The iconic character Judge Dredd finally received the graphic novel platform he deserved in the Case Files editions. Since 1977, one man has dominated the British comic scene. He is judge, jury and executioner; a merciless far-future lawman delivering justice with an iron fist on the mean streets of Mega-City One. He is Judge Dredd! US readers can discover the roots of this legendary character in this vast a thrill-packed series of graphic novels, which collect together all of Dredd's adventures in chronological order.
Case Files 43 continues with Judge Dredd uncovering the House of Pain and thwarting a new threat from Orlok, and the reveal of the Judges' rise to power in John Wagner and Carlos Ezquerra's Origins.
The streets don't come much meaner than those found in Mega-City One. Only the Judges - empowered to dispense law and order - keep the city from falling into total anarchy. Toughest of them all is Judge Dredd - he is the law and these are his stories. In this 24th volume of the bestselling Case Files series, Dredd is faced with one of his hardest challenges yet - dispensing justice in the 'Big Meg's' worst sector known as 'The Pit'! Also, the ultimate lawman faces a legendary war robot, when Judge Dredd squares off against the ABC Warrior Hammerstein! Backlist Opportunities: - Judge Dredd Case Files 21 - 9781781081754 - Judge Dredd Case Files 22 - 9781781082270 - Judge Dredd Case Files 23 - 9781781082522
The birth of Judge Dredd's world is revealed. How America became a wasteland with two enormous Mega-Cities on each seaboard. How Judge Dredd himself came to be, and his first taste of dealing justice on the streets. Secrets will be revealed. The future will be forged. Justice will be served. An unusual delivery is made to the Grand Hall of Justice, a package that will force Dredd to lead a mission into the Cursed Earth and into the darkest recesses of the history of the Judges and Mega-City One... Now in this much-anticipated Dredd epic, history is written by Dredd co-creators John Wagner (A History of Violence) and Carlos Ezquerra (Strontium Dog) with a special introductory tale featuring the art of Kev Walker (ABC Warriors: Khronicles of Khaos).
With over half a million copies sold and featuring the best British comics talent of the 21st century, The Complete Case Files is the comprehensive collection of Judge Dredd, the lawman of the future! Mega-City One - American city of the future. Only the Judges - empowered to dispense instant justice - can stop total anarchy on the crime-ridden streets. Toughest of them all is Judge Dredd - heisthe law and these are his stories... This 25thvolume of the bestselling Case Filesseries features includes the return of Dredd's greatest nemesis, Judge Death, and his foul cadre of henchmen, the Dark Judges Fire, Mortis and Fear. Also, a legendary judge dies bringing the law to the lawless in the Cursed Earth. Case Files 25features the unique artwork of Trevor Hairsine (Captain America), Henry Flint (Zombo), Carlos Ezquerra (Strontium Dog) amongst others, written by John Wagner (A History of Violence), John Smith (Indigo Prime) and Robbie Morrison (Nikolai Dante).
Utopia and Dystopia in the Age of Trump:Images from Literature and Visual Arts treats literature, film, television series, and comic books dealing with utopian and dystopian worlds reflecting on or anticipating our current age. From Henry James’s dreamlike utopia of “The Great Good Place” to the psychotic world of Brett Easton Ellis’s American Psycho, from science fiction and recent horror films, television adaptations of books such as Margaret Atwood’s The Handmaid’s Tale, and new series such as Black Mirror to the repressive Hitlerian dystopia of Katherine Burdekin’s Swastika Night, the contributors examine the development of scenarios that either prefigure the rise of individuals such as Donald J. Trump or suggest alternatives to them. Ultimately, one might say of the worlds presented here, viewed from different social and political perspectives: one person’s utopia is another’s dystopia. This is the fifth in a series of books edited by Barbara Brodman and James E. Doan, and published by Rowman & Littlefield with Fairleigh Dickinson University Press. The Universal Vampire: Origins and Evolution of a Legend and Images of the Modern Vampire: The Hip and the Atavistic (both in 2013) focused on the vampire legend in traditional and modern thought. The Supernatural Revamped: From Timeworn Legends to Twenty-First-Century Chic (2016) examined a range of supernatural beings in literature, film, and other forms of popular culture. Apocalyptic Chic: Visions of the Apocalypse and Post-Apocalypse in Literature and Visual Arts (2017) dealt with legends and images of the apocalypse and post-apocalypse in film and graphic arts, literature and lore from early to modern times, and from peoples and cultures around the world.
The intersections of law and contemporary culture are vital for comprehending the meaning and significance of law in today’s world. Far from being unsophisticated mass entertainment, comics and graphic fiction both imbue our contemporary culture, and are themselves imbued, with the concerns of law and justice. Accordingly, and spanning a wide variety of approaches and topics from an international array of contributors, Graphic Justice draws comics and graphic fiction into the range of critical resources available to the academic study of law. The first book to do this, Graphic Justice broadens our understanding of law and justice as part of our human world—a world that is inhabited not simply by legal concepts and institutions alone, but also by narratives, stories, fantasies, images, and other cultural articulations of human meaning. Engaging with key legal issues (including copyright, education, legal ethics, biomedical regulation, and legal personhood) and exploring critical issues in criminal justice and perspectives on international rights, law and justice—all through engagement with comics and graphic fiction—the collection showcases the vast breadth of potential that the medium holds. Graphic Justice will be of interest to academics and postgraduate students in: cultural legal studies; law and the image; law, narrative and literature; law and popular culture; cultural criminology; as well as cultural and comics studies more generally.
The Superhero Multiverse focuses on the evolving meanings of the superhero icon in 21st-century film and popular media, with an emphasis on re-adapting, re-imagining, and re-making. With its focus on multimedia and transmedia transformations, The Superhero Multiverse pivots on two important points: firstly, it reflects on the core concerns of the superhero narrative—including the relationship between ‘superhero comics’ and ‘superhero films’, the comics roots of superhero media, matters of canon and hybridity, and issues of recycling and stereotyping in superhero films and media texts. Secondly, it considers how these intersecting textual and cultural preoccupations are intrinsic to the process of remaking and re-adapting superheroes, and brings attention to multiple ways of materializing these iconic figures in our contemporary context.
