For more than 30 years New York-based artist Joyce Pensato (born 1941) has transformed America's most iconic cartoon characters into psychologically charged enamel paintings and charcoal drawings. Her subjects, such as Mickey Mouse, Felix the Cat, Donald and Daisy Duck, the Simpsons, Batman and South Park's Kyle and Stan, oscillate between comedic representation and menacing abstraction. I Killed Kenny is the first museum exhibition devoted to Pensato's work and features the monumental wall painting "Running Mickeys," created on-site for CAM. Presenting a selection of key paintings and works on paper spanning Pensato's career--from being mentored by Joan Mitchell and Mercedes Matter at the New York Studio School in the 1970s to her most recent metallic painting, "Gold Batman"--this book reveals her work's evolution.
Published on the occasion of an exhibition celebrating the Wagners' promised gift of more than 850 works of art to the Whitney Museum of American Art, New York, and the Musaee national d'art moderne, Centre Pompidou, Paris, held at the Whitney Museum of American Art, November 20, 2015-March 6, 2016, and at the Centre Pompidou, June 16, 2016-January 2017.
In Science Comics: The Digestive System, visit the inside of your mouth, stomach, liver, intestines, and other organs that make up the gastrointestinal tract! Your guide to the gut is a friendly bacterium who will take you on a journey beyond imagination. Uncover how food is transformed into nutrients! Explore strange and dangerous glands! Behold the wonders of saliva, mucus, and vomit! Writer Jason Viola and illustrator Andy Ristaino provide a trip to the toilet you will never forget! Every volume of Science Comics offers a complete introduction to a particular topic—dinosaurs, the solar system, volcanoes, bats, robots, and more! Whether you're a fourth grader doing a natural science unit at school or a thirty-year-old with a secret passion for airplanes, these graphic novels are for you!
A sweeping retrospective exploring the oeuvre of an incandescent artist, revealing the ways that Mitchell expanded painting beyond Abstract Expressionism as well as the transatlantic contexts that shaped her Joan Mitchell (1925–1992) was fearless in her experimentation, creating works of unparalleled beauty, strength, and emotional intensity. This gorgeous book unfolds the story of an artistic master of the highest order, revealing the ways she expanded abstract painting and illuminating the transatlantic contexts that shaped her. Lavish illustrations cover the full arc of her artistic practice, from her exceptional New York paintings of the early 1950s to the majestic multipanel compositions she made in France later in her career. Signature works are represented here along with rarely seen paintings, works on paper, artist’s sketchbooks, and photographs of Mitchell’s life, social circle, and surroundings. Featuring scholarly texts, in-depth essays, and artistic and literary responses, this book is organized in ten chronological chapters. Each chapter centers on a closely related suite of paintings, illuminating a shifting inner landscape colored by experience, sensation, memory, and a deep sense of place. Presenting groundbreaking research and a variety of perspectives on her art, life, and connections to poetry and music, this unprecedented volume is an essential reference for Mitchell’s admirers and those just discovering her work.
A critically important series in the oeuvre of American painter, sculptor, and printmaker Donald Sultan, The Disaster Paintings were created between 1984 and 1990. These works feature imposing, man-made structures, whose industrial qualities are reinforced by Sultan's preferred media, Masonite tiles and tar. The paintings' resulting sense of robust permanence is offset by the catastrophes Sultan includes therein, which provoke a jarring sense of fragility, impermanence, and transience. Such unexpected juxtapositions are privileged by the artist's process itself, which merges the industrial materials of Minimalism with representational painting, stylistically combining figuration and abstraction and making simultaneous reference to high and low culture. Painted on a large scale (the majority of the works in this series measure 8' x 8'), The Disaster Paintings embody great physicality in their process, subject matter, and finished form. They also reify the modern experience of industrialized societies with images of fire, accidents, and industrial mishaps, daring us to forget that calamities and adversity are woven into the very fabric of our existence. It is a timely moment in history to reconsider and reassess The Disaster Paintings. - Published to accompany the exhibition of the same name held at Lowe Art Museum, Coral Gables, Florida, 29th September-23rd December 2016; Modern Art Museum of Fort Worth, Texas, February-April 2017; and the Smithsonian American Art Museum, Washington, DC, May 26-September 4, 2017.
