Justice League

Justice League

Author: Gerry Conway

Publisher:

Published: 2017

Total Pages: 0

ISBN-13: 9781401276850

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"Superman created by Jerry Siegel and Joe Shuster, by special arrangement with the Jerry Siegel family; Wonder Woman created by William Moulton Marston"


Justice League of America (1960-) #200

Justice League of America (1960-) #200

Author: Gerry Conway

Publisher: DC Comics

Published: 2011-09-21

Total Pages: 76

ISBN-13:

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A special anniversary issue! The Justice League battles the Justice League as the seven original JLA members fall prey to mind control. It's up to the rest of the League to stop them from reassembling the Appellax meteorites!


Justice League of America (1960-) #1

Justice League of America (1960-) #1

Author: Gardner Fox

Publisher: DC Comics

Published: 2014-02-25

Total Pages: 28

ISBN-13:

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Superman! Batman! Wonder Woman! The Flash! Green Lantern! Aquaman! The Martian Manhunter! The Justice League of America in its very own series! But will their first adventure be their last? Featuring the first appearance of the mind-controlling villain Despero!


The Ages of the Justice League

The Ages of the Justice League

Author: Joseph J. Darowski

Publisher: McFarland

Published: 2017-03-27

Total Pages: 220

ISBN-13: 1476662258

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The first superhero team from the Silver Age of comics, DC's Justice League has seen many iterations since its first appearance in 1960. As the original comic book continued and spin-off titles proliferated, talented writers, artists and editors adapted the team to appeal to changing audience tastes. This collection of new essays examines more than five decades of Justice League comics and related titles. Each essay considers a storyline or era of the franchise in its historical and social contexts.


Our Superheroes, Ourselves

Our Superheroes, Ourselves

Author: Robin S. Rosenberg PhD

Publisher: Oxford University Press

Published: 2013-06-21

Total Pages: 233

ISBN-13: 0199339511

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Superhero fans are everywhere, from the teeming halls of Comic Con to suburban movie theaters, from young children captivated by their first comic books to the die-hard collectors of vintage memorabilia. Why are so many people fascinated by superheroes? In this thoughtful, engaging, and at times eye-opening volume, Robin Rosenberg--a writer and well-known authority on the psychology of superheroes--offers readers a wealth of insight into superheroes, drawing on the contributions of a top group of psychologists and other scholars. The book ranges widely and tackles many intriguing questions. How do comic characters and stories reflect human nature? Do super powers alone make a hero super? Are superhero stories good for us? Most contributors answer that final question in the affirmative. Psychologist Robert J. Sternberg, for instance, argues that we all can learn a lot from superheroes-and what we can learn most of all is the value of wisdom and an ethical stance toward life. On the other hand, restorative justice scholar Mikhail Lyubansky decries the fact that justice in the comic-book world is almost entirely punitive, noting extreme examples such as "Rorschach" in The Watchmen and the aptly named "The Punisher, who embrace a strict eye-for-an-eye sense of justice, delivered instantly and without mercy. In the end, the appeal of Superman, Batman, Spiderman, and legions of others is simple and elemental. Superheroes provide drama, excitement, suspense, and romance and their stories showcase moral dilemmas, villains we love to hate, and protagonists who inspire us. Perhaps as important, their stories allow us to recapture periods of our childhood when our imaginations were cranked up to the maximum--when we really believed we could fly, or knock down the bad guy, or save the city from disaster.


Reading Comics

Reading Comics

Author: Mila Bongco

Publisher: Routledge

Published: 2014-04-04

Total Pages: 253

ISBN-13: 131777633X

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This study explores how the definition of the medium, as well as its language, readership, genre conventions, and marketing and distribution strategies, have kept comic books within the realm of popular culture. Since comics have been studied mostly in relation to mass media and its influence on society, there is a void in the analysis of the critical issues related to comics as a distinct genre and art form. By focusing on comics as narratives and investigating their formal and structural aspects, as well as the unique reading process they demand, this study presents a unique contribution to the current literature on comics, and helps clarify concepts and definitions useful in studying the medium. (Ph.D. dissertation, University of Alberta, 1995; revised with new preface, bibliography, and index)


Comics through Time [4 volumes]

Comics through Time [4 volumes]

Author: M. Keith Booker

Publisher: Bloomsbury Publishing USA

Published: 2014-10-28

Total Pages: 2803

ISBN-13:

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Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.