Just Call Me Scholar is an illustrated inspirational poem, celebrating our girls and boys, and encouraging them to shine. "I am articulate, brilliant, courageous, determined, empowered, and free. People often wonder what they should call me. Just Call Me Scholar!" The bright, bold illustrations, and positive rhymes make a great family read aloud to celebrate young scholars everywhere. Join the celebration!
For half a century, Eva Kennedy was at the centre of things in the small eastern Ontario village of Cumberland, while raising a family of six, assisting her husband who was the township clerk, and running a private maternity hospital. And in writing, she found some solace for the fears that accompanied her sons to war, and contentment as her children made their own way in a brave new world. Her diaries and letters, annotated by her daughter, offer a remarkable insight into an extraordinary age.
Robert Walter Funk, founder of the Jesus Seminar, was a leading New Testament scholar of the second half of the twentieth century. A natural problem solver and keen observer of life, he was educated at Butler and Vanderbilt and taught at universities from Cambridge, Mass to Missoula, Montana. In Just Call Me Bob, Funk delights and enlightens readers with his reflections on a wide variety of topics which, not surprisingly, include God, the Bible, Jesus, and academia.Scrimgeour has done a yeomans task, researching and then consolidating the wit and wisdom of Robert Funk under one cover. The result is a rich collection of sayings and writings, at times poignant, at times profound, even, at times, pugnacious
Just Call Me Lopez is a recipient of the QED Seal, which stands for Quality, Excellence, Design for ebooks and applications and a PIA (Publishing Innovation Awards) finalist. What do we have in common with a man from the sixteenth century—or even more so, a saint from the sixteenth century? Probably a lot more than you think. St. Ignatius of Loyola wasn’t always the heroic and holy figure that you hear about today; he was a flawed, fallible, and relatable man named Íñigo Lopez. In Just Call Me Lopez, a twenty-first-century woman, Rachel, meets the man who becomes the saint, and both are transformed by their unlikely friendship and series of thought-provoking conversations. Their worlds literally collide when Rachel is struck by a hit-and-run driver, and Lopez is there to help her. They realize that this chance accident is actually an act of God that allows Rachel and Lopez, through the medium of their friendship, to come to terms with their personal struggles. Lopez shares his life with Rachel, describing the obstacles he faces during his unbelievable conversion from a womanizing soldier to a man of God. While Rachel keeps mostly silent about her personal struggles, she observes and is astounded by Lopez’s metamorphosis from mess to mystic. Rachel finally faces her troubling situation, and Lopez gently guides her through the process of discernment to make a difficult, but inspired, life choice. Just Call Me Lopez helps us realize that our very human faults and imperfect behavior do not prevent us from receiving God’s grace; rather, knowing our weaknesses and giving ourselves over to the Holy Spirit can create a new way for us to live.
Now a Major Motion Picture from Director Luca Guadagnino, Starring Armie Hammer and Timothée Chalamet, and Written by Three-Time OscarTM Nominee James Ivory The Basis of the Oscar-Winning Best Adapted Screenplay A New York Times Bestseller A USA Today Bestseller A Los Angeles Times Bestseller A Vulture Book Club Pick An Instant Classic and One of the Great Love Stories of Our Time Andre Aciman's Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents’ cliffside mansion on the Italian Riviera. Each is unprepared for the consequences of their attraction, when, during the restless summer weeks, unrelenting currents of obsession, fascination, and desire intensify their passion and test the charged ground between them. Recklessly, the two verge toward the one thing both fear they may never truly find again: total intimacy. It is an instant classic and one of the great love stories of our time. Winner of the Lambda Literary Award for Ficition A New York Times Notable Book of the Year • A Publishers Weekly and The Washington Post Best Book of the Year • A New York Magazine "Future Canon" Selection • A Chicago Tribune and Seattle Times (Michael Upchurch's) Favorite Favorite Book of the Year
Ten-year-old Joseph and his seventeen-year-old sister Anna arrive in New York City in 1909 to begin a new life, away from the Russian soldiers, but soon learn it is not easy to fit in and know what to do.
Do kids come with an owner’s manual? This book is about Jim Minton’s journey of figuring out how to raise his kids and learning a lot about himself in the process. When Jim’s children were born, he focused on raising Division I athletes who would make him look good. He started off as that obnoxious dad we have all witnessed at sporting events. He ended up with thirteen principles for improving himself, plus three amazing kids who bring him great joy as they walk in the truth. Jim loves good quotes. He kept a list on the refrigerator as his kids grew up, many of them coming from legendary basketball coach John Wooden. Jim knew his kids were going to find the bad stuff on their phones and in the culture; it was up to him to get the good stuff in front of them. Along the way, Jim discovered that the Bible is the owner’s manual he was looking for.
Highlights the life of the actor famous for his role in the television series "M*A*S*H" and "Providence," and describes his interest in politics and human rights around the world.
His parents had died long ago, leaving his two younger brothers behind. Once she transmigrated and became the eldest sister, it meant that pressure was power. Song Xintong met with a car accident on his way out of the city. The original owner was also called Song Xintong. He was fourteen this year and would be fifteen in three months. He was the eldest sister at home and had taken responsibility for the care of the twins ever since his father died of illness a year ago. It was difficult to live like a wooden house with firewood.
Modern academic criticism bursts with what Eve Kosofsky Sedgwick once termed paranoid readings—interpretative feats that aim to prove a point, persuade an audience, and subtly denigrate anyone who disagrees. Driven by strategies of negation and suspicion, such rhetoric tends to drown out softer-spoken reparative efforts, which forego forceful argument in favor of ruminations on pleasure, love, sentiment, reform, care, and accessibility. Just Vibrations: The Purpose of Sounding Good calls for a time-out in our serious games of critical exchange. Charting the divergent paths of paranoid and reparative affects through illness narratives, academic work, queer life, noise pollution, sonic torture, and other touchy subjects, William Cheng exposes a host of stubborn norms in our daily orientations toward scholarship, self, and sound. How we choose to think about the perpetration and tolerance of critical and acoustic offenses may ultimately lead us down avenues of ethical ruin—or, if we choose, repair. With recourse to experimental rhetoric, interdisciplinary discretion, and the playful wisdoms of childhood, Cheng contends that reparative attitudes toward music and musicology can serve as barometers of better worlds.
