John Donne and Baroque Allegory

John Donne and Baroque Allegory

Author: Hugh Grady

Publisher: Cambridge University Press

Published: 2017-08-10

Total Pages: 237

ISBN-13: 1108171176

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John Donne has been one of the most controversial poets in the history of English literature, his complexity and intellectualism provoking both praise and censure. In this major re-assessment of Donne's poetry, Hugh Grady argues that his work can be newly appreciated in our own era through Walter Benjamin's theory of baroque allegory. Providing close readings of The Anniversaries, The Songs and Sonnets, and selected other lyrics, this study reveals Donne as being immersed in the aesthetic of fragmentation that define both the baroque and the postmodernist aesthetics of today. Synthesizing cultural criticism and formalist analysis, Grady illuminates Donne afresh as a great poet for our own historical moment.


John Donne and Baroque Allegory

John Donne and Baroque Allegory

Author: Hugh Grady

Publisher:

Published: 2017

Total Pages:

ISBN-13: 9781108177313

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Provides a new appreciation of John Donne through the lens of Walter Benjamin's critical theory of baroque allegory.


John Donne and Baroque Allegory

John Donne and Baroque Allegory

Author: Hugh Grady

Publisher: Cambridge University Press

Published: 2017-08-10

Total Pages: 237

ISBN-13: 1107195802

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Provides a new appreciation of John Donne through the lens of Walter Benjamin's critical theory of baroque allegory.


Metaphysical and Mid-Late Tang Poetry: A Baroque Comparison

Metaphysical and Mid-Late Tang Poetry: A Baroque Comparison

Author: Pengfei Wang

Publisher: Vernon Press

Published: 2020-03-05

Total Pages: 125

ISBN-13: 1622739221

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Wishing to expand on the minimal scholarship on the topic of Metaphysical and Mid-Late Tang poets under the general category of Baroque, this book offers a comparative analysis of poems from the Metaphysical poets John Donne, Andrew Marvell and Richard Crashaw and a selection of Tang poetry by Meng Jiao, Li He and Li Shangyin. By following Nietzche’s definition of Baroque as a poetic “style” found in any period and country, and the concept of art as allegory, the author approaches the analysis of these poems using allegorical reading. The application of this non-traditional method of investigation and analysis has produced ground-breaking implications in the area of literary criticism, paving the way for future additions to the growing body of work on Baroque poetry. Therefore, it is likely to hold great appeal to literature researchers and scholars, as well as those studying Tang poetry, Metaphysical poetry and Comparative Studies.


Shakespeare's Dialectic of Hope

Shakespeare's Dialectic of Hope

Author: Hugh Grady

Publisher: Cambridge University Press

Published: 2022-05-19

Total Pages: 259

ISBN-13: 1009098098

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Shakespeare was fascinated by power throughout his career but also understood its dangers and limits. Utopian visions were his solution.


“All Will Be Swept Away”

“All Will Be Swept Away”

Author: Wit Pietrzak

Publisher: Taylor & Francis

Published: 2022-11-04

Total Pages: 178

ISBN-13: 1000772306

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The book offers the first comprehensive study of Paul Muldoon’s mourning verse. Considering not only the celebrated elegies like "Yarrow," "Incantata" or "Sillyhow Stride" but also the elegiac impulse as it develops throughout Muldoon’s entire work, All Will Be Swept Away charts a large swathe of Muldoon’s poetic landscape in order to show the complexity with which he approaches the themes of death and mourning. Using archival material as well as a vast array of theoretical apparatuses, the book unveils the psychological, literary and political undertones in his poetry, all the while attending to the operations of the poetic text: its form, its music and its capacity to console, warn and censure.


Spenser and Donne

Spenser and Donne

Author: Yulia Ryzhik

Publisher: Manchester University Press

Published: 2019-10-07

Total Pages: 421

ISBN-13: 152611738X

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This edited collection of essays, part of The Manchester Spenser series, brings together leading Spenser and Donne scholars to challenge the traditionally dichotomous view of these two major poets and to shift the critical conversation towards a more holistic, relational view of the two authors’ poetics and thought.


