A portrait of an artist trapped by convention and expectations but longing for the chaos that can set her free. Growing up on a farm in early twentieth-century rural Iceland, Karitas Olafsdóttir, the youngest of six siblings, yearns for a new life. An artist, Karitas has a powerful calling and is determined to never let go of her true being, one unsuited for the conventional. But she is powerless against the fateful turns of real life and all its expectations of women. Pulled back time and again by design and by chance to the Icelandic countryside--as dutiful daughter, loving mother, and fisherman's wife--she struggles to thrive, to be what was she was meant to be. Spanning decades and set against a breathtaking historical canvas, Karitas Untitled, an award-winning classic of Icelandic literature, is a complex and immersive portrait of an artist's conflict with love, family, nature, and a country unaccustomed to an untraditional woman--but most of all, with herself and the creative instincts she has no choice but to follow.
In Regency England, one letter will alter a young woman’s fate when it summons her to Briarton Park—an ancient estate that holds the secrets of her past and the keys to her future. Cassandra Hale grew up knowing little about her parentage, and she had made peace with the fact that she never would. But her world shifts when a shocking deathbed confession reveals a two-year-old letter from Mr. Clark, the master of Briarton Park, with hints to her family’s identity. Stung by betrayal, Cassandra travels to the village of Anston only to learn Mr. Clark has since passed away. James Warrington is a widower and the new master of Briarton Park, where he lives with his two young daughters, his sister, and his mother-in-law. When Cassandra appears at his doorstep with a letter from the previous owner and then proceeds to assist his family in an unexpected way, he is honor bound to help uncover the answers she seeks. The more time Cassandra spends in Anston, the more she begins to suspect not everything—or everyone—is as they seem. As details emerge, the danger surrounding her intensifies. Using wit and intuition, she must navigate the treacherous landscapes between truth and rumor and between loyalty and deception if she is to uncover the realities of her past and find the place her heart can finally call home. Sarah Ladd’s latest Regency romance, first in the new Houses of Yorkshire series, combines mystery and intrigue with the best of historical storytelling. Praise for The Letter from Briarton Park: “The swoon-worthy romance of Jane Austen meets the suspense of Charlotte Bronte in Sarah Ladd's enthralling The Letter from Briarton Park. As Cassandra navigates the mystery of her own life, it is absolutely clear that family—either of blood or heart—are where she, and we, ultimately find our home.” —Joy Callaway, international bestselling author of The Fifth Avenue Artists Society and The Greenbrier Resort Sweet Regency romance with mystery elements The first book in the Houses of Yorkshire series, but can be read in any order Book length: approximately 91,000 words Includes discussion questions for book clubs
Icelandic folklore is rife with tales of elves and hidden people that inhabited hills and rocks in the landscape. But what do those elf stories really tell us about the Iceland of old and the people who lived there? In this book, author Alda Sigmundsdóttir presents twenty translated elf stories from Icelandic folklore, along with fascinating notes on the context from which they sprung. The international media has had a particular infatuation with the Icelanders’ elf belief, generally using it to propagate some kind of “kooky Icelanders” myth. Yet Iceland’s elf folklore, at its core, reflects the plight of a nation living in abject poverty on the edge of the inhabitable world, and its people’s heroic efforts to survive, physically, emotionally, and spiritually. That is what the stories of the elves, or hidden people, are really about. In a country that was, at times, virtually uninhabitable, where poverty was endemic and death and grief a part of daily life, the Icelanders nurtured a belief in a world that existed parallel to their own. This was the world of the hidden people, which more often than not was a projection of the most fervent dreams and desires of the human population. The hidden people lived inside hillocks, cliffs, or boulders, very close to the abodes of the humans. Their homes were furnished with fine, sumptuous objects. Their clothes were luxurious, their adornments beautiful. Their livestock was better and fatter, their sheep yielded more wool than regular sheep, their crops were more bounteous. They even had supernatural powers: they could make themselves visible or invisible at will, and they could see the future. To the Icelanders, stories of elves and hidden people are an integral part of the cultural and psychological fabric of their nation. They are a part of their identity, a reflection of the struggles, hopes, resilience, and endurance of their people. What you will read about in The Little Book of the Hidden People: • The fascination in the international media: why are they so obsessed with elves? • The meaning of elf: what do hidden people stories tell us about the psyche of the Icelanders of old? • The elves' badassery—they could make or break your fortune so you’d better be nice! • The ljúflingar ... hidden men who became the lovers of mortal women • Glamorous and regal: why were the elves so damn good-looking? • The grim realities: what do scholars believe about all those children abducted by elves? ... and so much more!
