Sir John Tiptoft: 'Butcher of England'
Sir John Tiptoft: 'Butcher of England'

Author: Peter Spring

Publisher: Casemate Publishers

Published: 2018-04-30

Total Pages: 535

ISBN-13: 147389011X

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John Tiptoft, Earl of Worcester, is arguably the most intriguing, controversial and possibly misunderstood figure of the Wars of the Roses period. Politically adept, he occupied a string of important offices, first under the Lancastrian Henry VI and then the Yorkist Edward IV.A man of action, he held commands on both and sea, in England, Ireland and Wales.As Constable of England he acted as Edwards enforcer and earned the sobriquet Butcher of England for his beheadings and impalements. Yet he was also an outstanding Renaissance scholar who studied at Oxford, Padua and Ferrara, a collector of books and patron. This, in conjunction with his political actions, makes him a proto-Machiavellian Prince.Peter Spring also looks beyond the Earls public life to glean insights into the man himself, concluding that the available information generally reveals an attractive personality. He presents a balanced reappraisal, seeing him, as did many contemporary Europeans and some fellow countrymen, as a man of great intellect and capability who did not shirk the hard tasks imposed by a merciless age.Worcesters execution for the application of Roman law, lampooned as the laws of Padua, demonstrated the danger of indentification with continental influences in an England increasingly defining itselfthrough common law, Parliament, and soon religionagainst Europe. The contemporary denigration of his character by little Englander chroniclers reflected a deepening antipathy towards the cosmopolitan a recurring trait in the English character perhaps re-emerging with Brexit.

The Hundred Years War Vol 5
The Hundred Years War Vol 5

Author: Jonathan Sumption

Publisher: Faber & Faber

Published: 2023-08-29

Total Pages: 839

ISBN-13: 0571274587

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'Sumption is that rare and precious thing: a serious, decent, honest thinker . . . and one of our finest historians.' Dan Jones, Sunday Times 'Gripping and eminently readable . . . a compelling justification for the enduring value of historical narrative.' The Times 'Unsurpassed, and probably unsurpassable.' Daily Telegraph In this final volume of his epic history of the Hundred Years War, Jonathan Sumption tells the story of the collapse of the English dream of conquest, from the opening years of the reign of Henry VI until the loss of all of England's continental dominions except Calais thirty years later. This sudden reversal of fortune was a seminal event in the history of the two principal nation-states of western Europe, ending four centuries of the English dynasty's presence in France and separating two countries whose fortunes had once been closely intertwined, creating a new sense of national identity in both. The legacy of these events would influence their divergent fortunes for centuries to come. Behind the clash of arms stood some of the most remarkable personalities of the age: the Duke of Bedford, the English Regent who ruled much of France; Charles VII of France, who patiently rebuilt his kingdom after the disasters of his early years; the captains populating the pages of Shakespeare - Fastolf, Montagu, Talbot, Dunois and, above all, the extraordinary figure of Joan of Arc who changed the course of the war in a few weeks at the age of seventeen. 'The Hundred Years War ends in England's agonising defeat - but triumph for Jonathan Sumption . . . There is no doubting his achievement. It is, as everyone says, a "monumental" work.' Spectator

Sport and Leisure in the Civilizing Process
Sport and Leisure in the Civilizing Process

Author: Eric Dunning

Publisher: Springer

Published: 2016-07-27

Total Pages: 308

ISBN-13: 1349111910

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How do figurational sociologists approach the subjects of sport and leisure? How does their approach differ from other approaches in the field? This major collection, edited by leading writers on sport and leisure, offers a superb introduction to the figurational sociology of sport and leisure. The distinctive features of the approach are clearly explained and contributors show how figurational sociology is applied in the analysis of concrete problems. However, the collection also gives space to critics of the figurational approach. Included here are contributions which claim that the approach is inaccurate, blinkered and irrelevant.

The Oxford History of Literary Translation in English
The Oxford History of Literary Translation in English

Author: Roger Ellis

Publisher: OUP Oxford

Published: 2008-03-20

Total Pages: 496

ISBN-13: 0191529818

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THE OXFORD HISTORY OF LITERARY TRANSLATION IN ENGLISH General Editors: Peter France and Stuart Gillespie This groundbreaking five-volume history runs from the Middle Ages to the year 2000. It is a critical history, treating translations wherever appropriate as literary works in their own right, and reveals the vital part played by translators and translation in shaping the literary culture of the English-speaking world, both for writers and readers. It thus offers new and often challenging perspectives on the history of literature in English. As well as examining the translations and their wider impact, it explores the processes by which they came into being and were disseminated, and provides extensive bibliographical and biographical reference material. Volume 1 of The Oxford History of Literary Translation in English originates with what medievalists have long known, that virtually everything written in the Middle Ages in English can be regarded, one way or another, as a translation, and that medieval understandings of what constitutes literature were significantly more generous than many modern ones. It uses modern as well as medieval understandings of translation to inform its discussions (the two understandings have a great deal in common), and it aims to situate medieval translation in English as fully as possible in its various cultural contexts: this includes, in particular, the complicated inter-relations of translation throughout the period into Latin, and (for the Middle English period) of translation in French. Since it also understands the Middle Ages of its title as including the first half of the sixteenth century, it studies what has survived of nearly a thousand years of translation activity in England.

The Oxford History of Classical Reception in English Literature
The Oxford History of Classical Reception in English Literature

Author: Rita Copeland

Publisher: Oxford University Press

Published: 2016-01-28

Total Pages: 679

ISBN-13: 0191077771

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The Oxford History of Classical Reception in English Literature (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This first volume, and fourth to appear in the series, covers the years c.800-1558, and surveys the reception and transformation of classical literary culture in England from the Anglo-Saxon period up to the Henrician era. Chapters on the classics in the medieval curriculum, the trivium and quadrivium, medieval libraries, and medieval mythography provide context for medieval reception. The reception of specific classical authors and traditions is represented in chapters on Virgil, Ovid, Lucan, Statius, the matter of Troy, Boethius, moral philosophy, historiography, biblical epics, English learning in the twelfth century, and the role of antiquity in medieval alliterative poetry. The medieval section includes coverage of Chaucer, Gower, and Lydgate, while the part of the volume dedicated to the later period explores early English humanism, humanist education, and libraries in the Henrician era, and includes chapters that focus on the classicism of Skelton, Douglas, Wyatt, and Surrey.

Dante’s Divine Comedy in Early Renaissance England
Dante’s Divine Comedy in Early Renaissance England

Author: Jonathan Hughes

Publisher: Bloomsbury Publishing

Published: 2022-02-24

Total Pages: 441

ISBN-13: 1350146293

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Dante's Divine Comedy in Early Renaissance England compares the intellectual, emotional, and religious world of Dante in 13th-century Florence with that of a group of English intellectuals gathered around Humphrey, Duke of Gloucester, uncle of the King, Henry VI. Here, Jonathan Hughes establishes that there was a Renaissance in 15th-century England, encouraged by the discovery and translations of works of Greek philosophers and developments in science and medicine; and that vernacular writers in Gloucester's circle, such as John Lydgate and Robert Hoccleve, were of fundamental importance in exploring the meaning of the self and man's relationship with the natural world and the classical past. However, the appearance in 15th-century England of Dante's 'Commedia', the most popular work of the Middle Ages, served to remind writers and readers of the cost of intellectual enquiry: the loss of faith in a harmonious and beautiful world; the redemptive power of the love of a woman; and the tangible presence of an afterlife. Engagingly written and meticulously researched, this innovative study shines a new perspective on Dante scholarship as well as offering a unique anaylsis of intellectual thought and culture in 15th-century England.