Several years ago on a whim, Culleton requested James Joyce's FBI file. Hoover had Joyce under surveillance as a suspected Communist, and the chain of cross-references that Culleton followed from Joyce's file lead her to obscenity trials and, less obviously, to a plot to assassinate Irish labour leader James Larkin. Hoover devoted a great deal of energy to keeping watch on intellectuals and considered literature to be dangerous on a number of levels. Joyce and the G-Men explores how these linkages are indicative of the culture of the FBI under Hoover, and the resurgence of American anti-intellectualism.
'This haunting story, penned by a master wordsmith, is a reminder to savor every loved one and every day.' Booklist Indie Next Pick "For Reading Groups" From New York Times bestselling author Joyce Maynard, a memoir about discovering strength in the midst of great loss--"heart wrenching, inspiring, full of joy and tears and life." (Anne Lamott) In 2011, when she was in her late fifties, beloved author and journalist Joyce Maynard met the first true partner she had ever known. Jim wore a rakish hat over a good head of hair; he asked real questions and gave real answers; he loved to see Joyce shine, both in and out of the spotlight; and he didn't mind the mess she made in the kitchen. He was not the husband Joyce imagined, but he quickly became the partner she had always dreamed of. Before they met, both had believed they were done with marriage, and even after they married, Joyce resolved that no one could alter her course of determined independence. Then, just after their one-year wedding anniversary, her new husband was diagnosed with pancreatic cancer. During the nineteen months that followed, as they battled his illness together, she discovered for the first time what it really meant to be a couple--to be a true partner and to have one. This is their story. Charting the course through their whirlwind romance, a marriage cut short by tragedy, and Joyce's return to singleness on new terms, The Best of Us is a heart-wrenching, ultimately life-affirming reflection on coming to understand true love through the experience of great loss.
Recipient of the 2015 PEN New England Award for Nonfiction “The arrival of a significant young nonfiction writer . . . A measured yet bravura performance.” —Dwight Garner, The New York Times James Joyce’s big blue book, Ulysses, ushered in the modernist era and changed the novel for all time. But the genius of Ulysses was also its danger: it omitted absolutely nothing. Joyce, along with some of the most important publishers and writers of his era, had to fight for years to win the freedom to publish it. The Most Dangerous Book tells the remarkable story surrounding Ulysses, from the first stirrings of Joyce’s inspiration in 1904 to the book’s landmark federal obscenity trial in 1933. Written for ardent Joyceans as well as novices who want to get to the heart of the greatest novel of the twentieth century, The Most Dangerous Book is a gripping examination of how the world came to say Yes to Ulysses.
"Varied and insightful views on the function of gender within Joyce's canon. . . . Presents innovative views from a range of perspectives while avoiding prescriptive or programmatic readings. "--Michael Patrick Gillespie, Marquette University "Every essay presents new and original approaches to the material. . . . The topic is among the hottest in scholarship generally and Joyce in particular. The essays reflect the evolution of feminist scholarship. . . . Well written, critically informed, and meticulously researched . . . [and] Norris's introduction is the best, most succinct and knowledgeable summary of the current state of feminist criticism and its relationship to Joyce studies I have ever read."--Zack Bowen, University of Miami A variety of theoretical orientations distinguishes this collection of essays on gender in Joyce. Contributors explore exciting new areas in feminist and gender studies on subjects as disparate as Joyce's use of fraternal incest, the cultural code of femme fatale, androgyny and the abject mother, and Mariolatry. This collection will be of interest not only to Joyceans but to anyone with an interest in fresh approaches to gender and cultural studies. CONTENTS Introduction: Joyce's "Mamafesta": Mater and Material, Text and Textile, by Margot Norris 1. The Joyce Brothers in Drag: Fraternal Incest in Ulysses, by Susan Sutliff Brown 2. Female Property: Women and Gift Exchange in Ulysses, by Mark Osteen 3. "Lovely Seaside Girls" or "Sweet Murders of Men"? Fatal Women in Ulysses, by Lesley Higgins 4. S/He-Male Voices in Ulysses: Counterpointing the "New Womanly Man," by Martha F. Black 5. Socialism, Gender, and Imagery in Dubliners, by Heyward Ehrlich 6. Joyce and the Myth of the Mediatrix, by Mary Lowe-Evans 7. Eros and Logos in Ulysses: A Jungian Pattern, by Jean Kimball 8. The Masquerade of Gender: Mrs. Kearney and the "Moral Umbrella" of Mr. O'Madden Burke, by Garry Leonard 9. "Circe": Joyce's Argumentum ad Feminam, by Ewa Ziarek 10. Fabric and Fame in The Odyssey and "Penelope," by Margaret Mills Harper Jolanta W. Wawrzycka is associate professor of English at Radford University in Virginia. Her publications include works on Joyce, Milan Kundera, Roman Ingarden, and Roland Barthes, as well as translations from Polish. Marlena G. Corcoran is an independent scholar associated with the University of Iowa and Harvard University's Center for Literary and Cultural Studies. She has published numerous articles on Plato, Aristotle, Kant, Rushdie, and Joyce, as well as translations from French and German.
