The iconic character Judge Dredd finally received the graphic novel platform he deserved in the Case Files editions. Since 1977, one man has dominated the British comic scene. He is judge, jury and executioner; a merciless far-future lawman delivering justice with an iron fist on the mean streets of Mega-City One. He is Judge Dredd! US readers can discover the roots of this legendary character in this vast a thrill-packed series of graphic novels, which collect together all of Dredd's adventures in chronological order.
Case Files 43 continues with Judge Dredd uncovering the House of Pain and thwarting a new threat from Orlok, and the reveal of the Judges' rise to power in John Wagner and Carlos Ezquerra's Origins.
Mega-City One: the future metropolis bustling with life and every crime imaginable. Keeping order are the Judges, a stern polic force acting as judge, jury and executioner. Toughest of all is Judge Dredd. He is the law and these are his stories.
This volume includes such classics as The Stupid Gun and the post atomic war struggles of the Judges to bring order back to the shattered MC-1 in Shanty Town and the first appearance of the League of Fatties (only in 2000AD!) as well as the return of Owen Krysler, the Judge Child.
SECTOR HOUSE Mega-City One - a nightmarish enclosure located along the Eastern Seaboard of North America. Only the Judges - powerful law enforcers supporting the despotic Justice Department - can stop total anarchy running rife on the crime-ridden streets. Toughest of them all is Judge Dredd - he is the law and these are his stories... Judge Dredd assesses the performance of a promising young cadet, Rico - another clone of Judge Fargo. Earning his badge, Rico is soon assigned to the troubled Sector House 108 - where everything he has learnt is put to the test!
The intersections of law and contemporary culture are vital for comprehending the meaning and significance of law in today’s world. Far from being unsophisticated mass entertainment, comics and graphic fiction both imbue our contemporary culture, and are themselves imbued, with the concerns of law and justice. Accordingly, and spanning a wide variety of approaches and topics from an international array of contributors, Graphic Justice draws comics and graphic fiction into the range of critical resources available to the academic study of law. The first book to do this, Graphic Justice broadens our understanding of law and justice as part of our human world—a world that is inhabited not simply by legal concepts and institutions alone, but also by narratives, stories, fantasies, images, and other cultural articulations of human meaning. Engaging with key legal issues (including copyright, education, legal ethics, biomedical regulation, and legal personhood) and exploring critical issues in criminal justice and perspectives on international rights, law and justice—all through engagement with comics and graphic fiction—the collection showcases the vast breadth of potential that the medium holds. Graphic Justice will be of interest to academics and postgraduate students in: cultural legal studies; law and the image; law, narrative and literature; law and popular culture; cultural criminology; as well as cultural and comics studies more generally.
Utopia and Dystopia in the Age of Trump:Images from Literature and Visual Arts treats literature, film, television series, and comic books dealing with utopian and dystopian worlds reflecting on or anticipating our current age. From Henry James’s dreamlike utopia of “The Great Good Place” to the psychotic world of Brett Easton Ellis’s American Psycho, from science fiction and recent horror films, television adaptations of books such as Margaret Atwood’s The Handmaid’s Tale, and new series such as Black Mirror to the repressive Hitlerian dystopia of Katherine Burdekin’s Swastika Night, the contributors examine the development of scenarios that either prefigure the rise of individuals such as Donald J. Trump or suggest alternatives to them. Ultimately, one might say of the worlds presented here, viewed from different social and political perspectives: one person’s utopia is another’s dystopia. This is the fifth in a series of books edited by Barbara Brodman and James E. Doan, and published by Rowman & Littlefield with Fairleigh Dickinson University Press. The Universal Vampire: Origins and Evolution of a Legend and Images of the Modern Vampire: The Hip and the Atavistic (both in 2013) focused on the vampire legend in traditional and modern thought. The Supernatural Revamped: From Timeworn Legends to Twenty-First-Century Chic (2016) examined a range of supernatural beings in literature, film, and other forms of popular culture. Apocalyptic Chic: Visions of the Apocalypse and Post-Apocalypse in Literature and Visual Arts (2017) dealt with legends and images of the apocalypse and post-apocalypse in film and graphic arts, literature and lore from early to modern times, and from peoples and cultures around the world.
Coping with the Future has been written in response to widespread international awareness that the future is not predictable. In political and economic terms, we are in unknown territory, with daily developments around Brexit and the Trump Presidency, and "Kodak moments" in business. On the other hand, business leaders demand certainty, which is not available. This book redefines the nature of modern business. In contrast to recent trends, it has a focus on human-centred manufacturing and on decision-making which goes beyond a focus on short-term profit. The liberal capitalism of the USA and the UK is not the only current variety of capitalism. Business is not just about managers, but requires participation and engagement by workers. Since the financial crash of 2008, there has been much talk about the need for fresh approaches to business, but little has changed. This book pulls together current research and practice and poses new questions based on case studies. There is no one simple best way, but an uncertain future can be addressed, drawing on diverse past experience and cases. The book addresses an intended audience in business and universities, including business schools, around the world. The debate takes a broader approach, involving research in the social sciences and approaches from philosophy. The world has always been unpredictable, but we have allowed ourselves to be comforted by convenient myths. It is time to wake up.
More action and adventure in the future-shocked world of Judge Dredd! A brand-new line-up of stories all start this issue, making an ideal jumping-on point-Dredd encounters some familiar faces in “Lawmen of the Future” by Ken Niemand & Dan Cornwell; Lawless returns, courtesy of Dan Abnett & Phil Winslade; Devlin Waugh is back in “Two Months Off” by Ales Kot & PJ Holden; there’s body horror in the Cursed Earth in Death Cap: Frontier Justice by T.C. Eglington & Boo Cook; and 1970s New York is the setting for a new case for cops Fargo & McBane by Niemand & Anna Readman. Plus features, interviews and lots more!
