Collected Critical Writings

Collected Critical Writings

Author: Geoffrey Hill

Publisher:

Published: 2009

Total Pages: 827

ISBN-13: 0199234485

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The Collected Critical Writings gathers more than forty years of Hill's published criticism, in a revised final form, and also adds much new work. It will serve as the canonical volume of criticism by Hill, the pre-eminent poet-critic whom A. N. Wilson has called "probably the best writer alive, in verse or in prose." In his criticism Hill ranges widely, investigating both poets (including Jonson, Dryden, Hopkins, Whitman, Eliot, and Yeats ) and prose writers (such as Tyndale, Clarendon, Hobbes, Burton, Emerson, and F. H. Bradley). He is also steeped in the historical context - political, poetic, and religious - of the writers he studies. Most importantly, he brings texts and contexts into new and telling relations, neither reducing texts to the circumstances of their utterance nor imagining that they can float free of them. A number of the essays have already established themselves as essential reading on particular subjects, such as his analysis of Vaughan's "The Night", his discussion of Gurney's poetry, and his critical account of The Oxford English Dictionary. Others confront the problems of language and the nature of value directly, as in "Our Word is Our Bond", "Language, Suffering, and Value", and "Poetry and Value". In all his criticism, Hill reveals literature to be an essential arena of civic intelligence.


The Oxford History of Classical Reception in English Literature: The Oxford History of Classical Reception in English Literature

The Oxford History of Classical Reception in English Literature: The Oxford History of Classical Reception in English Literature

Author: David Hopkins

Publisher: Oxford University Press

Published: 2012-09-27

Total Pages: 749

ISBN-13: 0199219818

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"The present volume [3] is the first to appear of the five that will comprise The Oxford History of Classical Reception in English Literature (henceforth OHCREL). Each volume of OHCREL will have its own editor or team of editors"--Preface.


Making Gender, Culture, and the Self in the Fiction of Samuel Richardson

Making Gender, Culture, and the Self in the Fiction of Samuel Richardson

Author: Bonnie Latimer

Publisher: Routledge

Published: 2016-05-13

Total Pages: 261

ISBN-13: 1317102398

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Proposing that Samuel Richardson's novels were crucial for the construction of female individuality in the mid-eighteenth century, Bonnie Latimer shows that Richardson's heroines are uniquely conceived as individuals who embody the agency and self-determination implied by that term. In addition to placing Richardson within the context of his own culture, recouping for contemporary readers the influence of Grandison on later writers, including Maria Edgeworth, Sarah Scott, and Mary Wollstonecraft, is central to her study. Latimer argues that Grandison has been unfairly marginalised in favor of Clarissa and Pamela, and suggests that a rigorous rereading of the novel not only provides a basis for reassessing significant aspects of Richardson's fictional oeuvre, but also has implications for fresh thinking about the eighteenth-century novel. Latimer's study is not a specialist study of Grandison but rather a reconsideration of Richardson's novelistic canon that places Grandison at its centre as Richardson's final word on his re-envisioning of the gendered self.


The Making of Restoration Poetry

The Making of Restoration Poetry

Author: Paul Hammond

Publisher: DS Brewer

Published: 2006

Total Pages: 262

ISBN-13: 9781843840749

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A survey of Restoration poetry, from the forms in which it was disseminated to studies of important texts. This book explores the complex ways in which authors, publishers, and readers contributed to the making of Restoration poetry. The essays in Part I map some principal aspects of Restoration poetic culture: how poetic canons were established through both print and manuscript; how censorship operated within the manuscript transmission of erotic and politically sensitive poems; the poetic functions of authorial anonymity; the work of allusion and intertextualreference; the translation and adaptation of classical poetry; and the poetic representations of Charles II. Part II turns to individual poets, and charts the making of Dryden's canon; the ways in which Mac Flecknoe operates through intertextual allusions; the relationship of the variant texts of Marvell's "To his Coy Mistress"; and the treatment of Rochester's canon and text by his modern editors. The discussions are complemented by illustrationsdrawn from both printed books and manuscripts. PAUL HAMMOND is Professor of Seventeenth-Century Literature at the University of Leeds.


The Poems of John Dryden: Volume Two

The Poems of John Dryden: Volume Two

Author: Paul Hammond

Publisher: Routledge

Published: 2014-06-11

Total Pages: 480

ISBN-13: 1317891627

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Volume II covers the poems of Dryden from 1682 to 1685. Together with volume one, the work forms the first part of the most informative and accessible edition of Dryden's poetry, providing an invaluable resource for students of Restoration culture.


The Poems of John Dryden: Volume Four

The Poems of John Dryden: Volume Four

Author: Paul Hammond

Publisher: Routledge

Published: 2014-05-12

Total Pages: 441

ISBN-13: 1317905350

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Volume Four covers poems published between 1693 and 1696, principally Dryden's translations from Juvenal and Persius, and those from Ovid and Homer included in the miscellany Examen Poeticum (1693). This new edition represents the most informative and accessible edition of Dryden's poetry, incorporating extensive new research and providing an invaluable resource for all those interested in English poetry and Restoration culture.


The Cambridge Companion to English Literature, 1650–1740

The Cambridge Companion to English Literature, 1650–1740

Author: Steven N. Zwicker

Publisher: Cambridge University Press

Published: 1998-06-18

Total Pages: 362

ISBN-13: 1139825593

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This volume offers an account of English literary culture in one of its most volatile and politically engaged moments. From the work of Milton and Marvell in the 1650s and 1660s through the brilliant careers of Dryden, Rochester, and Behn, Locke and Astell, Swift and Defoe, Pope and Montagu, the pressures and extremes of social, political, and sexual experience are everywhere reflected in literary texts: in the daring lyrics and intricate political allegories of this age, in the vitriol and bristling topicality of its satires as well as in the imaginative flight of its mock epics, fictions, and heroic verse. The volume's chronologies and select bibliographies will guide the reader through texts and events, while the fourteen essays commissioned for this Companion will allow us to read the period anew.


Horace Made New

Horace Made New

Author: Charles Martindale

Publisher: Cambridge University Press

Published: 1993

Total Pages: 362

ISBN-13: 0521380197

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Collection of essays exploring Horace's place in English literature and culture.