While gender and race often are considered socially constructed, this book argues that they are physiologically constituted through the biopsychosocial effects of sexism and racism. This means that to be fully successful, critical philosophy of race and feminist philosophy need to examine not only the financial, legal, political and other forms of racist and sexism oppression, but also their physiological operations. Examining a complex tangle of affects, emotions, knowledge, and privilege, The Physiology of Sexist and Racist Oppression develops an understanding of the human body whose unconscious habits are biological. On this account, affect and emotion are thoroughly somatic, not something "mental" or extra-biological layered on top of the body. They also are interpersonal, social, and can be transactionally transmitted between people. Ranging from the stomach and the gut to the hips and the heart, from autoimmune diseases to epigenetic markers, Sullivan demonstrates the gastrointestinal effects of sexual abuse that disproportionately affect women, often manifesting as IBS, Crohn's disease, or similar functional disorders. She also explores the transgenerational effects of racism via epigenetic changes in African American women, who experience much higher pre-term birth rates than white women do, and she reveals the unjust benefits for heart health experienced by white people as a result of their racial privilege. Finally, developing the notion of a physiological therapy that doesn't prioritize bringing unconscious habits to conscious awareness, Sullivan closes with a double-barreled approach for both working for institutional change and transforming biologically unconscious habits. The Physiology of Sexist and Racist Oppression skillfully combines feminist and critical philosophy of race with the biological and health sciences. The result is a critical physiology of race and gender that offers new strategies for fighting male and white privilege.
The laugh sensation that swept the nation, How to Speak Southern and More How to Speak Southern, is now collected in one complete–and completely hilarious–volume. Embraced by Southerners everywhere and dedicated to all Yankees in the hope that it will teach them to talk right, this uproarious book decodes “Suthun” wit and wisdom for “Nawthun” upstarts everywhere. From “aig” (a breakfast food that may be fried, scrambled, boiled, or poached) to “zackly” (as in “precisely”), here’s just a sampling of what you’ll find inside: ATTAIR: Contraction used to indicate the specific item desired. “Pass me attair gravy, please.” EVERWHICHAWAYS: To be scattered in all directions. “You should have been there when the train hit that chicken truck. Them chickens flew everwhichaways.” YONTNY: Do you want any. “Yontny more corn bread?” Funny as well as informative, this laugh-out-loud dictionary will keep you laughing and learning–no matter where you fall on the Mason-Dixon Line!
Modern Moves examines the movement of social dances between black and white cultural groups and immigrant and migrant communities during the early twentieth century. It focuses on Manhattan, a Black Atlantic capital into which diverse people and dances flowed and intermingled, and out of which new dances were marketed globally.
Lil Buck was known around his hometown of Memphis as a talented dancer, but after a video of him performing alongside Yo-Yo Ma went viral, he became a hit around the globe. He's added his own flair to the dance style known as jookin and has shown the world that he is a true artist. This high-interest volume includes stimulating sidebars, colorful photographs, and exciting details to help readers understand what drove Lil Buck to strive for his dreams, inspire others, and revolutionize the world of dance.
JookBoxFury is the story of a chaotic jukebox song pickers’ game show as it takes to the road to launch the psychedelic alcopop, Jook – the drink that turns everything green for go-go. Like a cross between Seinfeld and a beat generation Top of the Pops special, JookBoxFury is a celebration and an epitaph of rock and pop music. All rock ‘n’ roll is here, from its art and glories to its mythical stories.
This book is a multi-generational tale of a political family in the mid-south; with all the steamy details that emerge after a crime that shocks the city. In the aftermath of this grisly murder, Memphians are scandalized by the gruesome details that emerge, and all the national attention it attracts. At the center, is the eccentric charmer, socialite and Instagram aficionado, Hunter Baron. Born with a silver spoon in his mouth, this trust-fund baby has spent his life in pursuit of pleasure, fame and adventure. Now he’s faced with infamy as the defendant in a high-profile trial. Only his legal team, headed by the city’s legal superstars can ensure that he gets a fair trial in the middle of a media circus. Only Marnie Gellhorn can tell this story, even as she confronts her own past with the suspect.
In Appalachian Dance: Creativity and Continuity in Six Communities, Susan Eike Spalding brings to bear twenty-five years' worth of rich interviews with black and white Virginians, Tennesseeans, and Kentuckians to explore the evolution and social uses of dance in each region. Spalding analyzes how issues as disparate as industrialization around coal, plantation culture, race relations, and the 1970s folk revival influenced freestyle clogging and other dance forms like square dancing in profound ways. She reveals how African Americans and Native Americans, as well as European immigrants drawn to the timber mills and coal fields, brought movement styles that added to local dance vocabularies. Placing each community in its sociopolitical and economic context, Spalding analyzes how the formal and stylistic nuances found in Appalachian dance reflect the beliefs, shared understandings, and experiences of the community at large, paying particular attention to both regional and racial diversity. Written in clear and accessible prose, Appalachian Dance is a lively addition to the literature and a bold contribution to scholarship concerned with the meaning of movement and the ever-changing nature of tradition.
Derived from the Latin verb “gerere”-to carry, act, or do-“gesture” has accrued critical currency but has remained undertheorized. Migrations of Gesture addresses this absence and provides a complex theory on the value of gesture for understanding human sign production. Gestures migrate from body to body, from one medium to another, and between cultural contexts. Juxtaposing distinct approaches to gesture in order to explore the ways in which they at once shape and are influenced by culture, the contributors examine the works of writers Henri Michaux and Stphane Mallarm, photographers Henri Cartier-Bresson and Robert Frank, and filmmakers Hou Hsiao-Hsien and Martin Arnold, along with cultural practices such as gang walking, ballet, and classical Indian dance. The authors move deftly between an organic, phenomenal appreciation of human expression and a historicist, semiotic understanding of how the “human” is itself created through gestural routines. Contributors: Mark Franko, U of California, Santa Cruz; Ketu H. Katrak, U of California, Irvine; Akira Mizuta Lippit, U of Southern California; Susan A. Phillips, Pitzer College; Deidre Sklar; Lesley Stern, U of California, San Diego; Blake Stimson, U of California, Davis. Carrie Noland is associate professor of French literature and critical theory at the University of California, Irvine. Sally Ann Ness is professor of anthropology at University of California, Riverside.