This work describes how John Lingard (1771-1851) postulated and applied for the first time in England, the main principles and methodology of modern source criticism in his "History of England" (1819-30). His work is compared and contrasted with other English historians,
Born in the 1700s, John Lingard was an English historian, best known for his 8 volume series, The History of England: From the First Invasion by the Romans to the revolution in 1688. Most previously published biographies about Lingard present a fairly standard portrait of the historian as an unbiased filter of primary historical sources that are somehow allowed to speak for themselves. Thereby it is argued in these previous works that Lingard was a balanced historian.The aim of John Lingard: The Historian as Apologist however is to demonstrate that Lingard was a far more complicated author and character who, while he may have appeared unbiased to the Protestant and Catholic establishments, worked tirelessly to promote the acceptableness of Roman Catholics in the politically reforming climate of the early 19th century – without appearing to do so.Dr. Cattermole’s carefully researched biography will appeal to scholars and general readers who are interested in Roman Catholicism and the history of the 19th century.
Properly understood, social history, local history and historiography are closely interconnected and benefit from the dialectical relationships which help bind them together. The actual topics and individual chapters gathered together in this book are chronologically wide-ranging, but are demonstrably linked by methodological common denominators and common threads in their northern and southern settings. All the essays are squarely based on new research and all reach outwards, as well as inwards. All are problem solving and all display a vigorous methodology at work. Some re-visit well-known historians and subjects such as W.G. Hoskins and Joan Thirsk and the Oxford English Dictionary. Others, like the essays on John Milner and G.H. Tupling make a convincing case for resurrecting the neglected or forgotten.
From the Wolfson Prize-winning author of God's Architect: Pugin and the Building of Romantic Britain Between the fall of the Bastille in 1789 and the opening of the Great Exhibition in 1851, history changed. The grand narratives of the Enlightenment, concerned with kings and statesmen, gave way to a new interest in the lives of ordinary people. Oral history, costume history, the history of food and furniture, of Gothic architecture, theatre and much else were explored as never before. Antiquarianism, the study of the material remains of the past, was not new, but now hundreds of men - and some women - became antiquaries and set about rediscovering their national history, in Britain, France and Germany. The Romantic age valued facts, but it also valued imagination and it brought both to the study of history. Among its achievements were the preservation of the Bayeux Tapestry, the analysis and dating of Gothic architecture, and the first publication of Beowulf. It dispelled old myths, and gave us new ones: Shakespeare's birthplace, clan tartans and the arrow in Harold's eye are among their legacies. From scholars to imposters the dozen or so antiquaries at the heart of this book show us history in the making.