“A truly addictive read” (Glamour) about how a young woman’s crush on a privileged former classmate becomes a story of love, lies, and dark obsession, offering stark insights into the immigrant experience, as it hurtles to its electrifying ending in this “twisty, unputdownable, psychological thriller” (People). Ivy Lin is a thief and a liar—but you’d never know it by looking at her. Raised outside of Boston, Ivy’s immigrant grandmother relies on Ivy’s mild appearance for cover as she teaches her granddaughter how to pilfer items from yard sales and second-hand shops. Thieving allows Ivy to accumulate the trappings of a suburban teen—and, most importantly, to attract the attention of Gideon Speyer, the golden boy of a wealthy political family. But when Ivy’s mother discovers her trespasses, punishment is swift and Ivy is sent to China, and her dream instantly evaporates. Years later, Ivy has grown into a poised yet restless young woman, haunted by her conflicting feelings about her upbringing and her family. Back in Boston, when Ivy bumps into Sylvia Speyer, Gideon’s sister, a reconnection with Gideon seems not only inevitable—it feels like fate. Slowly, Ivy sinks her claws into Gideon and the entire Speyer clan by attending fancy dinners, and weekend getaways to the cape. But just as Ivy is about to have everything she’s ever wanted, a ghost from her past resurfaces, threatening the nearly perfect life she’s worked so hard to build. Filled with surprising twists and a nuanced exploration of class and race, White Ivy is a “highly entertaining,” (The Washington Post) “propulsive debut” (San Francisco Chronicle) that offers a glimpse into the dark side of a woman who yearns for success at any cost.
*SHORTLISTED FOR THE RNA HISTORICAL ROMANCE AWARD 2021* *LONGLISTED FOR THE HIGHLAND BOOK PRIZE 2020* 'Desperately romantic, lyrically written and with a fascinating plot' Katie Fforde Chrissie Gillies comes from the last ever community to live on the beautiful, isolated Scottish island of St Kilda. Evacuated in 1930, she will never forget her life there, nor the man she loved and lost who visited one fateful summer a few years before. Fred Lawson has been captured, beaten and imprisoned in Nazi-controlled France. Making a desperate escape across occupied territory, one thought sustains him: find Chrissie, the woman he should never have left behind on that desolate, glorious isle. The Lost Lights of St Kilda is a sweeping love story that crosses oceans and decades, and a testament to the extraordinary power of hope in the darkest of times. 'A gorgeous, melancholy love story.' The Times 'An undeniably haunting love story.' Sunday Times
Culinary delights abound, romance lingers in the air, and plans go terribly, wonderfully astray in this gender-bent take on My Fair Lady from Jennieke Cohen, author of Dangerous Alliance—perfect for fans of Bridgerton or A Gentleman’s Guide to Vice and Virtue. It’s 1830s England, and Culinarians—doyens who consult with society’s elite to create gorgeous food and confections—are the crème de la crème of high society. Helena Higgins, top of her class at the Royal Academy, has a sharp demeanor and an even sharper palate—and knows stardom awaits her if she can produce greatness in her final year. Penelope Pickering is going to prove the value of non-European cuisine to all of England. Her contemporaries may scorn her Filipina heritage and her dishes, but with her flawless social graces and culinary talents, Penelope is set to prove them wrong. Elijah Little has nothing to his name but a truly excellent instinct for flavors. London merchants won’t allow a Jewish boy to own a shop, so he hawks his pasties for a shilling a piece to passersby—but he knows with training he can break into the highest echelon of society. When Penelope and Helena meet Elijah, a golden opportunity arises: to pull off a project never seen before, and turn Elijah from a street vendor to a gentleman chef. But Elijah’s transformation will have a greater impact on this trio than they originally realize—and mayhem, unseemly faux pas, and a little romance will all be a part of the delicious recipe.
"Pankaj Mishra transforms a visceral, intimate story of one man’s humble origins into a kaleidoscopic portrait of a society bedazzled by power and wealth—what it means on a human level, and what it costs. Run and Hide is a spectacular, illuminating work of fiction." —Jennifer Egan, author of Manhattan Beach Growing up in a small railway town, Arun always dreamed of escape. His acceptance to the prestigious Indian Institute of Technology, enabled through great sacrifice by his low-caste parents, is seemingly his golden ticket out of a life plagued by everyday cruelties and deprivations. At the predominantly male campus, he meets two students from similar backgrounds. Unlike Arun—scarred by his childhood, and an uneasy interloper among go-getters—they possess the sheer will and confidence to break through merciless social barriers. The alumni of IIT eventually go on to become the financial wizards of their generation, working hard and playing hard from East Hampton to Tuscany—the beneficiaries of unprecedented financial and sexual freedom. But while his friends play out Gatsby-style fantasies, Arun fails to leverage his elite education for social capital. He decides to pursue the writerly life, retreating to a small village in the Himalayas with his aging mother. Arun’s modest idyll is one day disrupted by the arrival of a young woman named Alia, who is writing an exposé of his former classmates. Alia, beautiful and sophisticated, draws Arun back to the prospering world where he must be someone else if he is to belong. When he is implicated in a terrible act of violence committed by his closest friend from IIT, Arun will have to reckon with the person he has become. Run and Hide is Pankaj Mishra’s powerful story of achieving material progress at great moral and emotional cost. It is also the story of a changing country and global order, and the inequities of class and gender that map onto our most intimate relationships.
