John Webster's Imagery and the Webster Canon
Author: Sanford Sternlicht
Publisher:
Published: 1972
Total Pages: 226
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Sanford Sternlicht
Publisher:
Published: 1972
Total Pages: 226
ISBN-13:
DOWNLOAD EBOOKAuthor: William W. G. Dwyer
Publisher:
Published: 1973
Total Pages: 232
ISBN-13:
DOWNLOAD EBOOKAuthor: Sanford V. Sternlicht
Publisher:
Published: 1972
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Anthony E. Courtade
Publisher:
Published: 1980
Total Pages: 194
ISBN-13:
DOWNLOAD EBOOKAuthor: Floyd Lowell Goodwyn
Publisher:
Published: 1977
Total Pages: 160
ISBN-13:
DOWNLOAD EBOOKAuthor: Sanford V. Sternlicht
Publisher:
Published: 1972
Total Pages: 211
ISBN-13:
DOWNLOAD EBOOKAuthor: Theodora A. Jankowski
Publisher: University of Illinois Press
Published: 1992
Total Pages: 262
ISBN-13: 9780252062384
DOWNLOAD EBOOKAuthor: Alexander Andrews
Publisher:
Published: 1859
Total Pages: 644
ISBN-13:
DOWNLOAD EBOOKAuthor: William E. Mahaney
Publisher:
Published: 1973
Total Pages: 214
ISBN-13:
DOWNLOAD EBOOKAuthor: John Webster
Publisher: W. W. Norton & Company
Published: 2016-04-04
Total Pages: 240
ISBN-13: 0393614670
DOWNLOAD EBOOKThe great English Renaissance tragedy—violent, powerful, unforgettable—in a freshly edited and annotated student edition. This Norton Critical Edition of John Webster’s 1612–13 tragedy offers a newly edited and annotated text together with a full introduction and illustrative materials intended for student readers. The Duchess of Malfi’s themes of love, loyalty, and betrayal have resonated through the centuries, making this a perennially popular play with audiences and readers alike. This volume includes a generous selection of supporting materials, among them Webster’s likely sources for the play (William Painter, George Whetstone, Simon Goulart, and Thomas Beard) as well as related works by Webster and George Wither on widows, funerals, and memorializing death. A generous selection from Mark H. Curtis’s classic essay, “The Alienated Intellectuals of Early Stuart England,” tells readers as much about the character of Bosola as it does about his creator. Henry Fitzgeffrey (1617) and Horatio Busino (1618) provide early responses to the play. “Criticism” is thematically organized to provide readers with a clear sense of The Duchess of Malfi’s central themes of dramaturgy; the politics of family, court, and religion; and gender. Also included are essays on contemporary re-imaginings of the play and its critical reception over time. Contributors include Don D. Moore, Inga-Stina Ewbank, Christina Luckyj, Barbara Correll, D. C. Gunby, Lee Bliss, Rowland Wymer, Brian Chalk, Theodora Jankowski, and Pascale Aebischer. A selected bibliography is also included.