I Love You, Baby Deer is a poignant true story of love, friendship, and trust. Join Grace and Pineapple, the orphaned baby deer, on their adventures as Pineapple grows older with her newfound, loving family.
A teenage girl goes missing. When Hal, an intellectually disabled farmhand, returns from a hunting trip with a flimsy story about the blood in his truck and a dent near the headlight, Alma Costagan and her husband are forced to confront what Hal might be capable of.
In the farthest wilds of northeastern Minnesota, back in the Gunflint Range, the author of this book and her artist-husband have a two-room cabin home in the bush country. Beginning one Christmas Day when they first watched the starving deer they later named Peter, the Hoovers had many opportunities, a passionate inclination, and the nature skills to observe this whitetail buck—joined later by his mate, and finally by several of their offspring—through the changing seasons of four years. Close as their relationship was to the generations of beautiful animals, the Hoovers did not consider them pets but fellow inhabitants of that wild country. Their observations reveal the rewards of living close to wild creatures; but more than that, they add valuable information to our knowledge of the cycle of life of the deer and other creatures native to the same world. For although the deer are the chief characters of this book, they are by no means the only wild creatures Mrs. Hoover writes of. Her naturalist’s eye is just as sharp and her affection just as great for the antics of a curious chickadee or a flying squirrel. Mrs. Hoover’s identification with nature knows no favoritism. The Hoovers’ world—the bush country of the United States-Canadian border—is farther removed from civilization than “Mr. Emerson’s woodlot,” but the close relationship of The Gift of the Deer to Walden is evident for all to enjoy. Adrian Hoover’s drawings are from life, and they add another level of understanding to his wife’s vivid prose.
For nearly half a century Anne Lake Prescott has been a force and an inspiration in Renaissance studies. A force, because of her unique blend of learning and wit and an inspiration through her tireless encouragement of younger scholars and students. Her passion has always been the invisible bridge across the Channel: the complex of relations, literary and political, between Britain and France. The essays in this long-awaited collection range from Edmund Spenser to John Donne, from Clément Marot to Pierre de Ronsard. Prescott has a particular fondness for King David, who appears several times; and the reader will encounter chessmen, bishops, male lesbian voices and Roman whores. Always Prescott’s immense erudition is accompanied by a sly and gentle wit that invites readers to share her amusement. Reading her is a joyful education.
Amid the cactus wilds some two hundred miles from Hollywood lies a privileged oasis called Desert D’Or. It is a place for starlets, directors, studio execs, and the well-groomed lowlifes who cater to them. And, as imagined by Norman Mailer in this blistering classic, Desert D’Or is a moral proving ground, where men and women discover what they really want—and how far they are willing to go to get it. As Mailer traces their couplings and uncouplings, their uneasy flirtation with success and self-extinction, he creates a legendary portrait of America’s machinery of desire. Praise for The Deer Park “A scathing portrayal of Hollywood . . . studded with brilliant and illuminating passages.”—The New York Times Book Review “A writer of the greatest and most reckless talent . . . [Mailer] drives us up and down The Deer Park at breakneck speed. It is a trip through unfamiliar country, for a time funny and then unnerving.”—The New Yorker “Savage . . . brilliant . . . exhilarating.”—The Atlantic Monthly “Entertaining and wise . . . In addition to his furious energy and true ear, Mailer is simpatico with humanity . . . on a level rare in American fiction.”—The New Republic Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post
This book contains the complete Andersen's 127 fairy tales and stories in the chronological order of their original publication. Hans Christian Andersen was a Danish author and poet. Although a prolific writer of plays, travelogues, novels, and poems, Andersen is best remembered for his fairy tales, a literary genre he so mastered that he himself has become as mythical as the tales he wrote. Andersen's popularity is not limited to children; his stories—called eventyrs, or "fantastic tales"—express themes that transcend age and nationality. During his lifetime he was acclaimed for having delighted children worldwide and was feted by royalty. Andersen's fairy tales, which have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature readers as well. They have inspired motion pictures, plays, ballets, and animated films.
Lame Deer Storyteller, rebel, medicine man, Lame Deer was born almost a century ago on the Rosebud Reservation in South Dakota. A full-blooded Sioux, he was many things in the white man's world -- rodeo clown, painter, prisioner. But, above all, he was a holy man of the Lakota tribe. Seeker of Vision The story he tells is one of harsh youth and reckless manhood, shotgun marriage and divorce, history and folklore as rich today as ever -- and of his fierce struggle to keep pride alive, though living as a stranger in his own ancestral land.
Tom Brothers, widower, owns a hardscrabble cattle ranch in the foothills of Wyoming. The land controls Tom’s life, taking all he can give, offering little in return. THE DEER MOUSE follows him for ten culled days through the seasons of the year, as he and his son, TJ, struggle to make ends meet. Old Tom, sulky and brooding, and TJ, insecure, are constantly at each other in a sullen, running battle, neither one conscious of how their lives unfold in remarkably parallel ways, nor able to bring themselves to trust one another. Both want desperately to know that what they have given, and what they’ve lost, is worth something in the end. Their ruptured relationship profoundly affects the rest of the extended family in this rural isolation, and these wounds are further aggravated by the intrusion of Frank, a recently-hired man, who comes between TJ and his wife, Karen.
This is a God-inspired work of fiction stirred in the month of September 2016 by an inner calling to reveal a depth of historical figures living in and events occurring in Asia Minor soon after the death of Jesus two thousand years ago. Too often, we forget about ways of living that have been in practice for thousands of years. We are not the authors or inventors of Christianity. This book is about the purity and vastness of relationship with God and one another. Do we have as much zeal for the Three in One today as our predecessors? After two thousand years, do we fail to practice living in the Kingdom of God daily? Are we willing to acknowledge that God is the doer and each of us is called to use our gifts as willing partners in fellowship with God and his creation? Are we waiting for "someday" to arrive before we experience the fullness of God? What does it mean to grow up in Jesus? Is abundance only spiritual or is it also earthly? What does it mean to stand as having a new nature created by Jesus?