Fascinating Rhythms

Fascinating Rhythms

Author: John Drakakis

Publisher: Taylor & Francis

Published: 2022-12-30

Total Pages: 188

ISBN-13: 1000801667

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As one of the most adventurous literary and cultural critics of his generation, Terence Hawkes’ contributions to the study of Shakespeare and the development of literary and cultural theory have been immense. His work has been instrumental in effecting a radical shift in the study of Shakespeare and of literary studies. This collection of essays by some of his closest colleagues, friends, peers, and mentees begins with an introduction by John Drakakis, outlining the profound impact that Hawkes’ work had on various areas of literary studies. It also includes a poem by Christopher Norris, who worked with Hawkes for many years at the University of Cardiff, as well as work on translation, social class, the historicist and presentist exploration of Shakespearean texts, and teaching Shakespeare in prisons. The volume features essays by former students who have gone on to establish reputations in areas beyond the study of literature, and who have contributed ground-breaking volumes to the pioneering New Accents series. It concludes with Malcolm Evans’ innovative account of the migration of semiotics into the area of business. This book is a vibrant and informative read for anyone interested in Hawkes’ unique blend of literary and cultural theory, criticism, Shakespeare studies, and presentism.


The Gestalts of Mind and Text

The Gestalts of Mind and Text

Author: Chanita Goodblatt

Publisher: Routledge

Published: 2022-05-13

Total Pages: 188

ISBN-13: 1000588866

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The Gestalts of Mind and Text bridges literary studies and cognitive psychology to provide a unique contribution to the field of Cognitive Literary Studies. The book presents an investigation of metaphor in poetic texts, adopting and developing empirical methods used by Gestalt Psychology, while integrating concepts informed by Gestalt Psychology. The title indicates an intellectual tradition, to be termed the Gestalt of the Mind, that begins with the Würzburg School of Psychology and its subsequent development into Gestalt Psychology, which provides a rich heritage for the field of Cognitive Literary Studies. The title further indicates an intellectual and creative tradition, to be termed the Gestalt of the Text, applied to various literary schools (Medieval, Early Modern, Modernist). Finally, the Gestalt-Interaction Theory of Metaphor delineates the potentialities for different types of readings of poetic metaphor. This book further makes three significant contributions: the first is the focus on the empirical investigation of metaphor in poetic texts; the second is the integration of the aspects of problem-solving, bidirectionality of metaphor, embodied cognition and the grotesque, in analyzing poetic texts and verbal protocols; and the third is the focus on various literary traditions, spanning languages and periods. The goal of this book is to present an interdisciplinary study of the Gestalts of Mind and Text. This will be of interest to a varied audience, including cognitive psychologists, literary scholars, researchers in aesthetics, scholars of metaphor and those with an interest in intellectual history.


The Form of Love

The Form of Love

Author: James Kuzner

Publisher: Fordham University Press

Published: 2021-08-03

Total Pages: 240

ISBN-13: 0823294536

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Can poetry articulate something about love that philosophy cannot? The Form of Love argues that it can. In close readings of seven “metaphysical” poems, the book shows how poets of the early modern period and beyond use poetic form to turn philosophy to other ends, in order not to represent the truth about love but to create a virtual experience of love, in all its guises. The Form of Love shows how verse creates love that can’t exist without poetry’s specific affordances, and how poems can, in their impossibility, prompt love’s radical re-imagining. Like the philosophies on which they draw, metaphysical poems imagine love as an intense form of non-sovereignty, of giving up control. They even imagine love as a liberating bondage—to a friend, a beloved, a saint, a God, or a garden. Yet these poems create strange, striking versions of such love, made in, rather than through, the devices, structures, and forces where love appears. Tracing how poems think, Kuzner argues, requires an intimate form of reading: close—even too close—attention to and thinking with the text. Showing how poetry thinks of love otherwise than other fields, the book reveals how poetry and philosophy can nevertheless enter into a relation that is itself like love.