Realism in the Age of Impressionism
Realism in the Age of Impressionism

Author: Marnin Young

Publisher: Yale University Press

Published: 2015-01-01

Total Pages: 273

ISBN-13: 0300208324

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The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-Franocois Raffaeelli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young's highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art.

Beyond Impressionism
Beyond Impressionism

Author: Gabriel P. Weisberg

Publisher: ABRAMS

Published: 1992

Total Pages: 310

ISBN-13:

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The triumph of the forward-looking Impressionists over the deadwood of the French Academy is a familiar story to art lovers. Now this challenging book adds a new dimension to that period, showing that at the same time the Naturalists were shaping a different view of painting. Weisberg reveals that the Naturalists went beyond Impressionism in both technique and subject matter. 307 illustrations, 86 in full color.

The Artist Project
The Artist Project

Author: Christopher Noey

Publisher: Metropolitan Museum of Art

Published: 2017-09-19

Total Pages: 274

ISBN-13: 0714873543

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Artists have long been stimulated and motivated by the work of those who came before them—sometimes, centuries before them. Interviews with 120 international contemporary artists discussing works from The Metropolitan Museum of Art's collection that spark their imagination shed new light on art-making, museums, and the creative process. Images of works from The Met collection appear alongside images of the contemporary artists' work, allowing readers to discover a rich web of visual connections that spans cultures and millennia.

Jules Bastien-Lepage and His Art : A Memoir
Jules Bastien-Lepage and His Art : A Memoir

Author: André Theuriet

Publisher: Prabhat Prakashan

Published: 2024-09-07

Total Pages: 92

ISBN-13:

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Immerse yourself in the captivating world of Jules Bastien-Lepage through the insightful lens of "Jules Bastien-Lepage and His Art: A Memoir," co-authored by André Theuriet, Mathilde Blind, George Clausen, and Walter Sickert. Step into the life and artistry of Jules Bastien-Lepage, a pioneering figure in 19th-century French realism, whose evocative paintings captured the essence of rural life with unparalleled sensitivity and depth. This memoir offers a comprehensive exploration of Bastien-Lepage's artistic evolution, from his early influences to his groundbreaking techniques that revolutionized the art world. Delve into the artistic philosophy and thematic richness of Bastien-Lepage's works as Theuriet, Blind, Clausen, and Sickert provide intimate insights into his creative process and the social context that shaped his masterpieces. From poignant portraits to poignant landscapes, each painting reflects Bastien-Lepage's commitment to portraying the human experience with honesty and compassion. Through engaging prose and thoughtful analysis, "Jules Bastien-Lepage and His Art: A Memoir" celebrates the enduring legacy of a visionary artist whose work continues to resonate with art enthusiasts and scholars alike. The memoir not only illuminates Bastien-Lepage's artistic achievements but also offers a deeper understanding of his impact on the development of realism in art. Since its publication, "Jules Bastien-Lepage and His Art: A Memoir" has garnered acclaim for its scholarly rigor, insightful commentary, and its role in preserving the legacy of a seminal artist. Its blend of biography and art criticism provides a comprehensive portrait of Bastien-Lepage's life, influences, and lasting contributions to the art world. As you immerse yourself in the memoir, you'll gain a newfound appreciation for Bastien-Lepage's ability to capture the nuances of human emotion and the beauty of everyday life. His artistry transcends time and continues to inspire artists and art lovers around the globe. In conclusion, "Jules Bastien-Lepage and His Art: A Memoir" is more than a biography—it's a tribute to the power of art to illuminate the human condition and provoke thought. Whether you're a connoisseur of realism or simply intrigued by the life of an artistic visionary, this memoir promises to enrich your understanding and appreciation of Bastien-Lepage's remarkable oeuvre. Don't miss your chance to discover the world of Jules Bastien-Lepage through the eyes of those who knew him best. Let this memoir guide you through his artistic journey and legacy. Grab your copy now and embark on a captivating exploration of one of the 19th century's most influential artists.

Women Artists in Paris, 1850-1900
Women Artists in Paris, 1850-1900

Author: Laurence Madeline

Publisher: Yale University Press

Published: 2017-01-01

Total Pages: 289

ISBN-13: 0300223935

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Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.

Overcoming All Obstacles
Overcoming All Obstacles

Author: Jane R. Becker

Publisher: Rutgers University Press

Published: 1999

Total Pages: 184

ISBN-13: 9780813527567

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Overcoming All Obstacles: The Women of the Académie Julian is the first book to examine late nineteenth-century Paris's most famous training ground for the leading women artists of the period. The Académie Julian was founded in Paris in 1868, initially to prepare students for entry to the Ecole des Beaux-Arts, the nineteenth-century's preeminent art school. Because women could not study at the Ecole des Beaux-Arts until 1897, Julian itself became an international equivalent for many of the late nineteenth- and early twentieth-century's most important women artists. Not only does Overcoming All Obstacles introduce the reader to many works by women artists-both famous and lesser known-but the essays offer a cultural and historical context in which to appreciate their art. Gabriel Weisberg's essay concentrates on the rigorous training methods enforced by Rodolphe Julian and the teachers at the Academy. Jane Becker explores the competitive environment of the Julian Academy as it affected the Ukrainian painter Marie Bashkirtseff and the Swiss painter Louise-Catherine Breslau. Essays by Catherine Fehrer, the leading scholar of the Académie Julian, and Tamar Garb, an art historian who focuses on the training of women artists, give us a richer understanding of the Académie Julian's place in the sphere of art education in late nineteenth-century Paris. Generously illustrated with both color and black-and-white images, this volume includes documentary photographs and caricatures that have never before been reproduced. The core of the book draws on the large collection of the Académie Julian Del Debbio, the Académie Julian's successor institution in Paris. This publication accompanied an exhibition organized by the Dahesh Museum in New York that opened after its exhibition at the Sterling and Francine Clark Art Institute in Williamstown. The exhibition subsequently continued to the Dixon Gallery and Gardens, Memphis.