean Fisher and Caroline Vercoe that interpret her work. Engaging and provocative, these essays, interviews, performance scripts and fotonovelas take readers on a tour of our current multicultural landscape. Fusco explores such issues as sex tourism in Cuba as a barometer of the island's entry into the global economy, Frantz Fanon's theorization of metropolitan blackness, and artistic and net activist responses to the effects of free trade on the Mexican populace. She interviews such postcolonial personnae as Isaac Julien, Hilton Als and Tracey Moffatt. Approaching the dynamics of cultural fusion from many angles, Fusco's satires, commentaries, and sociological inquiries collapse boundaries, and form a sustained meditation on how the forces of globalization impact upon the making of art.


EyeMinded

EyeMinded

Author: Kellie Jones

Publisher: Duke University Press

Published: 2011-05-27

Total Pages: 530

ISBN-13: 082234873X

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Selections of writing by the influential art critic and curator Kellie Jones reveal her role in bringing attention to the work of African American, African, Latin American, and women artists.


Artists from Latin American Cultures

Artists from Latin American Cultures

Author: Kristin G. Congdon

Publisher: Bloomsbury Publishing USA

Published: 2002-10-30

Total Pages: 344

ISBN-13: 0313091196

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Latin Americans have long been relegated to the cultural background, obscured by the dominant European culture. This biographical dictionary profiles 75 artists from the United States and 13 nations of Central and South America and the Caribbean, including painters, sculptors, photographers, muralists, printmakers, installation artists, and performance artists. Some of their works recall pre-Columbian times; others confront the cultural imperialism of the U.S. over Latin America; and many explore how the dominant elements of culture can affect identities of class, gender, and sexuality. Profiled artists range from the renowned to the little-known: Frida Kahlo; Tina Modotti; Diego Rivera; Myrna Baez; Raquel Forner; Patrocino Barela; and many more. Color photographs are provided for many of the works. Each entry includes information about the artist's childhood, schooling, creative growth, and artistic styles and themes. Exemplary artworks and influences are described, along with a look at popular and critical responses. Supplemental features include artist cross references, a glossary of essential terms from the art world, and a number of vivid photos portraying the artists in their creative environments.


Shark

Shark

Author: Richard Ellis

Publisher: Rowman & Littlefield

Published: 2012-04-17

Total Pages: 291

ISBN-13: 1461747929

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“The sharks, ancient or modern, real or imaginary, have always been with us, and will probably remain with us forever. They appear not only in movies and literature, but in countless permutations of size, shape, and materials, permeating our daily lives with their silent menace. In a sense, humans live in a world replete with sharks, not vice-versa.” Thus Richard Ellis sets about chronicling and debunking the myths of sharks throughout history. From 18th century art to the phenomena of JAWS, “the shark” has remained the indomitable aggressor of the deep, the last demon of humankind. The image of the shark and the fear it inspires infiltrates our daily lives with its mythical power and strength. But it is not man who should fear the shark. Our need to dominate these predators is destroying them and their habitat. Through hundreds of full-color images Ellis proves the necessity of preserving these majestic creatures. As curator of the Ft. Lauderdale Museum of Art’s exhibition entitled “Shark”, debuting May 2012, Ellis adeptly turns these sleek, efficient hunters from monsters of the deep into rare, beautiful forces of nature.