A Good Morning America Buzz Pick, and A Most Anticipated Book of 2022 by BuzzFeed, The Millions, Goodreads, Bustle, BookRiot, and The Nerd Daily "If you’ve ever felt tempted to ‘keep tabs on’ a partner’s ex on Instagram and then found yourself down a rabbit hole of their vacation posts from three years ago, this debut novel—which follows a 24-year-old New Yorker named Naomi who becomes obsessed with her boyfriend’s former girlfriend—is for you."—Vogue, “Best New Beach Reads” Twenty-four-year-old New York bookseller Naomi Ackerman is desperate to write a novel, but struggles to find a story to tell. When, after countless disastrous dates, she meets Caleb—a perfectly nice guy with a Welsh accent and a unique patience for all her quirks—she thinks she's finally stumbled onto a time-honored subject: love. Then Caleb's ex-girlfriend, Rosemary, enters the scene. Upon learning that Rosemary is not safely tucked away in Caleb’s homeland overseas, but in fact lives in New York and also works in the literary world, Naomi is threatened and intrigued in equal measure. If they both fell for the same man, what else might they have in common? The more Naomi learns about Rosemary, the more her curiosity consumes her. Before she knows it, her casual Instagram stalking morphs into a friendship under false pretenses—and becomes the subject of her nascent novel. As her lies and half-truths spiral out of control, and fact and fiction become increasingly difficult to untangle, Naomi must decide what—and who—she’s willing to sacrifice to write the perfect ending.
This 2004 book traces the changing interpretation of troubadour and trouvere music, a repertoire of songs which have successfully maintained public interest for eight centuries, from the medieval chansonniers to contemporary rap renditions. A study of their reception therefore serves to illustrate the development of the modern concept of 'medieval music'. Important stages include sixteenth-century antiquarianism, the Enlightenment synthesis of scholarly and popular traditions and the infusion of archaeology and philology in the nineteenth century, leading to more recent theories on medieval rhythm. More often than now, writers and performers have negotiated a compromise between historical research and a more imaginative approach to envisioning the music of troubadours and trouveres. This book points not so much to a resurrection of medieval music in modern times as to a continuous tradition of interpreting these songs over eight centuries.
A Stylist Best New Fiction of 2021 Selection, this stunning 1950s set debut mystery is a perfect summer read. 'A remarkably assured debut. A tale of inequality, broken dreams and quiet desperation behind a picture-perfect facade' Guardian 'A clever and absorbing debut by Inga Vesper, who bricks Joyce up in her perfect house, then smashes it to pieces with aplomb' The Times ________ Yesterday, I kissed my husband for the last time . . . It's the summer of 1959, and the well-trimmed lawns of Sunnylakes, California, wilt under the sun. At some point during the long, long afternoon, Joyce Haney, wife, mother, vanishes from her home, leaving behind two terrified children and a bloodstain on the kitchen floor. While the Haney's neighbours get busy organising search parties, it is Ruby Wright, the family's 'help', who may hold the key to this unsettling mystery. Ruby knows more about the secrets behind Sunnylakes' starched curtains than anyone, and it isn't long before the detective in charge of the case wants her help. But what might it cost her to get involved? In these long hot summer afternoons, simmering with lies, mistrust and prejudice, it could only take one spark for this whole 'perfect' world to set alight . . . A beguiling, deeply atmospheric debut novel from the cracked heart of the American Dream, The Long, Long Afternoon is at once a page-turning mystery and an intoxicating vision of the ways in which women everywhere are diminished, silenced and ultimately under-estimated. Everyone is talking about The Long, Long Afternoon 'Beguiling and evocative. This vivid and atmospheric pageturner will keep readers guessing all the way to its satisfying finale' Sunday Express 'Beautifully crafted, claustrophobic and compelling. As delicious as a long drink on a hot day' Stacey Halls, Sunday Times bestselling author of The Familiars and The Foundling 'Such a vivid atmosphere of stifling LA heat and stifling 50s domesticity' Clare Chambers, author of Small Pleasures 'Breathtakingly stylish, hypnotic and masterfully gripping' Chris Whitaker, author of We Begin at the End, Waterstones Thriller of the Month 'A triumph. What a pleasure to read something fresh and original. For once the hype is justified and Inga Vesper's gripping page turner must surely now be bound for Netflix' Evening Standard 'A tasty, tense, page-turning combo of James Ellroy and Kate Atkinson with a bit of Mad Men thrown in' Liz Hyder 'For fans of Revolutionary Road and Mad Men, this is an atmospheric tale of repression and style at the heart of the American Dream' Stylist
