''A woodland in full color is awesome as a forest fire . . . but a single tree is like a dancing tongue of flame to warm the heart.'' --Hal Borland. Let this brilliant journal ignite your creativity -- 192 lightly lined pages provide plenty of space for personal reflection, sketching, or jotting down favorite quotes or poems. Opaque acid-free archival paper takes pen or pencil beautifully. Touches of gold foil illuminate the cover image of an autumnal tree. Raised embossing lends dimensional detailing. Journal includes a satin ribbon marker with which to keep your place. Gilded-gold page edging is a classic touch. A larger size: 7-1/4 inches wide by 9 inches high. Bookbound, with complementary bronze endsheets.
This is how I felt about becoming an editor as my career choice. After over 25 years in the newspaper industry, I Believed I Could So I Did. Maybe YOU should believe in yourself, too. Everyone loves a journal... Keep one with you always for when your characters begin to talk to you. Quality paper. Convenient size. 7x10 Book / Matte Cover / 100 Lined Pages
What delights you? A vibrant red? A mysterious blue? Color studies capture that place where ground mineral meets water and light, imagination meets science, and the painter has an aha moment. John Derian is an artist and designer whose work with printed images of the past transports the viewer to another time and place. Take the journey with him, in this set of notebooks perfect for recording thoughts, impressions, lists, and drawings. 3 blank, unruled notebooks 6 unique front and back cover illustrations 64 pages each
A funny, colorful, fascinating tour through the work and life of one of today’s most influential graphic designers. Esquire. Ford Motors. Burton Snowboards. The Obama Administration. While all of these brands are vastly different, they share at least one thing in common: a teeny little bit of Aaron James Draplin. Draplin is one of the new school of influential graphic designers who combine the power of design, social media, entrepreneurship, and DIY aesthetic to create a successful business and way of life. Pretty Much Everything is a mid-career survey of work, case studies, inspiration, road stories, lists, maps, how-tos, and advice. It includes examples of his work—posters, record covers, logos—and presents the process behind his design with projects like Field Notes and the “Things We Love” State Posters. Draplin also offers valuable advice and hilarious commentary that illustrates how much more goes into design than just what appears on the page. With Draplin’s humor and pointed observations on the contemporary design scene, Pretty Much Everything is the complete package.
For teachers who know that a little daily writing practice can dramatically improve student's writing abilities, but who aren't sure how best to incorporate daily writing into their classes, this book explains - in jargon-free writing - exactly how such a classroom works. In addition to more than 40 ideas for what to write about, the book discusses teacher-student dynamics, a conference-based editing process, assessment, and how to turn student writings into finished products that generate pride and motivate students for future writing tasks. Grades K-3. Illustrated. Good Year Books. 112 pages.
Ralph Waldo Emerson's decision to quit the ministry, arrived at painfully during the summer and fall of 1832, was accompanied by illness so severe that he was forced to give up any immediate thought of a new career. Instead, in December, he embarked on a tour of Europe that was to take him to Italy, France, Scotland, and England. Within a year after his return in the fall in 1833, his health largely restored, he went to live in the town of Concord, his home from then on. The record of Emerson's ten months in Europe which makes up a large part of this book is unusually detailed and personal, actually a diary recording what Emerson saw and did as well as what he thought. He describes cities, scenes, and buildings that he found striking in one way or another and he gives impressions of the people he met. During his travels he made the acquaintance of Landor, of Lafayette, and of Carlyle, Wordsworth, and Coleridge, all of whom stimulated him. In Paris he was so much stirred by a visit to the Jardin des Plantes that he determined "to become a naturalist." On his return to America, still without a profession, he reverted in his journals to the more impersonal form they had taken in his days as a minister, focusing on his inner experiences rather than on external events. Notes start dotting the pages once again, this time not so much for future sermons--although for years he did a certain amount of occasional preaching as for the addresses of the public lecturer he would soon become. Through the thirty-four months covered by this volume, the journals continue to he the advancing record of Emerson's mind, demonstrating a growing maturity and firmness of style by compression and aphorism.