The Journal of Popular Film and Television
Author:
Publisher:
Published: 2006
Total Pages: 428
ISBN-13:
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Westerns
Author: Gary R. Edgerton
Publisher: Routledge
Published: 2013-09-13
Total Pages: 385
ISBN-13: 1135765081
DOWNLOAD EBOOKFor nearly two centuries, Americans have embraced the Western like no other artistic genre. Creators and consumers alike have utilized this story form in literature, painting, film, radio and television to explore questions of national identity and purpose. Westerns: The Essential Collection comprises the Journal of Popular Film and Television’s rich and longstanding legacy of scholarship on Westerns with a new special issue devoted exclusively to the genre. This collection examines and analyzes the evolution and significance of the screen Western from its earliest beginnings to its current global reach and relevance in the 21st century. Westerns: The Essential Collection addresses the rise, fall and durability of the genre, and examines its preoccupation with multicultural matters in its organizational structure. Containing eighteen essays published between 1972 and 2011, this seminal work is divided into six sections covering Silent Westerns, Classic Westerns, Race and Westerns, Gender and Westerns, Revisionist Westerns and Westerns in Global Context. A wide range of international contributors offer original critical perspectives on the intricate relationship between American culture and Western films and television series. Westerns: The Essential Collection places the genre squarely within the broader aesthetic, socio-historical, cultural and political dimensions of life in the United States as well as internationally, where the Western has been reinvigorated and reinvented many times. This groundbreaking anthology illustrates how Western films and television series have been used to define the present and discover the future by looking backwards at America’s imagined past.
The Manson Family on Film and Television
Author: Ian Cooper
Publisher: McFarland
Published: 2018-11-05
Total Pages: 214
ISBN-13: 1476670439
DOWNLOAD EBOOKFor half a century the Manson Family has captured the public imagination--the lurid, inexplicable violence in a glamorous Hollywood setting, the bizarre and lengthy trials, and Charles Manson's strange charisma and willingness to embrace the role of evil icon. For years, the story has been documented, dramatized and lampooned in dozens of films and television programs. This comprehensive study examines the various on-screen portrayals, from factual accounts based on prosecutor Vincent Bugliosi's true crime classic Helter Skelter to prime-time TV dramas to a claymation spoof and even hardcore porn.
Popular Film and Television Comedy
Author: Frank Krutnik
Publisher: Routledge
Published: 2006-10-19
Total Pages: 302
ISBN-13: 1134946864
DOWNLOAD EBOOKCovers a wide range of comedy with examples taken from Chaplin, Daffy Duck, Bilko, Ben Elton, Woody Allen and many others Locates comedy within the history and institutions of cinema and broadcasting
Women Make Horror
Author: Alison Peirse
Publisher: Rutgers University Press
Published: 2020-09-17
Total Pages: 270
ISBN-13: 1978805136
DOWNLOAD EBOOKWinner of the the 2021 Best Edited Collection Award from BAFTSS Winner of the 2021 British Fantasy Award in Best Non-Fiction Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards “But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.” “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, critical, and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always made horror. They have always been an audience for the genre, and today, as this book reveals, women academics, critics, and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality, and the body. Women Make Horror explores narrative and experimental cinema; short, anthology, and feature filmmaking; and offers case studies of North American, Latin American, European, East Asian, and Australian filmmakers, films, and festivals. With this book we can transform how we think about women filmmakers and genre.
Cold War Film Genres
Author: Homer B. Pettey
Publisher:
Published: 2018
Total Pages: 512
ISBN-13: 9781474412964
DOWNLOAD EBOOKA hands-on approach to historical linguistics working through 101 problems in five different categories.
SEE! HEAR! CUT! KILL!
Author: Wickham Clayton
Publisher: Univ. Press of Mississippi
Published: 2020-10-21
Total Pages: 245
ISBN-13: 1496830334
DOWNLOAD EBOOKSean S. Cunningham and Victor Miller’s Friday the 13th franchise is one of the most successful horror film franchises in history. To date, it includes twelve movies, a television show, comic books, and video games, among other media. In SEE! HEAR! CUT! KILL! Experiencing “Friday the 13th,” Wickham Clayton explores several aspects of the films including how the technical aspects relate to the audience, their influence on filmmaking, and the cultural impact of the franchise. Clayton looks at how perspective is established and communicated within the Friday the 13th films, which is central to the way the audience experiences and responds emotionally to these movies. Then he considers how each sequel gives viewers, whether longtime fans or new audiences, a “way in” to the continuous story that runs through the series. Clayton also argues that the series has not developed in isolation. These films relate to contemporary slasher films, the modern horror genre, and critically successful Hollywood films in general. They reflect popular trends of film style and often act as key examples in the genre and beyond.
Teen Movies
Author: Timothy Shary
Publisher: Wallflower Press
Published: 2005
Total Pages: 142
ISBN-13: 9781904764496
DOWNLOAD EBOOKTeen Movies: American Youth on Screen is a detailed look at the depiction of teens on film and its impact throughout film's history. Timothy Shary looks at the development of the teen movie - the rebellion, the romance, the sex and the horror - up to contemporary portrayals of ever-changing youth. Films studied include Rebel Without a Cause (1955), Splendor in the Grass (1961), Carrie (1976), The Breakfast Club (1985), and American Pie (1999).
Women in the Western
Author: Matheson Sue Matheson
Publisher: Edinburgh University Press
Published: 2020-07-31
Total Pages: 443
ISBN-13: 1474444164
DOWNLOAD EBOOKIn Westerns, women transmit complicated cultural coding about the nature of westward expansionism, heroism, family life, manliness and American femininity. As the genre changes and matures, depictions of women have transitioned from traditional to more modern roles. Frontier Feminine charts these significant shifts in the Western's transmission of gender values and expectations and aims to expand the critical arena in which Western film is situated by acknowledging the importance of women in this genre.
Media Journal
Author: Joseph D. Harris
Publisher: Addison-Wesley Longman
Published: 1999
Total Pages: 548
ISBN-13:
DOWNLOAD EBOOKIn this book we ask students to do three things: (l)To keep a media journal in which they reflect on the uses they make of the voices and images of popular culture; (2) to read and respond to the work of other media critics, to test their own views and experiences against those of the writers included in these pages, and (3) to try their hands at writing media criticism themselves. All three kinds of work ask students to find and write about texts from the media culture around them, to think critically about what they see and hear on their television sets and radios, in magazines and newspapers, on city streets and shopping malls, at the movies, and at concerts and clubs. To put it another way, we believe that a book such as this can provide only some of the materials for a course on writing about popular culture, that the remaining materials must always come from the media themselves and the experiences students have with them. Our aim is not to inculcate students with a certain set of critical methods or terms or to introduce them to the academic study of popular culture, but to offer them opportunities to rethink and write about their own experiences with the media, to come to their own understandings of our common culture.