The artist's studio occupies a unique place in the popular imagination. Its environment is both the site of the artist's creative production, and a deeply private, personal space that nourishes and bears witness to the artist's working process, in a continuous interplay with its location, layout, interior and ambience. This rare access to the studio by a trusted visitor provides a unique opportunity to experience the lives of artists working in New York, through their methods, materials and influences, contained within the intimate space of the studio, and observed with an acutely sensitive eye. Artist Studios in New York - which Marco Anelli has been exploring since 2011 - leads the viewer into the creative process of internationally famous artists such as Alex Katz, Alfredo Jaar, Cecily Brown, Dan Colen, Elisabeth Peyton, Francesco Clemente, Jack Pierson, Joan Jonas, Joyce Pensato, Jonas Mekas, Jordan Wolfson, Julian Schnabel, Julie Mehretu, Kiki Smith, Lawrence Weiner, Mariko Mori, Marina Abramovic, Matthew Barney, Mickalene Thomas, Nate Lowman, Pat Steir, Rob Wynne, Robert Longo, Stanley Whitney, Tony Oursler, Ugo Rondinone, Urs Fisher, Vik Muniz.
Frank Quitely's amazing, finely detailed artwork has been gracing the pages of DC Comics since he began illustrating stories in THE BIG BOOK series, from DC's Paradox Press imprint, in the mid-90's. Quitely quickly earned a name for himself illustrating fellow Scotsman Grant Morrison's FLEX MENTALLO, JLA EARTH 2, as well as Neil Gaiman's SANDMAN: ENDLESS NIGHTS. Graphic Ink: The DC Comics Art of Frank Quitely collects all of Quitely's BIG BOOK stories, his ALL STAR SUPERMAN and BATMAN & ROBIN: REBORN covers and much, much more!
Featuring work by more than 150 artists from over 500 exhibitions staged at Lisson's galleries in London, Milan and New York since 1967, this substantial 1200-page volume celebrates the legacy and continuing importance of Lisson. The celebration is not only happening in book form, as there is also the accompanying exhibition Everything at Once, co-organised with The Vinyl Factory, taking place at the Store Studios in London (5 October - 10 December).Lisson Gallery's extensive and unique archive provides this book with more than 2,000 illustrations gathered from five decades of resources, including installation views, invitations, letters, postcards and other ephemera, essays and significant press clippings. The A-Z structure of ARTIST WORK LISSON features every artist to have had a solo show with Lisson: from ABRAMOVIC, AKOMFRAH, ANDRE and ARCANGEL, to RYMAN, SANDBACK and WEINER. Each is accompanied by a short narrative, notable review or previously published extract by many of the finest writers of the last half century including: Stuart Morgan, Okwui Enwezor, Iwona Blazwick, Germano Celant, Chrissie Iles, Lisa Phillips, Roberta Smith, Homi K Bhabha, Tom McCarthy and Robert Storr. As well as a deep collection of textual, archival and visual material, ARTIST WORK LISSON includes a number of short essays and recollections by the founder, Nicholas Logsdail, and other members of the Lisson Gallery including Ossian Ward and Greg Hilty.These individual contributions, distributed throughout the book, address specific themes relevant to the gallery's unrivalled longevity and position at the centre of international contemporary art in Britain over the last 50 years: BEGINNINGS, COLLECTORS, MINIMALISM, INTERNATIONALISM, MARKET, MATERIAL, etc.Designed by renowned Dutch graphic designer Irma Boom, and follows the success of her Seth Siegelaub catalogue and exhibition design for the Stedelijk Museum, Amsterdam in 2016.
