Named warden of the Illinois State Penitentiary in 1913, Edmund Allen arrived with a glamorous new wife and ambitious plans of reform that did away with years of striped uniforms and humiliating practices. Two years later, his wife was found murdered in her bed, shocking the country and throwing the prison into chaos. Over the past century, life behind bars at Joliet has often been a national spectacle. Infamous inmates like Leopold and Loeb, John Wayne Gacy, Baby Face Nelson and James Earl Ray drew headlines, and iconic scenes in movies like The Blues Brothers ensured that the prison walls themselves were instantly recognizable. From overlooked prisoner profiles to the kind of dramatic incidents that incited riots or inspired Hollywood, Amy Steidinger's stories cover the modern era of Old Joliet Prison.
In 1857, convicts began breaking rock to build the walls of the Illinois State penitentiary at Joliet, the prison that would later confine them. For a century and a half, thousands of men and women were sentenced to do time in this historic, castle-like fortress on Collins Street. Its bakery fed victims of the Great Chicago Fire, and its locks frustrated pickpockets from the world's fair. Even newspaper-selling sensations like the Lambeth Poisoner, the Haymarket Anarchists, the Marcus Train Robbers and Fainting Bertha became numbers once they passed through the gates. Author Amy Steidinger recovers stories of lunatics and lawmen, counterfeiters and call girls, grave robbers and politicians.
“[An] exhilarating, intimate study of fate, chance and the wildly meaningful intersections of disparate lives.” —Robert Kolker, New York Times Book Review, Editors’ Choice A Next Big Idea Club Must-Read Book for May 2023 The multigenerational tale of three families whose paths collide one summer night in 1960 with the murder of a police officer. Independence Day weekend, 1960: a young cop is murdered, shocking his close-knit community in Stamford, Connecticut. The killer remains at large, his identity still unknown. But on a beach not far away, a young Army doctor, on vacation from his post at a research lab in a maximum-security prison, faces a chilling realization. He knows who the shooter is. In fact, the man—a prisoner out on parole—had called him only days before. By helping his former charge and trainee, the doctor, a believer in second chances, may have inadvertently helped set the murder into motion. And with that one phone call, may have sealed a policeman’s fate. Alvin Tarlov, David Troy, and Joseph DeSalvo were all born of the Great Depression, all with grandparents who’d left different homelands for the same American Dream. How did one become a doctor, one a cop, and one a convict? In Genealogy of a Murder, journalist Lisa Belkin traces the paths of each of these three men—one of them her stepfather. Her canvas is large, spanning the first half of the 20th century: immigration, the struggles of the working class, prison reform, medical experiments, politics and war, the nature/nurture debate, epigenetics, the infamous Leopold and Loeb case, and the history of motorcycle racing. It is also intimate: a look into the workings of the mind and heart. Following these threads to their tragic outcome in July 1960, and beyond, Belkin examines the coincidences and choices that led to one fateful night. The result is a brilliantly researched, narratively ingenious story, which illuminates how we shape history even as we are shaped by it.
The iron bars of Joliet Prison might once have held John Wayne Gacy, Baby Face Nelson and other notorious inmates as unwilling guests, but their stories now desperately cling to the limestone walls. After 160 years spent crammed with victims of misfortune and agents of mayhem, the grim landmark immortalized in movies like The Blues Brothers is now entirely given over to the ghosts of its past. Follow a singing ghost to the convict cemetery where thousands of unclaimed bodies are said to lie. Listen for the tread of Odette Allen, the warden's wife who was brutally murdered in her bedroom on the second floor. Unlock the gates of Joliet Prison's haunted heritage with Wendy Moxley Roe.
The following pages are a collections of short stories, told by a prison guard in a maximum security prison during the years 1970-1972 at the Joliet Correctional Facility, in Joliet, Illinois. These stories were told to family, friends, and co-workers for over thirty years. I believe these stories tell of another side of life that most people can't imagine, and I pray they never find out about.I always had this terrible need to write these stories.The stories in this book are all true but I'm not convinced they tell the whole truth, there were stories left out, that were too dark to tell. Some stories went to a place I didn't want to remember.I do know how to end these stories; and that is to say, the Good Lord watched over me; without Him, there would be not stories to tell.Love, Fredric R. McGuyer
A newsletter created by the Illinois State Penitentiary in Joliet, Illinois, providing updates on prison life and rehabilitation efforts. This issue includes news about educational programs, sporting events, and the day-to-day workings of the prison. A unique glimpse into the world of incarceration. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book is the first rigourous and detailed exploration of exactly how blues singers used formulas to create songs, and it more than amply fills the gap in the the study of the blues, where the structure and content of the lyrics have been less fully explored than the musical form. Focusing on the songs recorded by African-American singers for pre-World War Two commercial recording companies, this is an excellent structural analysis of the formulaic composistion of blues lyrics. This book gives a step-by-step description of the rules implicit in this formulaic structure and inspires new discussion of lyric structures. A wide array of readers will find this insightful and informative: from students of African-American music, cultural studies, history and linguistics, to Blues fans fascinated by exactly how the lyrics of this influential music style are written.
This is the story of two decades of the Chicago music scene-the 1960s and 1970s, an incredibly vibrant period in urban and suburban music scenes across the country and throughout the world. Chicago was a major player throughout those decades. It was a time when jazz, rock and roll, country and western, folk, blues, and R & B flowed through the streets of Chicagoland. Much has been written about the national and international talent of that time, but not enough has been written regarding local music scenes. This story focuses on the city of Chicago (along with its suburban club scene) and the homegrown performers who made the 1960s and 1970s one of the most electrifying and memorable periods in music history. Some of those players went all the way to the big time, while others made their mark and disappeared. But they all made a difference in their own way, and for those who were there, it is a time they will never forget.
