"Kannon, the Bodhisattva of Compassion, is probably Japan's most popular Buddhist deity. Images of Kannon - who hears the cries for help of all beings in distress - are the main focus of worship in many Japanese temples. The Museum Rietberg presents an exceptional selection of the most beautiful sculptures and paintings from the seventh to the fourteenth century, some of which have never been seen before outside Japan or which are rarely accessible even to the Japanese public."--Jacket
Buddhists around the world celebrate the benefits of worshipping Kannon (Avalokiteśvara), a compassionate savior who is one of the most beloved in the Buddhist pantheon. When Kannon appears in multiple manifestations, the deity’s powers are believed to increase to even greater heights. This concept generated several cults throughout history: among the most significant is the cult of the Six Kannon, which began in Japan in the tenth century and remained prominent through the sixteenth century. In this ambitious work, Sherry Fowler examines the development of the Japanese Six Kannon cult, its sculptures and paintings, and its transition to the Thirty-three Kannon cult, which remains active to this day. An exemplar of Six Kannon imagery is the complete set of life-size wooden sculptures made in 1224 and housed at the Kyoto temple Daihōonji. This set, along with others, is analyzed to demonstrate how Six Kannon worship impacted Buddhist practice. Employing a diachronic approach, Fowler presents case studies beginning in the eleventh century to reinstate a context for sets of Six Kannon, the majority of which have been lost or scattered, and thus illuminates the vibrancy, magnitude, and distribution of the cult and enhances our knowledge of religious image-making in Japan. Kannon’s role in assisting beings trapped in the six paths of transmigration is a well-documented catalyst for the selection of the number six, but there are other significant themes at work. Six Kannon worship includes significant foci on worldly concerns such as childbirth and animal husbandry, ties between text and image, and numerous correlations with Shinto kami groups of six. While making groups of Kannon visible, Fowler explores the fluidity of numerical deity categorizations and the attempts to quantify the invisible. Moreover, her investigation reveals Kyushu as an especially active site in the history of the Six Kannon cult. Much as Kannon images once functioned to attract worshippers, their presentation in this book will entice contemporary readers to revisit their assumptions about East Asia’s most popular Buddhist deity.
The revealed truth Forget everything told Spaceship in Sakkara crashed 8000 year ago Called gods, men and women like humans came out of it The chief of gods, handsome man, dazzling, fabulous, marvelous On his right, beautiful black hair woman protected by two lions On his left, another man, strong body, white beard and hair but not old Spaceship was out so gods helped humans and taught them farming Music, dance, maths, astronomy, writing But higher forces disagreed this sharing of knowledge And sent strong enemies to kill gods on Earth Only the woman survived Her names were Isis, Maât, Athena, Parvati, Guanyin. She settled in Ethiopia as Queen of Sheba, Makeda Balkis In -1000, she visited the temple of Solomon Phoenician artist Hiram, chief of temple builders, she fell in love and miracle happened because pregnant was Makeda But jealousy of Solomon led to the murder of Hiram Makeda ran away Solomon by the Mediterranean Sea For a long boat trip to the Riviera coast She docked on a beach near Massalia Somewhere in Europe in a snowy forest Surrounded by animals her son was born Three surviving mages of her people gathered around the baby All calendars to change, 1000 years to add This amazing woman and her son in her arms France, Belgium, Germany, Poland they crossed Russia, Asia they continued and Japan her son she introduced In India, called Maya, she put her son for adoption To a maharaja for his education The boy called Siddhartha Gautama Would become the first Buddha This amazing man traveled all around Asia to help people Called Jesus, he would be crucified for teaching and healing people But his mother, Mary the Egyptian, Lin Moniang, remained on Earth The Templars of Jerusalem discovered the truth The mother of their god Jesus was a goddess, father a human So, Templars were murdered by pope to hid the truth Genius Sandro Botticelli with friends Perugino and Leonardo da Vinci Found out the truth and drew in their paintings the goddess Mary Disciples and friends Michelangelo hid Apollo in David Raphael camouflaged Hypatia of Alexandria as Simonetta Vespucci
Focusing on the ninth to the fourteenth centuries, this study analyzes the ways in which relics functioned as material media for the interactions of Buddhist clerics, the imperial family, lay aristocrats, and warrior society and explores the multivocality of relics by dealing with specific historical examples. Brian Ruppert argues that relics offered means for reinforcing or subverting hierarchical relations.
