Orphaned four years ago by an accident that took her parents and her memory, 16 year-old Momoka Futami travels to Mitsurugi City upon receiving an invitation from the Mitsurugi House, her father's very powerful relatives who offer to take her in. What awaits her far exceeds her fears and expectations - a spiritual sword, Suzukaze, and a tumultuous battle.
Still unable to draw her spiritual sword, Suzukaze, for reasons unknown, Momoka Futami desperately searches for clues to her past. Struggling with her feelings of helplessness, Momoka finds unexpected support from two fellow spiritual sword wielders who vow to help her untangle the truth from the web of lies spun by the Mitsurugis. The truth about the incident that destroyed the Futami family four years ago is finally revealed!
Grasses of Remembrance, the second volume of Edwin Cranston's monumental Waka Anthology, carries forward the story of Japanese court poetry, drawing on sources dating from the 890s to the 1080s. The book presents over 2,600 poems in lively and readable translation, including all 795 poems from The Tale of Genji.
Appropriate for any public library collection, this book provides a comprehensive readers' advisory guide for Japanese manga and anime, Korean manhwa, and Chinese manhua. Japanese manga and anime, Korean manhwa, and Chinese manhua are Asian graphic novels and animated films that have gained great popularity in the last ten years and now are found in most public library collections. Mostly Manga: A Genre Guide to Popular Manga, Manhwa, Manhua, and Anime is the first readers' advisory guide to focus on this important body of literature. This guide provides information on all of the major manga and anime formats and genres, covering publications from the early 1990s to the present. It identifies important titles historically and provides a broad representation of what is available in each format. Selected major titles are described in detail, covering the general plot as well as grade level and pertinent awards. The author also discusses common issues related to manga and anime, such as terminology, content and ratings, and censorship.
In this third of five volumes tracing the history of Japanese literature through Mishima Yukio, Jin'ichi Konishi portrays the high medieval period. Here he continues to examine the influence of Chinese literature on Japanese writers, addressing in particular reactions to Sung ideas, Zen Buddhism, and the ideal of literary vocation, michi. This volume focuses on three areas in which Konishi has long made distinctive contributions: court poetry (waka), featuring twelfth-and thirteenth-century works, especially those of Fujiwara Teika (1162-1241); standard linked poetry (renga), from its inception to its full harvest in the work of Sogi (1421-1502); and the theatrical form noh, including the work of Zeami (ca. 1365-1443) and Komparu Zenchiku (1405-?). The author also considers prose narrative and popular song. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Born of Japan's cultural encounter with Western entertainment media, manga (comic books or graphic novels) and anime (animated films) are two of the most universally recognized forms of contemporary mass culture. Because they tell stories through visual imagery, they vault over language barriers. Well suited to electronic transmission and distributed by Japan's globalized culture industry, they have become a powerful force in both the mediascape and the marketplace.This volume brings together an international group of scholars from many specialties to probe the richness and subtleties of these deceptively simple cultural forms. The contributors explore the historical, cultural, sociological, and religious dimensions of manga and anime, and examine specific sub-genres, artists, and stylistics. The book also addresses such topics as spirituality, the use of visual culture by Japanese new religious movements, Japanese Goth, nostalgia and Japanese pop, "cute" (kawali) subculture and comics for girls, and more. With illustrations throughout, it is a rich source for all scholars and fans of manga and anime as well as students of contemporary mass culture or Japanese culture and civilization.
Nakano Sigeharu (1902-1979), leading twentieth-century Japanese poet and social critic, transformed the revolutionary culture movement of the 1920s. Positioning Nakano's thought within the very history of Japanese Marxism, Miriam Silverberg applies textual analyses to his pre-war writings to form a new perspective on the history of the politics and culture of the Japanese left. Her book relates Nakano to the Western Marxist tradition, recognizes the existence of a Japanese Marxist theory of commodity culture, and uses this theory to illuminate the era. In particular, Silverberg addresses how Nakano, like his European contemporaries, worked toward a critique of mass culture, illustrating how Japanese thinkers in the 1920s and 1930s adoped Marxism as the dominant method of political and intellectual inquiry. This book draws on Marx's writings and those of Georg Lukacs, Walter Benjamin, Antonio Gramsci, Bertolt Brecht, and Mikhail Bakhtin to present Nakano as a Marxist critic and poet. Close reading of Nakano's essays, poems (most of them appearing for the first time in English), fiction, and prison letters trace Nakano's "changing song" or consciousness through four stages--from his "discovery of history" in the mid-1920s to his refusal to be silenced during the late 1930s, when he produced a series of scthing attacks on intensifying state repression. Miriam Silverberg is Assistant Professor of History at the University of California, Los Angeles. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In this penetrating analysis of a little-explored area of Japanese cultural history, Timon Screech reassesses the career of the chief minister Matsudaira Sadanobu, who played a key role in defining what we think of as Japanese culture today. Aware of how visual representations could support or undermine regimes, Sadanobu promoted painting to advance his own political aims and improve the shogunate's image. As an antidote to the hedonistic ukiyo-e, or floating world, tradition, which he opposed, Sadanobu supported attempts to construct a new approach to painting modern life. At the same time, he sought to revive historical and literary painting, favouring such artists as the flamboyant, innovative Maruyama Okyo. After the city of Kyoto was destroyed by fire in 1788, its reconstruction provided the stage for the renewal of Japan's iconography of power, the consummation of the 'shogun's painted culture'. “Screech’s ideas are fascinating, often brilliant, and well grounded. . . . [Shogun’s Painted Culture] presents a thorough analysis of aspects of the early modern Japanese world rarely observed in such detail and never before treated to such an eloquent handling in the English language.”—CAA Reviews “[A] stylishly written and provocative cultural history.”—Monumenta Nipponica “As in his admirable Sex and the Floating World: Erotic Images in Japan 1700-1820, Screech lavishes learning and scholarly precision, but remains colloquial in thought and eminently readable.”—Japan Times Timon Screech is Senior Lecturer in the history of Japanese art at SOAS, University of London, and Senior Research Associate at the Sainsbury Institute for the Study of Japanese Arts and Cultures. He is the author of several books on Japanese history and culture, including Sex and the Floating World: Erotic Images in Japan 1700–1820 (Reaktion, 1999).