"The Dead is one of the twentieth century's most beautiful pieces of short literature. Taking his inspiration from a family gathering held every year on the Feast of the Epiphany, Joyce pens a story about a married couple attending a Christmas-season party at the house of the husband's two elderly aunts. A shocking confession made by the husband's wife toward the end of the story showcases the power of Joyce's greatest innovation: the epiphany, that moment when everything, for character and reader alike, is suddenly clear.
Dubliners is a collection of picturesque short stories that paint a portrait of life in middle-class Dublin in the early 20th century. Joyce, a Dublin native, was careful to use actual locations and settings in the city, as well as language and slang in use at the time, to make the stories directly relatable to those who lived there. The collection had a rocky publication history, with the stories being initially rejected over eighteen times before being provisionally accepted by a publisher—then later rejected again, multiple times. It took Joyce nine years to finally see his stories in print, but not before seeing a printer burn all but one copy of the proofs. Today Dubliners survives as a rich example of not just literary excellence, but of what everyday life was like for average Dubliners in their day. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
A Portrait of the Artist as a Young Man is semi-autobiographical, following Joyce's fictional alter-ego through his artistic awakening. The young artist Steven Dedelus begins to rebel against the Irish Catholic dogma of his childhood and discover the great philosophers and artists. He follows his artistic calling to the continent.
"If by some cruel oversight you haven't discovered Amanda Cross, you have an uncommon pleasure in store for you." THE NEW YORK TIMES BOOK REVIEW Kate Fansler is vacationing in the sweet and harmless Berkshires, sorting through the letters of Henry James. But when her next-door neighbor is murdered, and all her houseguests are prime suspects, her idyll turns prosaic, indeed....
This book is both a study of how James Joyce created two of the most iconic characters in literature--Leopold Bloom and Marion Tweedy Bloom--as well as a history of the genesis of Ulysses. From a genetic critical perspective, it explores the conception and evolution of the Blooms as fictional characters in the work's wide range of surviving notes and manuscripts. At the same time, it also chronicles the production of Ulysses from 1917 to its first edition in 1922 and beyond. Based on decades of research, it is an original engagement with the textual archive of Ulysses, including the exciting, recently-discovered manuscripts now in the National Library of Ireland. Luca Crispi excavates the raw material and examines the creative processes Joyce deployed in the construction of the Blooms and so the writing of Ulysses. Framed by a contextual introduction and four bibliographical appendices, the seven main chapters are a critical investigation of the fictional events and memories that constitute the "lives" of the Blooms. Thereby, it is also a commentary on Joyce's conception of Ulysses more generally. Crispi analyzes how the stories in the published book achieved their final form and discloses previously unexamined versions of them for everyone who enjoys reading Ulysses. This book demonstrates the various ways in which specialist textual work on the genesis of Ulysses directly intersects with other critical and interpretive readings. Joyce's Creative Process is a behind-the-scenes guide to the creation of one of the most important books ever written.
