"Nothing short of a masterpiece. . . . One of the great critical works produced since the 1950s."—New York Times This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980. "Nothing short of a masterpiece. . . . One of the great critical works produced since the 1950s."—New York Times This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek
This collection of studies examines the various types and uses of ideas of "the other" and othering in Joseph Conrad's fiction. It offers examinations of different aspects of the colonial other both in Africa and Latin America, including a personal reminiscence of American imperialism by a descendant of a character mentioned in Conrad's fiction. The first three papers offer insights into Conrad's artistic presentation of both the historical and concrete side of capitalism and imperialism as well as the universal aspects of these social-political-economic formations. The next four studies theorize the colonial other, from European/Western perspectives and from Third World perspectives. The final four papers concern otherness in seamanship, in terms of the imperial other and alterity, and the female as other, othering by gender. The dimensions of the other in Conrad's fiction that the collection examines are mainly colonial, imperial, and civilizational, set in the realities of geographical space of Africa, Latin America, and the Far East, the reality at sea, and the reality of gendered humanity. They are grounded in various contexts significant for Conrad's epoch: both domestic and pertaining to English and European colonial-imperial overseas expansion, and illuminated from both English/Western and Third World perspectives. Various Dimensions of the Other in Joseph Conrad's Fiction features both general theoretical arguments and distinctive methodological approaches to Conrad's oeuvre, such as historical contextualization and source studies, postcolonial theory, imagology, Levinas's theory of alterity, the Lacanian theory of jouissance, literary feminism, and personal narrative. The book is volume 29 of the series Conrad: Eastern and Western Perspectives: within this series it offers the first complex and direct treatment of multifarious incarnations of the other in Joseph Conrad's fiction. The studies included create a truly international constellation of criticism, with authors at universities in the United States of America, France, Switzerland, Ukraine, Algeria, Iran, Japan, and Poland. Owing to their unique national and cultural-literary backgrounds and perspectives upon Joseph Conrad's oeuvre, Various Dimensions of the Other in Joseph Conrad's Fiction continues and strengthens the transnational profile of the series Conrad: Eastern and Western Perspectives.
“Enlightening, compassionate, superb” —John Le Carré Winner of the 2018 Cundhill History Prize A New York Times Book Review Notable Book of 2017 One of the New York Times 100 Notable Books of 2017 A visionary exploration of the life and times of Joseph Conrad, his turbulent age of globalization and our own, from one of the most exciting young historians writing today Migration, terrorism, the tensions between global capitalism and nationalism, and a communications revolution: these forces shaped Joseph Conrad’s destiny at the dawn of the twentieth century. In this brilliant new interpretation of one of the great voices in modern literature, Maya Jasanoff reveals Conrad as a prophet of globalization. As an immigrant from Poland to England, and in travels from Malaya to Congo to the Caribbean, Conrad navigated an interconnected world, and captured it in a literary oeuvre of extraordinary depth. His life story delivers a history of globalization from the inside out, and reflects powerfully on the aspirations and challenges of the modern world. Joseph Conrad was born Józef Teodor Konrad Korzeniowski in 1857, to Polish parents in the Russian Empire. At sixteen he left the landlocked heart of Europe to become a sailor, and for the next twenty years travelled the world’s oceans before settling permanently in England as an author. He saw the surging, competitive "new imperialism" that planted a flag in almost every populated part of the globe. He got a close look, too, at the places “beyond the end of telegraph cables and mail-boat lines,” and the hypocrisy of the west’s most cherished ideals. In a compelling blend of history, biography, and travelogue, Maya Jasanoff follows Conrad’s routes and the stories of his four greatest works—The Secret Agent, Lord Jim, Heart of Darkness, and Nostromo. Genre-bending, intellectually thrilling, and deeply humane, The Dawn Watch embarks on a spell-binding expedition into the dark heart of Conrad’s world—and through it to our own.
Originally published in 1990, this is a comprehensive and annotated bibliography of the writings on Joseph Conrad and his works. Covering the years from 1895 to 1975 it also includes indexes of authors, secondary works, periodicals and newspapers, foreign languages and primary titles. Part of a series of annotated bibliographies on English Literature in Transition, 1880-1920 this will be a valuable resource for students of literature.
