Keyboard intabulations of Music by Josquin des Prez
Author: Josquin (des Prez)
Publisher: A-R Editions, Inc.
Published: 1980-01-01
Total Pages: 116
ISBN-13: 0895791250
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Author: Josquin (des Prez)
Publisher: A-R Editions, Inc.
Published: 1980-01-01
Total Pages: 116
ISBN-13: 0895791250
DOWNLOAD EBOOKAuthor: Willem Elders
Publisher: Presses Universitaires de Louvain - UCL
Published: 2013
Total Pages: 248
ISBN-13: 9058679411
DOWNLOAD EBOOKThe most up-to-date contribution to the research on one of the most important and internationally famous composers of the Renaissance.
Author: Thomas Schmidt (Musicologist)
Publisher: Brepols Publishers
Published: 2012
Total Pages: 0
ISBN-13: 9782503525662
DOWNLOAD EBOOKIn an article published in 1979, Ludwig Finscher defined imitation and text treatment as the main parameters of the stylistic shift he detected in motet composition around 1500, and Josquin Desprez as the composer whose works embodied them most clearly. This volume of twenty-five essays by leading Renaissance musicologists - based on a conference which took place in Bangor (Wales) in 2007 - takes stock of developments in motet research in the intervening three decades. It does focus considerable attention on text treatment and compositional technique (texture and cantus firmus manipulation as much as imitation in the strict sense), but also on questions such as regional repertoires (such as Bohemia and Spain), manuscripts (such as the 'Medici Codex'), and semantic aspects (devotion, symbolism etc.). Josquin's oeuvre, while still the focus of several essays, is contextualized through studies on composers as diverse as Regis, Busnoys, Obrecht, Fevin, Moulu, Gascongne, Gaffurio, Martini, and Senfl. Although there are still many questions to be answered about the motet around 1500 - a period which, according to Joshua Rifkin, is like a 'black hole' for the genre given the lack of extant works, ascriptions, and stylistic consistency - the volume is an important step forward in exploring and understanding this crucial repertoire.
Author: Anna Maria Busse Berger
Publisher: Cambridge University Press
Published: 2015-07-16
Total Pages: 1058
ISBN-13: 1316298299
DOWNLOAD EBOOKThrough forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Author: DAVID. FALLOWS
Publisher:
Published: 2020-11-11
Total Pages: 529
ISBN-13: 9782503566740
DOWNLOAD EBOOKA great deal of research over the past forty years has had an impact Josquin's music: most of his works are now available in high-quality recordings that make them easily familiar to any researcher, and the main sources have been far more thoroughly explored. Furthermore, new biographical findings, particularly within the last ten years, have shown that much of what was written about Josquin's life was based on documents that concerned other people entirely. For example, Josquin's birthdate has been advanced by more than ten years, with major consequences for our view not only of his music and its chronology, but also of most other music of the time. This book assembles and assesses the newly available material. It builds the main works into the narrative of Josquin's life. Appendices include a critical listing of the documents about Josquin, a summary of later literary references to him, summaries of the relevant information about the main figures mentioned in the book, a list of other musicians at the time named 'Josquin' or something similar (35 of them!), and much more.
Author: Ruth I. DeFord
Publisher: Cambridge University Press
Published: 2015-04-23
Total Pages: 517
ISBN-13: 1107064724
DOWNLOAD EBOOKRuth I. DeFord offers new insights on Renaissance theories of rhythm and their application to the analysis and performance of music.
Author: Josquin Des Pres
Publisher: Hal Leonard Corporation
Published: 2005
Total Pages: 104
ISBN-13: 9780879308469
DOWNLOAD EBOOKPresents lessons and exercises on the fundamentals of electric bass guitar.
Author: Josquin Des Pres
Publisher:
Published: 2000
Total Pages: 228
ISBN-13: 9781581150490
DOWNLOAD EBOOKThis guide aims to show how the music business really works. It offers aroad survey of its key role players - from songwriters to producers, solortists and band members - and describes what each role entails on aay-to-day basis.;Each career is fully described, from the skills andraining required, to daily activities, improving skills, targeting the rightarkets and finding sources of income. The book also takes a look at theecord business in general, detailing the pros and cons of starting your ownabel, the differences between major and independent label careers, and wherend when to find professional help. Also included is a helpful discussion ofopyright registration, royalties, foreign rights, and publishing deals, asell as a look at technical changes in the industry and emerging markets.
Author: Reinhard Strohm
Publisher: Cambridge University Press
Published: 2005-02-17
Total Pages: 744
ISBN-13: 9780521619349
DOWNLOAD EBOOKThis is a detailed and comprehensive survey of music in the late middle ages and early Renaissance. By limiting its scope to the 120 years which witnessed perhaps the most dramatic expansion of our musical heritage, the book responds, in the 1990s, to the tremendous increase in specialised research and public awareness of that period. Three of the four main Parts (I, II, IV) describe the development of polyphony and its cultural contexts in many European countries, from the successors of Machaut (d. 1377) to the achievements of Josquin des Prez and his contemporaries working in Renaissance Italy around 1500. Part III, by contrast, illustrates the musical life of the institutions, and musical practices outside the realm of composed polyphony that were traditional and common all over Europe. The book proposes fresh views in each chapter, discussing dozens of musical examples adducing well-known and hitherto unknown documents, and referring to and evaluating the most recent scholarship in the field.