"Juanita la Larga (1896) unfolds in a small town in nineteenth-century Spain and tells the story of a young girl's romance with a wealthy widower many years her senior. Appearing here for the first time in English, Valera's novel describes in detail life in an Andalusian hamlet."--BOOK JACKET.
Applying recent European and Anglo-American feminist scholarship to the problems of gender representation, Charnon-Deutsch challenges the prevailing idea that the 19th-century Spanish novel is woman centered. The author's examination of novels by Valera, Pereda, Alas, and Galdos demonstrates that these works are instead a complex exploration of male identity. Decoding the gender ideology of women's roles, discourse, and representations, Charnon-Deutsch uncovers in the novels multiple configurations of androcentricity as well as voyeuristic tendencies, which she interprets as a means of mastering what is threatening to the male psyche.
Juanita la Larga (1896), the third of Juan Valera's eponymous novels with a female protagonist, unfolds in a small town in nineteenth-century Spain and tells the story of a young girl's romance with a wealthy widower many years her senior.
Five hundred miles from mainland Colombia, grassroots resistance, sloppy vacationers, and a muddy history of conquest converge for Verónica, returning after living in Mexico City, ready to understand herself and the place she came from. San Andrés rises gently from the Caribbean, part of Colombia but closer to Nicaragua, the largest island in an archipelago claimed by the Spanish, colonized by the Puritans, worked by slaves, and home to Arab traders, migrants from the mainland, and the descendants of everyone who came before. For Victoria – whose origins on the island go back generations, but whose identity is contested by her accent, her skin colour, her years far away – the sunburnt tourists, sewage blooms, sudden storms, and ‘thinking rundowns’ where liberation is plotted and dinner served from a giant communal pot, bring her into vivid, intimate contact with the island she thought she knew, her own history, and the possibility for a real future for herself and San Andrés.
"Short stories (fiction) by the great nineteenth-century Portuguese author Jose Maria Eca de Queiros; a variety of themes characterize the stories: love, greed, obsession, country life; patriotism"--
The Cambridge Companion to the Spanish Novel presents the development of the modern Spanish novel from 1600 to the present. Drawing on the combined legacies of Don Quijote and the traditions of the picaresque novel, these essays focus on the question of invention and experiment, on what constitutes the singular features of evolving fictional forms. It examines how the novel articulates the relationships between history and fiction, high and popular culture, art and ideology, and gender and society. Contributors highlight the role played by historical events and cultural contexts in the elaboration of the Spanish novel, which often takes a self-conscious stance toward literary tradition. Topics covered include the regional novel, women writers, and film and literature. This companionable survey, which includes a chronology and guide to further reading, conveys a vivid sense of the innovative techniques of the Spanish novel and of the debates surrounding it.
This is the first book to analyse Spanish and Spanish American literature in the light of modern theories of sexuality. Its aim is twofold: to provide a readable introduction to the varied and complex treatments of sexuality since Freud; and to read, in this context, a representative selection of major texts from different areas of Hispanic studies - Renaissance, modern peninsular, and Spanish American. The writers discussed include Fuentes, Neruda, Lorca, and Galdos.