In 1828, a young man mysteriously appeared in Nuremberg. He could hardly speak or walk and yet began to exhibit remarkable qualities that made a deep impression on everyone he met. This book contains the extraordinary letters, essays, and observations written by Kaspar Hauser himself, along with notes by Georg Daumer, who became his teacher, guardian, and friend. These striking documents show not only an exceptional destiny but also are a moving testament to the power of a pedagogical relationship.
In 1828 a teenage boy was discovered on the streets of Nuremberg. Barely able to walk, he clutched a letter in his hand. This youth, Kaspar Hauser, who couldn't properly speak or write, was soon to become an international phenomenon known as "the Child of Europe." The story of Kaspar Hauser presents many mysteries. According to his account, the young boy spent most of his life confined in a darkened space. Unable to stand up, and with no knowledge of his captors, he was fed a diet of bread and water. Eventually released from this macabre prison, he survived an assassination attempt only to be stabbed to death in 1833. Why was a child kept in such squalid circumstances? Who were his parents? Who was responsible for such a cruel attack on childhood? Who murdered him? In this seminal work Peter Tradowsky addresses these questions through the insights of Anthroposophy. His analysis reveals some of the secrets of Kaspar Hauser's short life, and the occult significance of his incarnation, spiritual nature and individuality.
From his appearance on the streets of Nuremberg in 1828 to his disturbing murder only five years later, the enigmatic story of Kaspar Hauser has stirred feelings of love and admiration in countless people. He has been celebrated as the subject of films and plays, popular books and academic studies, yet even today – almost two hundred years after his death – he continues to arouse opposition and hatred from his detractors, who dismiss him as an opportunist and a fraud. In the first English-language edition of this classic text – the original, comprehensive attempt to illumine the mysterious life of Kaspar Hauser from a spiritual-scientific, anthroposophical perspective – historian Karl Heyer gathers the basic facts of the life and death of the ‘Child of Europe’, exploring his remarkable abilities and character. With impressive clarity, he goes on to study Hauser’s fate in relation to the mission and destiny of Middle Europe, focusing on the roles of the House of Baden and key political actors such as Napoleon and Otto von Bismarck. His original research leads to some shattering conclusions with significant consequences for Europe’s future. Heyer was initially drawn to the subject through a private conversation with Rudolf Steiner. That seed matured forty years later into intensive research and the first publication of this book in German in 1958. ‘For me’, said Heyer, ‘it represented the high point of my writing and a kind of crowning of my life’s work.’
A sad and cautionary tale of mystery, fame, murder, and innocence May 28, 1828, marked the beginning of the official life of Kaspar Hauser, a young man who appeared mysteriously in the streets of Nuremberg and died of knife wounds five years later under equally mysterious circumstances. "Europe's child," as pamphleteers referred to him, captured the imagination of salon society. Allegedly raised in a dark cellar and deprived of human contact until the age of sixteen, he became the proof of a concept for theories about natural man, original sin, and the civilizing mission of culture. Rightful heir to the throne of Baden or a fraud? Redeemer of man's sins or "ambulatory automatist"? The curious circumstances and significance of his life have been disputed ever since. In Kaspar, Quebec cartoonist Diane Obomsawin draws on Hauser's own writings, and contemporary accounts, to tell the foundling's strange story. Minimalist grayscale panels and the simplest of line work register the wonder and bewilderment of a trusting and sensitive soul emerging into a fickle society. Gentle and poetic, naïve and profound, Obomsawin's first book to appear in English translation has a quiet and compelling charm.
Kasper Hauser turned up in Nuremberg in 1828 when he was sixteen, after being kept in a dungeon most of his life. Hauser, barely able to talk or walk, was taken in by Feuerbach. Masson looks at who Hauser was and what his case tells us about abused children.
This debut novel--told in interviews--spans 20 years in the rise and fall of the charismatic leader of a seductive self-help movement. In the 1990s, a talk show host leads the personality movement, an integrative approach to radical self-transformation. Mayah, the movement's architect and celebrity advocate, adopts a curious, wild child named Masha Isle. A guinea-pig for the movement, and the key to its future, Isle is the subject of the eight interviews that comprise this book. As the interviewer's objectivity disintegrates--even as the movement's legitimacy becomes increasingly suspect--he becomes obsessed with Masha. And all of that is thrown into question when tragedy strikes. The stunning debut of a new literary talent, and a fascinating take on the cult of personality: about celebrities need to destroy and recreate themselves to stay relevant, public personalities coming to belong to everyone, and about our need to see everyone as a kind of celebrity.
"You know from seeing it that Herzog was up to something strange in filming Heart of Glass. Now the mystery is clarified. Alan Greenberg peers into the heart of darkness of the great artist." —Roger Ebert&“Mesmerizing . . . as poetic and mysterious as the film itself.&”—Jim JarmuschThis intimate chronicle of the visionary filmmaker Werner Herzog directing a masterwork is interwoven with Herzog's original screenplay to create a unique vision of its own. Alan Greenberg was, according to the director, the first &“outsider&” to seek him out and recognize his greatness. At the end of their first evening together Herzog urged Greenberg to work with him on his new film--and everything thereafter. In this film, Heart of Glass, Herzog exercised control over his actors by hypnotizing them before shooting their scenes. The result was one of the most haunting movies ever made. Not since Lillian Ross's classic 1950 book Picture has an American writer given such a close, first-hand, book-length account of how a director makes a movie. But this is not a conventional, journalistic account. Instead it presents a unique vision with the feel of a novel--intimate, penetrating, and filled with mystery. Alan Greenberg is a writer, film director, film producer, and photographer. He is also the author of Love in Vain: A Vision of Robert Johnson. Werner Herzog is considered one of the world's greatest filmmakers. His books include Conquest of the Useless and Of Walking in Ice.
On Whit Monday 1828 a strange youth, barely able to speak and hardly able to walk appeared in Nuremberg. This new case of a 'wild man' excited widespread curiosity, and many prominent figures wanted to test their pedagogical and medical theories on such a promising subject. Who was he? Was he, as many claimed, the rightful heir to the Grand Duchy of Baden, or was he simply an ingenious fraud? This book examines the many ramifications of this fascinating case, and offers many insights into the social, political and intellectual life of Biedermeier Germany.
Savage Girls and Wild Boys is a fascinating history of extraordinary children---brought up by animals, raised in the wilderness, or locked up for long years in solitary confinement. Wild or feral children have fascinated us through the centuries, and continue to do so today. In a haunting and hugely readable study, Michael Newton deftly investigates a number of infamous cases. He looks at Peter the Wild Boy, who gripped the attention of Swift and Defoe, and at Victor of Aveyron, who roamed wild in the forests of revolutionary France. He tells the story of a savage girl lost on the streets of Paris, of two children brought up by wolves in the jungles of India, and of a Los Angeles girl who emerged from thirteen years locked in a room to international celebrity. He describes, too, a boy brought up among monkeys in Uganda; and in Moscow, the child found living with a pack of wild dogs. Savage Girls and Wild Boys examines the lives of these children and of the adults who "rescued" them, looked after them, educated, or abused them. How can we explain the mixture of disgust and envy that such children can provoke? And what can they teach us about our notions of education, civilization, and man's true nature?
