"A big juicy wedge of jazz history. . . . Lots of wonderful stories." -- Los Angeles Daily News "Kansas City was a hub for Jazz bands that crisscrossed the country in the 1930s. . . . The interviews go beyond jazz into the infamous political machinery that made Kansas City a wide-open and corrupt town where jazz could flourish." -- Choice "A wealth of stories, a good measure of entertainment and a valuable stab at history -- not to mention some great pictures." -- The Kansas City Star
Despite its sparse population, Kansas is well represented in the annals of music history. The state claims some of the most popular acts from the past century, including Kansas, Count Basie, Big Joe Turner, Martina McBride, Melissa Etheridge and Charlie Parker. A wide variety of genres plays and prospers here, from blues to bluegrass. Beloved venues from mega-festivals like Walnut Valley to jam sessions just off the front porch preserve the state's tuneful heritage. Join Deb Bisel in celebrating this lyrical legacy, from "Home on the Range" to "Dust in the Wind" and beyond.
“Glowing with warmth, vulnerability, and a heavy heart, Arsenia’s intimate reflections depict the past and present wrestling within the individual as he endeavors to chart his own course in the world.”—Atwood Magazine Both a journey of individual healing and a call for action, these poems show that, with a little love and acceptance, anyone can flourish. From one of Kansas City’s most exciting singers Calvin Arsenia, comes a debut book of poetry and prose Every Good Boy Does Fine. Named for the classic mnemonic used to teach the lines of the treble clef (EGBDF), his collection speaks to his passion as a musician and also his deep and tumultuous history in the Evangelical community. Arsenia includes elements of queer poetry, writings on racial awakening, Christian de-conversion, and sexual awakenings in a homophobic community with the hopes that, when finished reading, readers will feel ready to start their own journey of self-expression through music and performance. A profoundly thoughtful and enlightening work, Arsenia uses his lyrical talent to show that there is always somewhere to go no matter where you are coming from.
Hardcore, the hard-edged second generation of punk rock, whose peak period ranged from 1980 to 1986, has never before been captured in the way Steven Blushs authoritative, extensively illustrated oral history revisits its dynamic and sordid past. All the major hardcore scenes, particularly in Southern California, San Francisco, Washington D.C., Boston, New York City and Texas are given provocative voice through its major players, from drugged-out suburban Metal misfits to shit-kicking skinheads to vegan anti-drug pacifists. American Hardcore; A Tribal History not only recapitulates an important and influential scene, its provocative sociological snapshots reveal the apocalyptic desperation of a singular time in American history. Author Steven Blush was a prime mover in the scene he writes about; in the 80s, he promoted many hardcore tours and shows, DJ an influential college radio show, and ran a record label. Later Blush published Seconds magazine, and wrote for Paper, Spin, Interview, Village Voice, Details and High Times magazines. The primary photographers included in this volume are Edward Colver and Karen O Sullivan. Flyers, set lists, logos, and record covers have been provided by many collectors, and the book includes an extensive discography of Hard core rock releases from 1980 to 1986.
Jennifer Knapp’s meteoric rise in the Christian music industry ended abruptly when she walked away and came out publicly as a lesbian. This is her story—of coming to Christ, of building a career, of admitting who she is, and of how her faith remained strong through it all. At the top of her career in the Christian music industry, Jennifer Knapp quit. A few years later, she publicly revealed she is gay. A media frenzy ensued, and many of her former fans were angry with what they saw as turning her back on God. But through it all, she held on to the truth that had guided her from the beginning. In this memoir, she finally tells her story: of her troubled childhood, the love of music that pulled her through, her dramatic conversion to Christianity, her rise to stardom, her abrupt departure from Christian Contemporary Music, her years of trying to come to terms with her sexual orientation, and her return to music and Nashville in 2010, when she came out publicly for the first time. She also talks about the importance of her faith, and despite the many who claim she can no longer call herself a believer, she maintains that she is both gay and a Christian. Now an advocate for LGBT issues in the church, Jennifer has witnessed heartbreaking struggles as churches wrestle with issues of homosexuality and faith. This engrossing, inspiring memoir will help people understand her story and to believe in their own stories, whatever they may be.
