Despite Johnno's assertion that Brisbane was absolutely the ugliest place in the world, I had the feeling as I walked across deserted intersections, past empty parks with their tropical trees all spiked and sharp-edged in the early sunlight, that it might even be beautiful . . . 'Johnno is a typical Australian who refuses to be typical. His disorderly presence can disturb the staleness of his home town or destroy the tranquillity of a Greek landscape.
"Despite Johnno's assertion that Brisbane was absolutely the ugliest place in the world, I had the feeling as I walked across deserted intersections, past empty parks with their tropical trees all spiked and sharp-edged in the early sunlight, that it might even be beautiful ... " Johnno is a typical Australian who refuses to be typical. His disorderly presence can disturb the staleness of his home town or destroy the tranquillity of a Greek landscape. An affectionately outrageous portrait, David Malouf's first novel recreates the war-conscious forties, the pubs and brothels of the fifties, and the years away treading water overseas.
THE SECOND RIVETING BOOK IN THE FAST-PACED BLACK SPIRAL TRILOGY. Back from Germany and the assignment that went horribly wrong, Violet doesn’t know who to trust: It’s fortunate for me that the Foundation staff can’t read my thoughts. . . If they could read my thoughts, they’d never let me go. I’d be a liability, and I know what happens to liabilities. Phoenix is equally adrift: For an hour I will forget who I am, what I have done . . . But . . . I will wake with the heavy knowledge that I am the Black Wolf, never to be trusted, never to be loved — because the only people I’ve ever loved are either dead or hate my guts. The only thing both of them know for sure is that they have to escape the Foundation’s clutches . . .
Multi-award-winning Scottish playwright Kieran Hurley has been making waves since the early 2010s with his vivid storytelling and searing honesty, creating plays acutely concerned with society and community, and deeply enmeshed in Scotland's local political context. Tracking the evolution of Hurley's work from his early solo shows to his later large-cast plays and featuring an introduction by Scottish theatre critic Joyce McMillan, this is an exciting collection showcasing one of the UK's most exciting creators of politically-engaged theatre. The plays collected are: Hitch (2010): a previously unpublished solo show about Hurley's hitchhiking trip to the 2009 G8 meeting in L'Aquila, exploring the meaning of political protest. Beats (2012): a coming-of-age story exploring the aftermath of the 1994 Criminal Justice Act outlawing raves. It was adapted into a film in 2019, garnering nominations for BIFA Best Debut Screenplay and WGGB Best Screenplay. Heads Up (2016): a ferocious piece of storytelling asking what we would do if we found ourselves at the end of our world as we know it. (Winner of the Fringe First Award 2016.) Mouthpiece (2018): an unflinching Edinburgh-centric two-hander which examines whether it's possible to tell someone else's story without exploiting them along the way. (Winner of the Carol Tambor Best of Edinburgh Award 2019.) The Enemy (2021): a provocative and timely drama offering a uniquely Scottish take on Henrik Ibsen's timeless work An Enemy of the People.
Drawing together the work of 10 leading playwrights, this National Theatre Connections anthology features work by some of the most exciting and established contemporary playwrights. Gathered together in one volume, the plays collected offer young performers between the ages of 13 and 19 an engaging selection of material to perform, read or study. Each play has been specifically commissioned by the National Theatre's literary department with the young performer in mind. The anthology contains 10 play scripts; notes from the writer and director of each play, addressing the themes and ideas behind the play; and production notes and exercises for the drama groups. This year's anniversary anthology includes plays by Suhayla El-Bushra, Anders Lustgarten, Robin French, Tim Etchells, Patrick Marber, Kellie Smith, Lizzie Nunnery, Harriet Braun and Alistair McDowall.
‘This is the shape-shifting detail of life, the tiny horrible and beautiful things we don't notice until fever or trauma stop us in our tracks; Lane has pulled them from the depths of our psyche and written them into a story of family that shifts and tilts the world we know. Dreamlike, nightmarish, unforgettable.’ - Jane Rawson, author of A Wrong Turn at the Office of Unmade Lists and Formaldehyde At its heart, The Salamanders is a love story. Arthur lives in a hut by the Hawkesbury River, the detritus of suburban life gradually encroaching. When Rosie, the adopted daughter of his fathers' second wife returns from England to visit. their time together raises childhood memories of their father Peregrine, a famous and controversial artist, and what happened at a holiday by the ocean years ago. Rosie, Arthur and Peregrine are characters the reader will find it hard to let go of and this is also a subtle, affecting novel of ideas. With poetic, hallucinatory power, Lane explores how art can become life, how we as adults cannot truly escape the past and the influence of our parents, and how we might embrace the intensity and beauty of the moment as we journey towards reconciliation.
Sheryl Bayliss, is head of public relations for Hittite Chemicals. When Hittite's lawyer, Jim Kirsten, suggests that it is her department's job to meet and reassure the head of the local environmentalist group of Hittite Chemicals good intentions, Sheryl discovers it is her ex-fiance Jed Hollis she has to meet. Discovering that someone is deliberately manipulating the Greenies into turning radical, Sheryl and Jed need to work together to find out who is laundering bribes and payouts. But can they get past resurfacing attraction and unresolved relationship issues to get the job done?
Some words are the same in every culture. Hope, Texas was the last place that Ozzie, a league loving lad from the Queensland outback, expected to find himself. And the gridiron field, green and perfect under bright Friday lights seemed a world away from the tough, dirt-blown rugby grounds of his home. But life has ways of sidestepping even the b...
