Congressional Record
Author: United States. Congress
Publisher:
Published: 1968
Total Pages: 1324
ISBN-13:
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Author: United States. Congress
Publisher:
Published: 1968
Total Pages: 1324
ISBN-13:
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Publisher:
Published: 1947
Total Pages: 748
ISBN-13:
DOWNLOAD EBOOKAuthor: Thomas Jefferson
Publisher:
Published: 1848
Total Pages: 216
ISBN-13:
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Publisher:
Published: 1979
Total Pages: 712
ISBN-13:
DOWNLOAD EBOOKAuthor: United States. Congress
Publisher:
Published: 1913
Total Pages: 988
ISBN-13:
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Publisher:
Published: 1928
Total Pages:
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DOWNLOAD EBOOKAuthor: Donald C. Bacon
Publisher:
Published: 1995
Total Pages: 606
ISBN-13:
DOWNLOAD EBOOKAuthor: United States. Congress. House
Publisher:
Published: 1907
Total Pages: 1028
ISBN-13:
DOWNLOAD EBOOKSome vols. include supplemental journals of "such proceedings of the sessions, as, during the time they were depending, were ordered to be kept secret, and respecting which the injunction of secrecy was afterwards taken off by the order of the House."
Author:
Publisher:
Published: 1924
Total Pages: 244
ISBN-13:
DOWNLOAD EBOOKAuthor: Hendrik Petrus Berlage
Publisher: Getty Publications
Published: 1996-01-01
Total Pages: 350
ISBN-13: 0892363339
DOWNLOAD EBOOKHendrik Petrus Berlage, the Dutch architect and architectural philosopher, created a series of buildings and a body of writings from 1886 to 1909 that were among the first efforts to probe the problems and possibilities of modernism. Although his Amsterdam Stock Exchange, with its rational mastery of materials and space, has long been celebrated for its seminal influence on the architecture of the 20th century, Berlage's writings are highlighted here. Bringing together Berlage's most important texts, among them "Thoughts on Style in Architecture", "Architecture's Place in Modern Aesthetics", and "Art and Society", this volume presents a chapter in the history of European modernism. In his introduction, Iain Boyd Whyte demonstrates that the substantial contribution of Berlage's designs to modern architecture cannot be fully appreciated without an understanding of the aesthetic principles first laid out in his writings.