Journal of the Conversations of Lord Byron: noted during a residence with his Lordship at Pisa in the years 1821 and 1822, by T. Medwin
Author: Thomas MEDWIN
Publisher:
Published: 1824
Total Pages: 576
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Thomas MEDWIN
Publisher:
Published: 1824
Total Pages: 576
ISBN-13:
DOWNLOAD EBOOKAuthor: Thomas Medwin
Publisher:
Published: 1824
Total Pages: 256
ISBN-13:
DOWNLOAD EBOOKAuthor: American Art Association, Anderson Galleries (Firm)
Publisher:
Published: 1920
Total Pages: 238
ISBN-13:
DOWNLOAD EBOOKAuthor: Maggs Bros
Publisher:
Published: 1918
Total Pages: 1042
ISBN-13:
DOWNLOAD EBOOKAuthor: Ernest J. Lovell
Publisher: University of Texas Press
Published: 2014-09-10
Total Pages: 361
ISBN-13: 1477302816
DOWNLOAD EBOOKHere is the first biography of Thomas Medwin—literary adventurer, rascal, scholar, confidence man, successful fortune hunter, and bemused speculator on a grand scale in old Italian oil paintings. Poet, novelist, translator of Aeschylus, cousin and boyhood friend of the poet Shelley, he was a man of fiery temper, fierce hatreds, and enduring loves. Although an intimate friend of Lord Byron, he was so dangerous (or disreputable) that his Lordship warned Teresa Guiccioli, his last mistress, not to be alone in Medwin's company. Later, Medwin introduced Byron's daughter to her future husband, Lord Lovelace, and so determined the poet's line of descent. Friend of Washington Irving, gentleman of the old school, neglected Boswell of the nineteenth century, Medwin reported the conversations of Byron, Shelley, Trelawny, Hazlitt, Canova the sculptor, and others. His life and adventures light up little-known aspects of the nineteenth-century literary, military, social, and publishing world—in England, India, Italy, France, Switzerland, and Germany. Medwin served as midwife to the words of a dead man—Lord Byron—who returned to laugh and sneer at the living from the Captain's pages. The Conversations of Lord Byron thus became the most controversial book of the day, going through a dozen editions, in six countries, and being translated into French, German, and Italian. It aroused the wrath, indignation, or enthusiastic interest of such individuals as Goethe, Lady Byron, Lady Caroline Lamb, the Countess Teresa Guiccioli, John Cam Hobhouse (later Lord Broughton), Sir Walter Scott, John Murray, and Washington Irving. Medwin, whose long and adventurous life extended from the rise and flowering of the Romantic Period to the mid-Victorian Age (which he regarded as a dreary decline from the great heights of his youth), was an influence of the first magnitude in determining the early public image of Byron and the reputation of Shelley. This often amusing story, as engrossing as a novel, is drawn from all the available accounts, including many important sources never before published. In effect a new contribution to the biographical study of Byron and Shelley, it clarifies Medwin's relations not only with these two poets but also with many other important and interesting figures of the day.
Author: Julian North
Publisher: OUP Oxford
Published: 2009-11-19
Total Pages: 272
ISBN-13: 0191572349
DOWNLOAD EBOOKThis is a book about the biographical afterlives of the Romantic poets and the creation of literary biography as a popular form. It focuses on the Lives of six major poets of the period: Byron, Shelley, Wordsworth, Coleridge, Felicia Hemans, and Letitia Landon, published from the 1820s, by Thomas Moore, Mary Shelley, Thomas De Quincey, and others. It situates these within the context of the development of biography as a genre from the 1780s to the 1840s. Starting with Johnson, Boswell, and female collective Lives, it looks at how the market success of biography was built on its representation and publication of domestic life. In the 1820s and 30s biographers 'domesticated' Byron, Shelley, and other poets by situating them at home, opening up their (often scandalous) private lives to view, and bringing readers into intimate contact with greatness. Biography was an influential transmitter of the myth of 'the Romantic poet', as the self-creating, masculine genius, but it also posed one of the first important challenges to that myth, by revealing failures in domestic responsibility that were often seen as indicative of these writers' inattention to the needs of the reader. The Domestication of Genius is the most comprehensive account to date of the shaping of the Romantic poets by biography in the nineteenth-century. Written in a lively and accessible style, it casts new light on the literary culture of the 1830s and the transition between Romantic and Victorian conceptions of authorship. It offers a powerful re-evaluation of Romantic literary biography, of major biographers of the period, and of the posthumous reputations of the Romantic poets.
Author: Maggs Bros
Publisher:
Published: 1833
Total Pages: 226
ISBN-13:
DOWNLOAD EBOOKAuthor: J. Montgomery Sears
Publisher:
Published: 1882
Total Pages: 350
ISBN-13:
DOWNLOAD EBOOKAuthor: Thomas Medwin
Publisher:
Published: 2015-07-12
Total Pages: 360
ISBN-13: 9781331270775
DOWNLOAD EBOOKExcerpt from Journal of the Conversations of Lord Byron: Noted During a Residence With His Lordship at Pisa, in the Years 1821 and 1822 "A great poet belongs to no country; his works are public property, and his Memoirs the inheritance of the public." Such were the sentiments of Lord Byron; and have they been attended to? Has not a manifest injustice been done to the world, and an injury to his memory, by the destruction of his Memoirs? These are questions which it is now late, perhaps needless, to ask; but I will endeavour to lessen, if not to remedy, the evil. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.