The Routledge Companion to English Folk Performance

The Routledge Companion to English Folk Performance

Author: Peter Harrop

Publisher: Routledge

Published: 2021-07-12

Total Pages: 814

ISBN-13: 1000401596

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This broad-based collection of essays is an introduction both to the concerns of contemporary folklore scholarship and to the variety of forms that folk performance has taken throughout English history. Combining case studies of specific folk practices with discussion of the various different lenses through which they have been viewed since becoming the subject of concerted study in Victorian times, this book builds on the latest work in an ever-growing body of contemporary folklore scholarship. Many of the contributing scholars are also practicing performers and bring experience and understanding of performance to their analyses and critiques. Chapters range across the spectrum of folk song, music, drama and dance, but maintain a focus on the key defining characteristics of folk performance – custom and tradition – in a full range of performances, from carol singing and sword dancing to playground rhymes and mummers' plays. As well as being an essential reference for folklorists and scholars of traditional performance and local history, this is a valuable resource for readers in all disciplines of dance, drama, song and music whose work coincides with English folk traditions.


Language, the Singer and the Song

Language, the Singer and the Song

Author: Richard J. Watts

Publisher: Cambridge University Press

Published: 2019-01-31

Total Pages: 391

ISBN-13: 1107112710

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The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community.


English Folk Songs

English Folk Songs

Author: Ralph Vaughan Williams

Publisher: Penguin UK

Published: 2009-04-02

Total Pages: 204

ISBN-13: 0141190922

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This collection is filled with songs that tell of the pleasures and pains of love, the patterns of the countryside and the lives of ordinary people. Here are unfaithful soldiers, ghostly lovers, whalers on stormy seas, cuckolds and tricksters. By turns funny, plain-speaking and melancholic, these songs evoke a lost world and, with their melodies provided, record a vital musical tradition. Generations of inhabitants have helped shape the English countryside � but it has profoundly shaped us too.It has provoked a huge variety of responses from artists, writers, musicians and people who live and work on the land � as well as those who are travelling through it.English Journeys celebrates this long tradition with a series of twenty books on all aspects of the countryside, from stargazey pie and country churches, to man�s relationship with nature and songs celebrating the patterns of the countryside (as well as ghosts and love-struck soldiers).


Who Killed Cock Robin?

Who Killed Cock Robin?

Author: Stephen Sedley

Publisher: Reaktion Books

Published: 2021-09-16

Total Pages: 279

ISBN-13: 1789145023

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Now in paperback, an entertaining and enlightening compendium at the intersection of two great British folk traditions: song and encounters with the law. At the heart of traditional songs rest the concerns of ordinary people. And folk throughout the centuries have found themselves entangled with the law: abiding by it, breaking it, and being caught and punished by it. Who Killed Cock Robin? is an anthology of just such songs compiled by one of Britain’s most senior judges, Stephen Sedley, and best-loved folk singers, Martin Carthy. The songs collected here are drawn from manuscripts, broadsides, and oral tradition. They are grouped according to the various categories of crime and punishment, from Poaching to the Gallows. Each section contains a historical introduction, and every song is presented with a melody, lyrics, and an illuminating commentary that explores its origins and sources. Together, they present unique, sometimes comic, often tragic, and always colorful insight into the past, while preserving an important body of song for future generations.


Two Bold Singermen and the English Folk Revival

Two Bold Singermen and the English Folk Revival

Author: Bruce Lindsay

Publisher: Equinox Publishing (UK)

Published: 2020

Total Pages:

ISBN-13: 9781781799185

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Two Bold Singermen and the English Folk Revival is the first book to explore in depth the lives and song traditions of two of the most influential English traditional singers: Sam Larner and Harry Cox.Larner and Cox were born in late nineteenth-century Norfolk, within six years and fifteen miles of each other. Both men grew up in large working-class families, started work before their teens, spent their working lives in hard manual labour - Larner as a trawlerman, Cox as a farm labourer - and lived into their eighties. Both men were singers from an early age, amassed large repertoires of songs that are now established in the traditional canon, and became key figures in the "folk revival" of the 1950s and 1960s. They directly influenced performers such as Martin Carthy, Shirley Collins, Peggy Seeger, Young Tradition, and Steeleye Span, while indirectly influencing Paul Simon and Bob Dylan. Their impact extends to the current generation of performers and composers in the folk, Americana, and singer/songwriter fields, as well as to Hollywood.Using extensive primary evidence - including recorded interviews with both men - this book provides the first detailed biographies of these great singers, placing their singing and repertoires within the social and cultural contexts in which they lived. It will appeal equally to lovers of traditional song, to social history enthusiasts, and to any reader keen to know more of the fascinating lives of two outstanding singers whose influence continues to this day.


Song Loves the Masses

Song Loves the Masses

Author: Johann Gottfried Herder

Publisher: Univ of California Press

Published: 2017-01-31

Total Pages: 336

ISBN-13: 0520234952

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Distinguished ethnomusicologist Philip V. Bohlman compiles Johann Gottfried Herder’s writings on music and nationalism, from his early volumes of Volkslieder through sacred song to the essays on aesthetics late in his life, shaping them as the book on music that Herder would have written had he gathered the many strands of his musical thought into a single publication. Framed by analytical chapters and extensive introductions to each translation, this book interprets Herder’s musings on music to think through several major questions: What meaning did religion and religious thought have for Herder? Why do the nation and nationalism acquire musical dimensions at the confluence of aesthetics and religious thought? How did his aesthetic and musical thought come to transform the way Herder understood music and nationalism and their presence in global history? Bohlman uses the mode of translation to explore Herder’s own interpretive practice as a translator of languages and cultures, providing today’s readers with an elegantly narrated and exceptionally curated collection of essays on music by two major intellectuals.