It Is A Transformation Of An Ancient Legend Into A Modern Novel. In This Process, It Has Gained Rational Credibility And A Human Perspective. The Main Incident, The Bharata War, Symbolic Of The Birthpangs Of A New World-Order, Depicts A Heroic But Vain Effort To Arrest The Disintegration And Continue The Prevailing Order. It Is Viewed From The Stand Points Of The Partisan Participants And Judged With Reference To The Objective Understanding Of Krishna. Narration, Dialogue, Monologue And Comment All Are Employed For Its Presentation. Shot Through With Irony, Pity And Understanding Objectivity, The Novel Ends With The True Tragic Vision Of Faith In Life And Hope For Mankind.
Unwanted by his mother, snubbed by his blood-brothers and ridiculed by all, this is the story of the unsung hero of the Mahabharata. The graphic novel traces the life-journey of this brave and noble man who became victim to the twists of fate. Loyal to a fault, Karna's blind devotion to the wicked prince Duryodhana, the one man who accepts him as a friend, leads him to side with the Kauravas and fight against his own brothers in the Battle of Kurukshetra.
Then, the exquisitely handsome body of Karna of generous acts, who should have been worthy of perpetual happiness, let go of that refulgent head with the kind of extreme reluctance evinced by a wealthy person in leaving his own prosperous home, or by a saintly one in forsaking virtuous company. [The Mahabharata, Karna-Parva; 91.53-54] In these lines of evocative pathos, the Mahabharata pays its ultimate tribute to Karna, who has hardly a rival in world literature to match his credentials as a uniquely nuanced heroes' hero – towering above Hector in righteous valour, above Arjuna in generosity, and above all else in conscientious attachment to the principles of noblesse oblige. This is the intriguing story of a hero who, despite being born to royalty was, like the Biblical Moses, cast away by his mother. Brought up lovingly by a lowly charioteer and his wife, his whole life was one great struggle against cruel destiny, and against all the odds placed in his way by the inequities of his time. In the process, he blazed a new trail of glory, emerging as the adorable exemplar of purushakaara (manly effort), with tremendous achievements both as a man and also as a warrior. Yet society never gave him his due, despite being as upright as Yudhishthira, as strong as Bhima, as skilful as Arjuna, as handsome as Nakula and as intelligent as Sahadeva. Rebuffed and insulted by society at every step, he developed some flaws engendered by a defiant spirit and nurtured by association with the evil designs of Duryodhana, his benefactor prince. But those very contrarieties seem to enhance and enliven the dramatic appeal of his character as one of the brightest stars of the Mahabharata's star cast. Written in an engagingly flowing style and with an imaginative transcreation of the epic storyline, Karna: the Unsung Hero of the Mahabharata should strike a responsive chord in the minds, specifically of today's Mahabharata aficionados and generally of all lovers of exalted human drama.
Often spoken of as the 'Fifth Veda', i.e., as a text in continuity with the four Vedas and outweighing them all in size and import, the Mahābhārata presents a complex mythological and narrative landscape, incorporating fundamental ethical, social, philosophic, and pedagogic issues. In a series of position pieces and essays written over a span of 30 years, Alf Hiltebeitel, Columbian Professor of Religion, History, and Human Sciences at The George Washington University, articulates a compelling new approach to the epic: as a literary work of fundamental theological and philosophical significance rich in metaphor and meaning. In this three-part volume, the editors gather some of Hiltebeitel’s seminal writings on the epic along with new pieces written especially for the volume. This two volume edition collects nearly three decades of Alf Hiltebeitel’s researches into the Indian epic and religious tradition. The two volumes document Hiltebeitel’s longstanding fascination with the Sanskrit epics: volume 1 presents a series of appreciative readings of the Mahābhārata (and to a lesser extent, the Rāmāyaṇa), while volume 2 focuses on what Hiltebeitel has called “the underground Mahābhārata,” i.e., the Mahābhārata as it is still alive in folk and vernacular traditions. Recently re-edited and with a new set of articles completing a trajectory Hiltebeitel established over 30 years ago, this work constitutes a definitive statement from this major scholar. Comprehensive indices, cross-referencing, and an exhaustive bibliography make it an essential reference work. For more information on the second volume please click here.
The Greatest Story Ever Told Dispute over land and kingdom may lie at the heart of this story of war between cousins—the Pandavas and the Kouravas—but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination. In this superb and widely acclaimed translation of the complete Mahabharata, Bibek Debroy takes us on a great journey with incredible ease.
Though the Kuru family survived on Vyasadeva’s seeds, he never belonged to the house. Moreover, being an ascetic, he was even exempted from obligations of the complicated dynamics of human relationships. This armed him with a ruthless dispassion and he could go on telling his stories with stoical detachment, free from any bias and uncontaminated by quintessential human dilemmas. But had any of his characters given his own account of the story, would not that have lent a different dimension to the events seducing ordinary mortals like us to identify, if not compare, our private crises with those of our much celebrated heroes? The Unfallen Pandava is an imaginary autobiography of Yudhishthira, attempting to follow the well-known story of the Mahabharata through his eyes. In the process of narrating the story, he examines his extremely complicated marriage and relationship with brothers turned co-husbands, tries to understand the mysterious personality of his mother in a slightly mother-fixated way, conducts manic and depressive evaluation of his own self and reveals his secret darkness and philosophical confusions with an innate urge to submit to a supreme soul. His own story lacks the material of an epic, rather it becomes like confession of a partisan who, prevailing over other more swashbuckling characters, finally discovers his latent greatness and establishes himself as the symbolic protagonist.
Striking a Balance: A Primer in Traditional Asian Values offers a lucid, thoughtful, and thoroughly engaging review of the major ethical teachings in the dominant Asian traditions. Michael C. Brannigan applies his extensive background and scholarship to craft a concise yet comprehensive introduction to Asian ethics covering the long-standing traditions of Hinduism, Buddhism, Zen Buddhism, Taoism, and Confucianism. He does this through the skillful use of narratives from classical and contemporary Asian literature. Moreover, he demonstrates that, despite differences, these traditions share a unifying theme in their principal ethical teachings - cultivating balance is the fundamental building block for inner harmony, moral activity, and a just society. Through historical overview and discussion of essential ethical themes, Striking Balance presents the rich texture of traditional Asian moral teachings in ways that are appealing, instructive, and enlightening. The work presupposes no prior knowledge of ethics or of Asian traditions and is ideal for all who are interested in learning more about Asian cultures and moral teachings. It is also an invaluable text for students at the introductory as well as upper levels in ethics, Asian studies, philosophy, religion, and humanities.
