Nineteenth-century women illustrators and cartoonists
Nineteenth-century women illustrators and cartoonists

Author: Joanna Devereux

Publisher: Manchester University Press

Published: 2023-05-16

Total Pages: 309

ISBN-13: 1526161680

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Nineteenth-century women illustrators and cartoonists provides an in-depth analysis of fifteen women illustrators of the later nineteenth and early twentieth centuries: Jemima Blackburn, Eleanor Vere Boyle, Marianne North, Amelia Francis Howard-Gibbon, Mary Ellen Edwards, Edith Hume, Alice Barber Stephens, Florence and Adelaide Claxton, Marie Duval, Amy Sawyer, Eleanor Fortescue Brickdale, Pamela Colman Smith and Olive Allen Biller. The chapters consider these women’s illustrations in the areas of natural history, periodicals and books, as well as their cartoons and caricatures. Using diverse critical approaches, the volume brings to light the works and lives of these important women illustrators and challenges the hegemony of male illustrators and cartoonists in nineteenth-century visual and print culture.

Marie Duval
Marie Duval

Author: Simon Grennan

Publisher: Manchester University Press

Published: 2020-12-01

Total Pages: 377

ISBN-13: 1526133563

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Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier, 1847–1890), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval’s vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval’s drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.

Shame
Shame

Author: Bogdan Popa

Publisher: Edinburgh University Press

Published: 2017-04-28

Total Pages: 224

ISBN-13: 1474419836

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Shame has often been considered a threat to democratic politics, and was used to degrade and debase sex radicals and political marginals. But certain forms of shame were also embraced by 19th-century activists in an attempt to reverse entrenched power dynamics. Bogdan Popa brings together Ranciere's techniques of disrupting inequality with a queer curiosity in the performativity of shame to show how 19th-century activists denaturalised conventional beliefs about sexuality and gender. This study fills a glaring absence in political theory by undertaking a genealogy of radical queer interventions that predate the 20th century.

Pictures of Poverty
Pictures of Poverty

Author: Lydia Jakobs

Publisher: Indiana University Press

Published: 2021-10-26

Total Pages: 277

ISBN-13: 0861969863

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From Charles Dickens's Oliver Twist to George Sims's How the Poor Live, illustrated accounts of poverty were en vogue in Victorian Britain. Poverty was also a popular subject on the screen, whether in dramatic retellings of well-known stories or in 'documentary' photographs taken in the slums. London and its street life were the preferred setting for George Robert Sims's rousing ballads and the numerous magic lantern slide series and silent films based on them. Sims was a popular journalist and dramatist, whose articles, short stories, theatre plays and ballads discussed overcrowding, drunkenness, prostitution and child poverty in dramatic and heroic episodes from the lives and deaths of the poor. Richly illustrated and drawing from many previously unknown sources, Pictures of Poverty is a comprehensive account of the representation of poverty throughout the Victorian period, whether disseminated in newspapers, illustrated books and lectures, presented on the theatre stage or projected on the screen in magic lantern and film performances. Detailed case studies reveal the intermedial context of these popular pictures of poverty and their mobility across genres. With versatile author George R. Sims as the starting point, this study explores the influence of visual media in historical discourses about poverty and the highly controversial role of the Victorian state in poor relief.